论消费者的法律界定

我国的《消费者权益保护法》实施以来,已成为广大消费者用以保护自身合法权益的有力武器。但随着市场经济的发展,它自身也显示出了一些不适应性。文章从其对消费者概念界定模糊不清这一突出问题出发,总结现今我国关于消费者界定的立法现状,进而提出笔者的有关立法建议,即将消费者在法律上采用排除法界定为“除生产消费以外,购买、使用商品或接受服务的人。”     

消费者概念的法律思考

消费者是社会最终产品和服务的接受者,是购买、使用、持有、处分、接受商品和服务的人,是具有最终消费行为的主体。判断消费者的依据是最终消费行为,不应考虑行为者的目的、动机:是否以盈利为目的;是否为满足“生活需要”。在单位以最终消费主体而非以经营者身份与其他经营者形成的生活消费关系中,单位是消费者。     

一脉相承 与时俱进——新中国成立以来中国共产党几代领导人消费思想综述

新中国成立以来,中国共产党几代领导人既一脉相承地继承了马克思主义消费思想,又与时俱进地从当时特定国情出发,形成了有中国特色的社会主义消费理论。深入挖掘和整理这些消费思想,对当前扩大内需、化解生产与消费的矛盾,促进经济发展方式的转变,有着十分重要的意义。     

增强高校思想政治教育的有效性——以应对消费主义思潮为视角简

消费主义思潮不但对大学生思想观念产生深刻影响,而且制约着高校思想政治教育有效性的充分发挥。要有效应对消费主义思潮对高校思想政治教育有效性的影响,需要我们一要以社会主义核心价值观为指导,重视我国传统教育,倡导大学生树立科学的消费观;二要加强高校思想政治教育理论课的引导,创新教育方法,丰富教育内容,追求正确的自我认知;三要加强良好校园文化环境的建设,如合理运用校园广播媒体,组织开展校园文化活动等。     

Down to Earth: Race and Substance in the Andes

Abstract — The racial identities of Indians and mestizos in a highland Peruvian region are closely associated with their relative positions to the earth. The agricultural Indians are closer to the earth and the town-dwelling mestizos are further from it. This distinction is maintained and reinforced through the use of material objects in everyday life, especially earthen objects (adobe bricks, clay pots, dirt roads) and to earth-touching objects (shoes, floors). This distinction accords with the relativity and fluidity of racial identities of individuals. The origins of this notion are traced to political and religious ideology in colonial and post-colonial Peru.     

转变经济发展方式的发展经济学考察

当前,世界经济处于脆弱的复苏期,这对于经济处于工业化中期阶段的中国来说既是挑战,也是进行结构调整,加速转变经济发展方式的战略机遇。要实现经济发展方式的良性转变,实现经济平稳增长,需要重新检视有关经济增长与发展的观念、政策,科学有效地推动经济发展方式的转变。     

吉林省能源消费问题及调整对策思考

吉林省是我国最重要的老工业基地之一,是工业大省、农业大省,也是能源消耗大省。吉林省工业基础好、重工业所占比重较高,在产业结构偏重的情况下,吉林省存在着能源消费结构不合理、能源消费环境污染较重等问题。吉林省要改变目前的能源消费结构现状,就要扬长避短地发挥现有优势,一方面要加大替代能源的开发力度,使清洁能源的使用比例不断提高,另一方面要提高资源利用效率,减少浪费,降低能耗和减少环境污染。     

The Will to Consume: Schopenhauer and Consumer Society

Consumer society has negated Freud's thesis presented in Civilization and its Discontents. The hindrance of desire affirmation is no longer the foundation of discontent. The inverse is now true. A seemingly limitless number of desires have been manufactured and administered with a solitary route to their affirmation via consumption. Because of this, consumer society's members find themselves in a lifeworld of aimless striving, dissatisfaction, disappointment and boredom. I demonstrate that the attempt to flee the sufferings of estranged labour through consumption has pushed consumer society into a new web of suffering brought on by a continual development of manufactured desires, creating a minor yet perpetual pain that is best understood in the light of a sociologized and historicized Schopenhauerian philosophy.     

Carpool Karaoke: deconstructing the directly lived experience of hearing oneself singing

The various ways whereby spatial conditions afford to monumentalize culture and to appropriate geographically demarcated places in terms of individual and collective meaning structures has been amply documented in urban cultural studies. However, considerably less attention has been paid to how cultural identity is produced against the background of musical temporality. By way of a phenomenological inquiry into the staged spectacle of James Corden’s (the host of CBS Network’s Late Late Show) Carpool Karaoke, this paper addresses the issues of directly lived experience and authenticity as facets of cultural identity. By critically discussing the assumptions of self-presence and auto-affectivity while singing and listening to one’s sung voice against the background of pre-recorded songs, the notion of directly lived musical experience is put to the test. Furthermore, by examining the dramaturgical scaffolding of Carpool Karaoke, the analysis points to wider implications for post-modern cultural studies in terms of an identified ironic reversal of modernist universal criteria of legitimacy in favor of a celebration of post-modern being-with inauthentically. The analysis of the selected Carpool Karaoke corpus utilizes a resourceful blend of phenomenological method, semiotics and interpretive videography while challenging embedded orthodoxies in the extant literature.