论群体性事件处置中的说服艺术

群体性事件基本上属于人民内部矛盾.因此,公安机关在处置过程中.应最大限度地运用解决人民内部矛盾的方法和手段.群体性事件处置中说服的条件是事件态势处于相对控制之下,说服的原则主要有平等性原则、针对性原则、可信性原则和感染性原则.说服方法有标签效应法、"自己人"效应法、亲情效应法和威信效应法等.     

扎根泥土服务民众——浅谈井陉“拉花”的音乐特点

“拉花”是石家庄井陉地区的一种民间歌舞,已有几百年的历史。它的音乐刚柔相济,给人以淳朴坚毅之美感,极具独特风格。传统音乐是我们今天音乐发展的一个坚实的基础,值得我们今天特别去宣传和推广,并借非物质文化遗产保护的东风,让井陉“拉花”在建设和谐社会的进程中,充分发挥它娱乐和教育大众的社会功用。     

Cultural histories of kumiss: tuberculosis,heritage and national health in post-Soviet Kazakhstan

In the nineteenth century, European doctors began to credit kumiss (fermented mare’s milk) for the apparent absence of tuberculosis among the nomads of the Eurasian steppe. As European and American medical journals published articles on the ‘kumiss cure’ and Russian doctors opened kumiss sanatoria, praise for the drink’s curative powers was wound together with romanticized images of the nomadic pastoralists whose creation it was. In Soviet and now in post-Soviet Kazakhstan, kumiss came to hold the double status of medicine and of national heritage. Yet if in the nineteenth century, the steppe was notable for the absence of tuberculosis, in the late twentieth century, it is notable for its presence: Kazakhstan, like many post-Soviet countries, is currently the site of an epidemic of drug-resistant tuberculosis. Discussions of the epidemic now tangle together concerns over the physical health of the population with concern over the cultural health of the body politic.     

Camera,Colony, Künstlerroman: Photography in Three Australian Novels

This article traces the practices of photography that have been portrayed in three Australian artists’ novels: Patrick White’s The Vivisector, David Malouf’s Harland’s Half Acre, and Gail Jones’s Sixty Lights. Photography’s shifting status in relation to art, modes of knowledge, modes of production, and methods of relating to space suggest a growing discomfort in the nation’s literary imagination towards colonial art’s mobilisation of the imagination to authorise “sacred” settler belonging.     

乡土文学的“大题目“:略论20年代乡土文学对鲁迅的继承

２０年代乡土小说主流地位的确立和基本特征的形成,一个重要的原因在于它紧紧抓住了改造国民性文化批判的大题目。这个大题目的抓取和展开是在鲁迅的影响下进行的,具体表现于题材和主题的转换,文化视界的拓展,国民心态的揭示,民俗文化的批判等四个方面。     

The Study on Richard Shusterman's Philosophy of Art

Shusterman's philosophy of art based on the pragmatism philosophy and the reconstruction of aesthetic experience, and with “inclusively disjunctive stance” as its theoretical method reinterpreted the issues such as “the end of art” and the definition of art and the popular art and so on. His philosophy of art focused on strengthening the understanding and experience of art. It also emphasized the continuity between art and life, so it reflected the vivid and pragmatic color.     

Countervisions of Modernity: David Roberts,The Total Work of Art in European Modernism

David Roberts's The Total Work of Art in European Modernism extends and deepens the analysis of the counter-paradigm of redemptively inspired art to modernism's own pre-occupation with secularization. It addresses the imbalance in social and critical theory whereby progressive secular rationalization has been elevated to the sole logic of modernity, and the romantic redemptive tradition has been reduced to a marginal counter-enlightenment. The total work of art paradigm allows Roberts to demonstrate how the programme of modernity has been constituted by internal tensions and antinomies from the very beginning.     

‘The dead are coming’: acts of citizenship at Europe’s borders

This article combines the research agenda of the acts of citizenship literature with reflections on emancipatory theatre. I examine the Centre for Political Beauty’s activity-based artwork ‘The dead are coming’ which problematizes the cruelties of the European border regime in symbolically charged spaces in the German public. Focusing particularly on the roles available to ‘actors’ and ‘spectators’, and the directionality of the message conveyed through the artwork, I examine how the performance subverts the ‘sites’ and ‘scales’ of citizenship. My analysis indicates that the artwork’s subversive potential emerges not only from the political vision conveyed by the artist collective, but also from the way in which others become involved in the performance. Acts of political beauty thus most extensively challenge instituted citizenship’s orientalist anchoring, reverse status-based role allocations and subvert the structural violence of borders when the performance enables the enactment of novel forms of political agency and solidarity.     

干部能力培训课程的设计和实施——以应急管理专题课设计和实施为例

能力培训是干部教育培训的重点内容之一,它是以现实问题为中心的培训方式,紧紧围绕当前政府管理中的现实问题,服务于学员的工作和生活,由此决定了教师将会在课堂上面临信息不对称、知识不对称、地位不对称和阅历不对称带来的挑战。因此,需要在能力培训课堂中创设一种交流共享的平台,以科研的理念和逻辑来设计专题课的内容,用合适的教学艺术来实施教学过程,避免能力培训落入术和器的窠臼。     

优秀传统民俗文化与推进农村社会治理能力现代化——以江西优秀传统民俗文化为例

当前我国农村社会治理出现了一些新情况、新问题,党中央已经做出了推进国家治理体系和治理能力现代化的重要决策。优秀传统文化是中华民族共有的精神家园,作为中华优秀传统文化重要组成部分的优秀传统民俗文化,根植于绵延数千年的中华民族精神之中,最贴近百姓生活,最具生命活力。在新的形势下推进农村治理能力现代化,必须弘扬优秀传统民俗文化,努力探索我国现代农村社会治理的新途径。