Reinventing Africa in La Goutte-d'Or,Paris: photographic essay

This photographic essay is about a multiethnic urban immigrant quartier in central Paris. The text and the selection of photographs reflect a mediation on urban space in the Goutte d'Or and the ways in which transnational migrants from North and West Africa imprint Paris with their own rhythms, images, and culture.     

Visual representation,editorial power,and the dual ‘othering’ of black men in the South African gay press: The case of Gay Pages

Abstract

This article considers some of the ways in which black gay men are marginalised within the queer community and have limited ‘visibility’ in mainstream queer visual culture. The formation of a minority within a minority (or the ‘other’ Other) is ultimately what the article sets out to expose. Thus, we argue that images of black gay men are far less ubiquitous than, for example, those of white, male and middle-class gay men. In order to illustrate this, a purposive sample from the South African gay men's lifestyle magazine Gay Pages is considered and critiqued. We argue that the visual mode of Gay Pages gives the impression of promoting a hegemonic gay male identity. This identity appears to be ‘natural’, but is in fact one-sided and stereotypical, as are most cultural constructions and representations. The narrow and limited representation of gay men endorses an exclusive, homogenous and inaccurate portrait of the queer constituency (in the minds of heterosexual and gay South Africans alike) and suggests the question that leads this investigation: If ‘belonging’ is articulated through the consumption of queer culture, what then of those queers who do not fit the ‘mould’ standardised by mainstream gay print media? This exploration of queer visual media deals not only with that which is frequently represented (white homomasculinity), but also, more significantly, with that which is not (black homomasculinity).     

South African cinema after apartheid: A political-economic exploration

Abstract

When South Africa was emancipated from the oppressive apartheid regime in 1994, it was a severely divided society in need of an inclusive national identity to bind its citizens and maintain peace. Therefore, the state targeted the cultural industries, including film, as a means of promoting symbolic representations of national unity. The film industry was further identified as a priority sector for economic growth and as a potential platform for equitable redress. This article discusses existing and emerging finance, distribution and exhibition structures in the post-apartheid film industry. It considers government interventions in the form of film policies and development strategies with the purpose of examining the influence of globalising forces, in particular neoliberalism, on the apparent market-orientation of such interventions. The results presented indicate that the post-apartheid vision of equality, freedom and diversity does not always sit comfortably with the neoliberal, free-market principles promoted in the Growth, Employment and Redistribution (GEAR) programme of 1996. Moreover, it suggests that in this commercial environment, the voices of the historically oppressed black majority, rather than enjoying a sense of artistic and creative freedom, can in fact encounter commercial censorship through the commodification of films for an export-orientated market.     

Exploring contextual influences on the architectural structure of South African television news programmes This article is partly based on a paper presented at the International Broadcasting Content Regulation Conference,Johannesburg, 27–29 May 2005

Abstract

This article uses a qualitative textual analysis of in-depth interviews with senior news processors as a methodology to explore the unique contextual dimensions that may influence the architectural structure of South African television news programmes. The discussion rests on the basic assumption that news will always present a mediated and constructed version of reality. Six communicative frames categories have been selected to investigate operational processes and issues organising the production process of news: short, straight-forward, ‘objective’ news reports; single-sourced news items based on one major voice or main perspective; investigative news reports; marketable news chosen for financial potential; news items based on community and cultural events; and mythic tales. The findings indicate that the interface between contextual factors and journalistic practices contributes to the unique challenges facing the industry in South Africa. The article concludes with an appeal to news processors to reflect on the consequences and effects their programmes have on audiences’ perception of reality, and proposes recommendations to enable audiences to become more empowered and engaged viewers.     

The Discourse of Tattoo Consumption among Female Youth in Nigeria

Abstract

Among female youth in Nigeria, especially those living in Abuja, Nigeria’s Federal Capital Territory (FCT), and its environs, skin design or tattooing has become a trendy social ritual in reinventing the notion of the “self” or perceived personhood, according to some subjective relevance. The body, or the skin in particular, has become a site for cultural (re)production and interpretation of meaning and a symbolic resource for embodied social capital and individual agency. This article interrogates the practice of tattooing among these youth: its motivations, semiotic interpretations, and perception. It illuminates how female tattoos have helped to create a conceptual dialogue between the biological (objective) body and the social (subjective) body. The study is conceptually rooted in African feminist thoughts and postmodern perspectives about the (female) body which view it as a text that can be written, rewritten and interpreted in powerful ways through a cultural lens. The results indicate that female tattoos are symbolic investments that represent fashion, self-expression, individuality, social change and sexual agency. Fundamentally, the aesthetic and artistic female body is deployed to reconstruct postmodern female identity while protesting the mainstream stereotyped representation of women especially in a male-dominated conservative society like Nigeria.     

