Governing the suicide bomber: reading terrorism studies as governmentality

This article engages with the suicide bomber as he or she appears in the terrorism studies literature. In contrast to sensationalised narratives of the suicide bomber as pathological or fanatical, terrorism studies has increasingly come to view suicide bombing as a rational phenomenon that follows an identifiable strategic logic. Following Foucault’s articulation of governmentality, I read this literature as a governmental practice that attempts to understand the latent rationality of suicide bombing so that the phenomenon may be effectively governed and managed. With this understanding, I look specifically at the terrorism studies accounts of female suicide bombers and argue that the concerns they articulate regarding the superior capacity of these women to go undetected, such as with the use of fake pregnancies as disguises, produces the female suicide bomber as a uniquely risky and ungovernable subject.     

The Ongoing Debate Regarding the Duty to Defend and the Use of Extrinsic Evidence

Most courts agree that the duty to defend is broader than the duty to indemnify. Many courts also agree that the duty to defend should be determined by the four or eight corners rule. There is not agreement, however, whether extrinsic evidence may be used to expand, narrow, or eliminate the duty to defend. This article provides an overview of the issue and contends that extrinsic evidence is only appropriate in circumstances where a policyholder seeks to establish a defense obligation or where the insurer is aware of information independent of the complaint that confirms a defense obligation.     

Surpassing the word: Aileen Wuornos

This article explores the dynamics of Richard Move's drag performance of the late Martha Graham. Drag dance is remarkably self-aware as historiography, and it employs a rhetoric of bodies becoming other bodies: channeling, paying homage, re-embodying, reliving, being possessed. This article argues that drag dance has a historical project for dance history; specifically, that drag bodies can become a new medium through which aesthetic/kinetic histories are transmitted. In the case of Richard Move, the exaggeration and excess of the ageing Martha Graham become modalities that align with the ‘wrongness’ of his body. This is drag dance as a strategy of re-embodiment after the original body has been lost, and Richard Move presents his performance as a ‘haunting,’ much like the feeling Martha Graham describes as the result of a dancer's “first death,” when she watches someone else dance a role she had originated. Ballets like Graham's Lamentation and Cave of the Heart give Move the opportunity to portray Graham's struggle to continue to dance after this “first death,” using drag as a strategy to show up the eerie perfection of voice against the hollowness of the ageing dancer's body. Combining vaudeville and séance, moving from the restless gay “underworld” of the Meatpacking District to the right to presume himself the heir to the mother of modern dance, Richard Move first embodies and then moves beyond Susan Sontag's camp “etc etc” of Graham's self-performance.     

Supporting the underdog: feminism,animal rights and citizenship in the work of Alice Morgan Wright and Edith Goode

Abstract

In this article, the author examines the overlap between feminism and animal causes, particularly through the lives of two women, the sculptor, Alice Morgan Wright (1881-1975), and her friend, Edith Goode (1882-1970). Feminism and animal causes had connections in the late nineteenth century, particularly in campaigns to abolish vivisection. Wright and Goode held to these politics throughout their lives, and were ‘precursors of a generation yet to come’ who would argue the connections – as many ecofeminists do today. Both women were involved in suffrage campaigns, and continued to be involved in women's organisations such as the National Woman's Party. They were, however, opposed to all injustice, including human mistreatment of animals. Feminism was, to Wright and Goode, part of a wider set of problems; animal cruelty reflected a greater barbarism leading to mistreatment of humans. Accordingly, they actively campaigned for legislation to protect animals and the environment, and lobbied the fledgling United Nations to include such measures. That challenge to the United Nations represented a unique attempt to bring animals into citizenship' a move being made again today, through initiatives such as the Great Ape Project.     

Deconstructing the Construction Defect Insurance Claim

This article provides a practical overview of the issues presented by a construction defect insurance claim. It begins with a discussion of establishing standing under the typical comprehensive general liability insurance policy, with a particular emphasis on additional insured issues. The article then describes the typical issues faced in proving an “occurrence” took place in the context of a construction claim. Thereafter, the article addresses the so-called business risk exclusions and their potential application in a construction defect case.