中国农村法治建设的现实起点和价值追求

中国农村居住着全国 80 %的人口 ,在推进依法治国的进程中 ,农村是一块法治建设的重要阵地 ,这是无可回避的现实。本文以系统论的方法对农村法治建设的现实起点和价值追求进行较深入的探析。     

宗教与邪教--中华民族文化古今渊源辨析

宗教不仅是一种社会意识形态,而且是一种社会历史现象.其本质属性是对超自然、超人间力量的崇拜.民间秘密宗教包含着秘密宗教与秘密结社的双重含义,具有异端性和反叛性,活动常处于秘密和非法状态,常常被主流社会界定为异端邪教.当代邪教是指具有严重犯罪性质的伪似宗教组织.它打着宗教旗帜,神化教主,制造异端邪说,精神控制信徒,秘密建立非法组织,从事违法犯罪活动,常常以极端的手段与现实社会相对抗,严重危害公民人权和社会秩序.应开拓新型思维范式,运用多学科的理论范畴,考察当代社会复杂纷纭的宗教、泛宗教现象,确立宗教、准宗教、伪似宗教、邪教的系列类型,积极引导传统宗教,发挥其有益的社会功能,治理邪教势力,防范其危害社会的稳定.     

习惯法/民间法研究范式的批判性理解——兼论社会控制概念在法学研究中的运用可能

概念是进行科学研究的基本分析工具,同时具有促进和制约研究的辩证属性,因此需要对概念进行反思。“习惯法”、“民间法”这两个概念对于挑战和批判“法律中心主义”具有重要学术贡献。但是“习惯法”、“民间法”概念定义过于宽泛,使其作为一种研究范式不能很好地对不同性质和不同运作方式的规范进行必要的区分,从而导致这种研究范式具有局限性。在法学研究中,可以尝试用“社会控制”概念来弥补习惯法/民间法研究范式的不足。     

完善的民间组织是构建和谐社会的重要力量

本文通过对民间组织特点和作用的分析,探讨了天水市如何培育发展民间组织,充分发挥其在构建和谐天水进程中的作用。     

论乡村旅游的文化特性

乡村旅游是一种具有田园观光、乡土民俗感受及休闲度假性质的"复合式旅游产品",其文化特性包含有深厚淳朴的传统文化和宁静自然的田园生态文化,深入研究其文化内涵,不仅可以大力开发这一旅游产品市场,而且对传统文化的传承,加强城乡交流与沟通,理解传统与现代特质都有积极意义。     

创意旅游：乡村旅游提升战略——以桂林龙胜为例

创意旅游是创意产业和旅游产业相融合发展起来的一种新兴的高级旅游形态,经济和社会效益显著。面对创意时代的到来,站在乡村发展、旅游产业升级的视角,桂林龙胜应借助区域经济发展契机,以创意思维,研究开发农业创意旅游发展模式、民族民俗文化创意旅游发展模式、生态创意旅游发展模式、养生养老创意旅游发展模式,红色创意旅游模式,借此发展提升乡村旅游和区域整体价值。     

The three phases of rock music in the Czech lands

In the Czech lands (included in Czechoslovakia until the end of 1992), rock music has evolved through three phases. In the first phase, lasting until 1968, rock musicians had no ambition to offer social or political commentaries. This began as the era of rock ‘n’ roll, which is to say music being performed for dancing. The second phase began after the Soviet bloc invasion of Czechoslovakia in August 1968, lasting until the end of the communist era in 1989. In this phase, rock musicians (no longer playing rock ‘n’ roll were closely monitored by the authorities and were expected to sing happy songs, submitting their song texts to the authorities for approval in advance of performing them. In spite of this control, some rock groups purposefully sang political texts in the 1970s and 1980s, mocking or criticizing the communists, albeit often cryptically. Finally, in the third phase – since 1989 – having lost their ideological foe, Czech rock groups have for the most part become politically disengaged.     

The ‘end of diaspora’ is just the beginning: music at the crossroads of Jewish,African, and Ethiopian diasporas in Israel

ABSTRACT

The ‘return’ of Ethiopian Jews to Israel in the last three decades provides an alternative case. In this presentation, I focus on the prominent role of music as ethno-racial information for Ethiopian Israelis as they engage with the process of homing and integrating in Israel. I explore their experience as black Jews through the musical tastes of young Ethiopian Israelis. For these youths, far from leaving their Ethiopianness behind, music is the fodder for actively reinventing it. I explore how they claim their place as Jews in Israel through participation in the musical communities of Ethiopian and African diasporas.