The rise of film production and the politics of the star system in South Africa

ABSTRACT

The rise of film production and the ubiquitous presence of the ‘new wave’ of South African films on the international scene in recent years have raised expectations amongst local film stars hoping to get their biggest break by taking leading roles in major South African productions. However, most of these films – particularly co-productions – have continuously used foreign stars in leading roles. As a result, local stars have constantly voiced concerns about the proliferation of foreign artists in leading roles in South African productions. Many explanations have been offered in trying to understand why filmmakers tend to cast a foreign star when a local one could probably do a better job (in, for example, portraying a local icon like Nelson Mandela) and still command a lesser fee. However, this article puts forward that most of these arguments are based on intuition rather than on the real dynamics and externalities governing this practice. The article attempts to make sense of this issue by arguing that the rationale for this practice stems from a film being a high-risk investment that it is driven by the broader financial imperatives of film production. The article offers empirical evidence to suggest that stars do not add economic value to the film, but to themselves (see Elberse 2005), since the bulk of the money goes towards their appearance fees. It is concluded that the traditional model guiding film finance and the logic behind it need to be looked at afresh, given the fact that several films have failed at the box office, both locally and internationally, despite featuring major foreign stars, compared to the massive success of some local films (e.g., Jerusalema, Tsotsi and Yesterday) with local stars in the leading roles.     

The African national congress and its critics: ‘predatory liberalism’, black empowerment and intra-alliance tensions in post-apartheid South Africa

Post-apartheid South Africa is characterized by centralized, neo-liberal policymaking that perpetuates, and in some cases exaggerates, socio-economic inequalities inherited from the apartheid era. The African National Congress (ANC) leadership's alignment with powerful international and domestic market actors produces tensions within the Tripartite Alliance and between government and civil society. Consequently, several characteristics of ‘predatory liberalism’ are evident in contemporary South Africa: neo-liberal restructuring of the economy is combined with an increasing willingness by government to assert its authority, to marginalize and delegitimize those critical of its abandonment of inclusive governance. A new form of oligarch power, combining entrenched economic interests with those of a new ‘black bourgeoisie’ promoted by narrowly implemented Black Economic Empowerment policies, diminishes prospects for broad-based socio-economic transformation. Because the new policy environment is failing to resolve tensions between global market demands for increasing market liberalization and domestic popular demands for poverty-alleviation and socio-economic transformation, the ANC leadership is forced increasingly to confront ‘ultra-leftists’ who are challenging its credentials as defender of the National Democratic Revolution which was the cornerstone in the anti-apartheid struggle.     

Trauma and Posttraumatic Stress Disorder Among Substance-Using Women Entering Cook County Jail

In the United States, the number of incarcerated women continues to rise each year, with African American women having the highest incarceration rates. Many women enter prisons and jails with an extensive trauma history, though little is known about the percentage of these individuals suffering from posttraumatic stress disorder (PTSD) and specific trauma exposures they have had based on factors such as homelessness, degree of substance problems, and race. The present study examines a largely African American substance-using population of incarcerated women to determine the impact of various factors on specific traumas reported. We found that individuals reporting symptoms meeting criteria for PTSD had experienced the highest average number of traumas, and those who had ever been homeless also experienced many and varied trauma exposures compared with those who had never been homeless. Higher substance problems were also associated with more trauma exposure. Fewer than 10 percent of the sample met full criteria for PTSD, though those reporting having ever been homeless and those with higher substance problems were significantly more likely to meet all criteria. Results indicate a need to assess previous homelessness as a method for identifying additional trauma exposures and guiding treatment to women's specific needs and trauma profiles.     

基于知识图谱的国际刑事司法研究可视化分析

我们的研究基于CiteSpaceⅡ可视化软件绘制国际刑事司法研究领域的知识图谱,展示了国际刑事司法领域研究力量的分布,刑事司法研究所涉及的学科,刑事司法研究的知识基础以及该领域研究前沿的态势。研究表明,国际刑事司法研究的主要力量集中在欧美国家的大学与相关研究机构;该研究领域主要涉及社会学、犯罪学、心理学、精神病学等学科;国际刑事司法研究在知识演进过程中明显地呈现出注重理论与实证研究的两种趋势。     

Corruption and Economic Development in West African Economic and Monetary Union （UEMOA）

The theoretical and empirical debate on the effects of corruption on economic development is unclear. Available cross-country evidence suggests that the impact of corruption on economic development may be either positive or negative. It is widely assumed that the struggle against corruption is essential for economic growth. However, corruption is clearly a multidimensional concept, encompassing a variety of discrete components. The author reviews the theory underlying these different causal mechanisms linking corruption to economic growth, and provides an introduction to some outstanding measurement issues. This paper takes a critical look at the effect of corruption on economic development in West African Economic and Monetary Union （UEMOA）. The major results of the investigation indicate that all UEMOA countries are corrupt according to the variables of the Worldwide Governance Indicators （WGI）. UEMOA countries have a deficiency to control corruption, so they need to improve their system of control. As a result, the fight against corruption is still a necessary job for all of UEMOA people.