言、诗、歌、乐之联系与转化

音乐与语言之间存在着紧密的联系。从美学的角度分析 ,语言及音乐在表达人的情感上所产生的言、诗、歌、乐有着深层次的联系与转化。蕴涵于其中的语义与非语义、言与无言、言语声调与音乐声调、人声与非人声等一系列转化的中介是情感力量。     

乐教与养蒙之道——王阳明论音乐教育及其在蒙学教育中的重要作用

音乐教育在儒家的成德之教中始终占据重要地位.本文上篇通过王阳明乐论的个案研究,初步考察了"美"与"善"的关联及其在以美的教育实现善的教育的目的中的思想意义.下篇通过对王阳明<训蒙大意示教读刘伯颂等>文献的考察与诠释,说明了音乐教育在儿童教育中的特殊意义.     

由谣谚所见的民间伦理观念

民间社会村夫野老口耳相传的谣谚,是包含着民间伦理生活真实信息的"活化石".在传统社会,谣谚所映射出的民间伦理观念具有多元复合的特点,儒、道、墨等诸家观念大量充斥其间.谣谚所传达的伦理观念,既有与官方正统教化伦理高度一致的一面,同时也不乏异质的声音.其主要表现是谣谚以有限认同、阳奉阴违、分庭抗礼的姿态,构成了对正统教化伦理的反对性回应.谣谚作为一种小传统文化,与作为大传统文化的主流意识形态之间互渗互用、相生相长,构成了传统社会伦理生活的真实景观.     

Between rock and a hard place: narrating nona hendryx's inscrutable career

Elaborating on the imperialist grasp of rockism, Kelefa Sanneh writes 'There's a place in the Rock and Roll Hall of Fame for doo-wop groups and folk singers and disco queens and even rappers—just so long as they, y'know, rock.' What's striking is how closely Nona Hendryx's career fits within these categories—doo-wop singer, disco queen, rocker—yet, she still hasn't received her due, even within that flawed, proverbial rockist Hall of Fame. Building on Mark Anthony Neal's rich analysis of the proto-disco trio LaBelle and their prophetic collaboration with singer/songwriter Laura Nyro in the early 1970s, this paper traces the lengthy and varied solo career of former-LaBelle, Nona Hendryx. My argument takes as a point of departure the challenge of telling a 'non-rockist' story about how Hendryx rocks, how she doesn't, and why issues of legibility and legacy rest on these questions. I investigate the consolidation of race, gender and genre in the formative period of the 1970s, when rock and disco were situated within popular media as warring sub-cultures. In particular, I track the ways that the purported artifice of disco and its associations with blackness, gayness and overtly performative, 'feminine' modes of display render Hendryx's later experimentation with other genres of music illegible, even to her most devoted fans.     

刍论民间法对法律方法的可能贡献

民间法与国家法的张力由来已久,其紧张关系体现并爆发于法官的办案过程中。作为认识论的民间法依赖并附着于法律方法而生,又为法律方法之鲜活提供养分;而作为方法论的民间法则与法律方法同为方法论,在法学研究方法的博弈中,构成对立统一和互补关系。本文试图从民间法作为国家法之外实存并运行于中国当下社会的规范或秩序的认识出发,探讨民间法与法律方法间的辩证关系,为在司法过程中实现民间法与国家法的有效融合和互动,实现法治原则下和谐社会的宏伟目标,提出有关民间法对司法过程中法律方法的可能性贡献的些许思考。     

Rap Music Genres and Deviant Behaviors in French-Canadian Adolescents

This study investigated the links between the preference for 4 rap music genres (American rap, French rap, hip hop/soul, and gangsta/hardcore rap) and 5 types of deviant behaviors in adolescence (violence, theft, street gangs, mild drug use, and hard drug use). The effects of peers' deviancy, violent media, and importance given to lyrics were statistically controlled. A self-report questionnaire was distributed to a sample of 348 bilingual French-Canadian adolescents (age: M = 15.32; SD = 0.9; 185 girls and 163 boys). Results indicated that rap music as a whole was linked to deviant behaviors, however the nature of the relation differed according to genres. Preference for French rap had the strongest links to deviant behaviors, whereas preference for hip hop/soul was linked to less deviant behaviors. Results are discussed within the psychosocial and sociocognitive perspectives on music influence in adolescence and also within the perspective of normative deviant behaviors in adolescence.     

菲律宾天主教宗教节日的文化特征与功能嬗变

本文尝试从宗教文化调适的角度,分析西班牙殖民时期天主教在菲律宾传播过程中与菲律宾原始宗教与传统文化的调适,特别是宗教节日的文化特征与功能的嬗变,从而阐释西班牙天主教在菲律宾迅速而广泛传播的非政治因素以及文化传播过程中所遵循的文化调适主义这一普遍命题。     

浅析越语歌谣中的六八体歌谣

六八诗体是越语歌谣中最常见、最重要的一种诗体,它独特的押韵规律所表现的语言特色使歌谣更易于吟 唱和记忆,深受劳动人民的喜爱。六八诗体歌谣有着丰富的文化内涵,反映了广大劳动人民的现实生活和理想愿望,是越 南民间文学艺术的一大宝藏。     

民间法生成、运作及其发展的经济学分析

与国家法相对,民间法自生发于有限地域当中,其对特定群体的规制效果长久以来被归因于法律文化的传承,然而文化论的解释对于民间法何以能够成为法,何以能够成为文化,进而何以能够为个体所遵守却不能给出令人信服的答案,法经济学原理的分析进路为我们提供了找出深层原因的依据。因此,我们有必要以经济学原理为分析工具,揭示民间法在生成、运作及发展过程中为个体所接受并产生规制实效的原因所在。     

乡约,民间秩序的重建

在强调法治建设的新时期 ,不能忽视法律并不是社会控制的惟一手段 ,国家秩序并不能涵盖社会生活每个方面 ,必须努力建设一个与之相衔接的民间秩序。而乡约或者称之为乡规民约 ,无论从历史还是现实 ,从内在价值和外在形式上 ,都不失为建立民间秩序的一种优先选择。