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41.
Gregory Maertz 《Patterns of Prejudice》2016,50(4-5):337-358
ABSTRACTMaertz's essay offers a history of a modernist art exhibition that opened in Vienna's Künstlerhaus under the patronage of Baldur von Schirach, the Führer's personal representative in that city, the second largest in Nazi Germany. The significance of the 1943 Junge Kunst im Deutschen Reich (New Art in the German Reich) exhibition lies in its assertion of a modernist variant of ‘official’ National Socialist art that clashes with the orthodox aesthetic system typically associated with the Third Reich. 相似文献
42.
《Boletín mexicano de derecho comparado / Instituto de Investigaciones Jurídicas, UNAM》2014,47(139):251-283
In Cuba there is no formal and explicit determination of the sources of Law. At present, however, beyond the normative act as only way for the creation of Law, exists other forms, among which is the jurisprudence. This article discusses some elements that sustain the possibility and necessity of its recognition in the Cuban legal system and the consequences of this fact, since the development of the jurisprudence in different historical moments, the main positions and doctrinal controversies — especially in the Cuban academic circles —, and its concrete manifestation in the judicial system in Cuba. 相似文献