宋代民间物权关系的家族主义特征

中国古代民间物权关系随着各个时期宗族组织形式的演进而呈现不同的时代烙印.宋代宗族组织呈现了两极运动的发展趋向:民间宗族组织继承了唐末五代政治冲击后遗留的小家小户的分化趋势,而宋代在新兴士大夫阶级和皇帝提倡下又出现了聚宗收族的历史潮流.民间物权关系作为相应的法律映象也呈双向发展:小规模家庭成为民间物权关系的普遍性主体,其民事主体资格得到法律认可,表现为其私产处分权自由度的提升,而传统的亲邻优先权必然随之弱化;另一方面,族产作为重建宗族、维系族众的经济核心,法律亦相应增容了族产的形态类别并对其增强了保护力度.     

Of oligarchs,orientalists, and cosmopolitans: how “Armenian” is rabiz music?

This paper examines the controversial music genre rabiz in relation to political and socio-economic developments in post-Soviet Armenia. Rabiz, an urban folk-pop genre characterized by melismatic singing and “oriental” embellishments, is a ubiquitous soundtrack to everyday life in the country, with lyrics commonly covering romance, male friendship, and family ties. Ethnographic observations suggest that its popularity draws on the affective appeal with which it captures common hardships and aspirations of post-socialist transition. In spite of this, rabiz is almost universally denounced by nationalist intellectuals and liberal citizens for foreign influences, sentimentality, consumerism, and conservatism. While for the cultured classes, the rejection of rabiz as “un-Armenian” is often an integral part of the construction of a virtuous self, the alternative conceptions of performers and fans reveal the polysemy of Armenianness as a moral category.     

Modern poetry,popular song and their dangerous liaisons

Abstract

In this article, Tsuboi Hideto examines the mutually entwined pursuits of modern poetry and music in interwar Japan, focusing especially on the work of Nakahara Chūya, Kitahara Hakushū, and the People's Poetry group. Cutting across their respective distinctions within the poetry establishment, Tsuboi draws attention to these figures’ shared investment in symphonic, folk and popular music. In so doing, he identifies among them a prevailing concern for curating a poetic voice that might harmonize the conflictual registers of individual and collective expression and thereby attune the work of the poet to that of the ‘people’ more broadly. Meanwhile, the essay traces the currents of modernist and avant-garde thought in Japan and Europe that framed these poets’ engagements with music and sound. Tsuboi then illustrates the varying degrees to which these voices, forged within the cosmopolitan milieu of the Taisho period, bent toward the nationalizing project and later gave way to the chorus of wartime fascism and imperial expansion.     

哼鸣与艺术性歌唱初探

哼鸣练习是获取鼻腔共鸣、头腔共鸣及声音高位安放的有效途径之一,也是引导学生掌握正确声音概念的最好方法。本文介绍了什么是哼鸣,以及哼鸣练习的方法和手段,强调了哼鸣在声乐训练中的重要作用。     

贵州传统民居建筑的环境自然生态观

本文在研究贵州传统民居环境自然生态特点的同时,关注传统民居在历史、文化、地理的综合作用下,分析传统民居的生态特点,挖掘传统民居中普遍而朴素的生态价值、历史意义及现实意义,并为具有生态价值的新民居设计提供理论依据。     

谈全球化背景下民族民间文化的与时俱进问题

不同的文化具有可比性。在民族民间文化的保护和传承问题上,必须反对"凡是存在的就是合理的"这种相对主义倾向。中国传统民族文化只有与时俱进,才不至于被全球化所淘汰,才可能以民族的、科学的、大众的面貌立足于世界各民族文化之林。     

民间法与裁判规范

裁判规范是法官在司法中援引或运用一定规则以直接适用于个案的规范。裁判规范分为两种：一种是法官援引一定规范所直接形成的裁判规范；另一种是法官运用一定规范而构造的裁判规范。民间法作为法律渊源，既可以被法官直接援引作为裁判规范，也可以被法官作为构造裁判规范的“原材料”加以运用。民间法作为法律渊源有一些制约性条件，需要法官识别民间法，也给法官增加了论证义务，以便使民间法作为裁判规范或者以民间法为据构造裁判规范时，获得当事人及其他社会主体的接受。     

音乐心理剧对海洛因依赖者戒毒动机的干预

目的:研究音乐心理剧对我国海洛因依赖者的戒毒动机和操守的临床干预效果。方法:将62名女性海洛因依赖者随机分为实验组(n=31)和对照组(n=31)。实验组进行为期12周的Joseph.J.Moreno音乐心理剧临床干预;对照组常规治疗。将实验组干预后的戒毒动机与干预前及对照组进行比较;追踪所有被试的复吸情况并进行统计;对总体戒毒动机、操守率和各戒毒动机因子进行相关分析,了解干预的方法对戒毒动机和操守率的干预效果。结果:实验组总体戒毒动机与对照组和干预前相比显著提高(P<0.05);总体戒毒动机与"家庭因子"呈显著正性相关(r=0.364)。实验组操守情况(58.06%,18/31)优于对照组(35.48%,11/31),但无统计学意义上的显著性差异(P>0.05)。结论:音乐心理剧临床干预对提高海洛因依赖人群的戒毒动机有明显作用,但在提高复吸率方面效果不明显。提高戒毒动机需要从家庭角度进行干预。由于文化上的差异,本法在临床运用的过程中有些技术的使用存在一定的局限性。     

论国家法与民间法的关系

法律作为一个变量在不同的社会关系中具有较大的差异。而在法律分布数量较少或不均衡的地方,恰恰是民间法生存与发展的空间。这就决定了民间法与国家法既有相协调的一面,又有相矛盾的一面。因此,在法治建设中应当谨慎权衡,尽可能的消除规范适用中的冲突,从而实现法律的和谐。