论巴特勒小说《家族》中的历史书写和政治隐喻

美国科幻小说家奥克塔维娅?巴特勒的《家族》融科学幻想小说、新奴隶叙事与历史书写小说于一炉,以穿越的形式向人们展示了奴隶制的罪恶,引发对美国现实种族关系、两性关系的思考。小说通过新奴隶叙事的形式再现了不可再现之过去,通过科幻小说的形式言说了黑人无法言说之创痛。其历史书写隐喻着美国黑人和白人割不断的历史渊源和共生关系这一美国国族寓言。《家族》表明,黑白血脉相连,其历史经历交织,黑白的许多经历是共同体验的结果。为了避免历史重演,黑人和白人必须在历史记忆和重访过去中了解历史真相,并对美国当下语境下自由的概念和美国黑人乃至美国整个国族的整体命运加以关注与思考。     

新闻内容的历史构成及其特征分析

不同历史时代、历史时期、历史阶段的社会变化内容和形式,总会清晰地或者模糊地留存在新闻的记忆当中。历史的轨迹就是新闻的轨迹。新闻图景与时代主体具有一致性,与一定的社会制度具有相适性,与一定社会拥有的新词媒介的数量、质量是高度相关的,与新闻媒介生态是直接相关的。     

中国民主政治发展的历史考察及其启示

中国人民追求民主政治的道路漫长,艰辛而又是异常曲折,无数有识之士在这条道路上前赴后继,流血牺牲。直到中国共产党把马列主义与中国现实结合起来,创建了一种有中国特色、符合中国发展的民主政治,中国的民主革命才圆满的画上了句号。回顾中国民主政治的发展历程有许多宝贵的经验和教训值得记取。     

产权社会学：社会学与经济学融合的一种新趋向

既往关于社会学与经济学视角融合的讨论多集中在历史脉络和经典文本之上,从转型中的“产权问题”出发,透过产权分析的社会维度来探究社会学和经济学融合的路径和方向。中国改革以来产权变迁的整体进程呈现为一种“产权连续谱”,在同一体制,甚至同一组织框架内,国有产权、集体产权、个体产权等多重产权形态的并存互融构成中国产权实践的重要特征。产权社会学强调产权是对资源占有的社会认可。产权界定的社会合约性以及多维度性,为解释以公有产权制度为原点的中国产权变革进程提供了一种有说服力的分析框架,也是对产权经济学视角的一种重要补充。     

Black geographies of struggle and pleasure in Nona Faustine’s White Shoes

In Nona Faustine’s photo series of self-portraits, White Shoes, the artist’s body becomes the agent in exposing the instability of racialized historical geography. Faustine revisits New York City’s landmarks to address what is missing or made invisible: a slave ship, a fugitive woman’s rebirth, or African burial grounds. Making herself visible where she is supposed to remain invisible, she highlights the unacknowledged connection between national wealth, nationalism, geography, and black labor. She discloses the topography of her travels as a changeable terrain, where one slips from the national iconic to ambiguous and finally, to the sacred. I suggest that Faustine doesn’t seek to democratize the extant historical maps, but to shift the terms of reading the city’s geography. She lifts the boundaries between the polarized pathways of knowing – the secularized and the sacred, the living and the dead, the verifiable and the missing. This shift is also made possible by the medium of photography and a feminist turn towards pleasures in one’s body. As Faustine comes to terms with the psychic and cultural inheritance of the diaspora, she moves from the collective body of pain towards black women’s pleasure in their own bodies without purging the history of sexual trauma.     

性别·叙事性·语言学视角:露斯·佩奇的女性主义叙事理论评析

20世纪90年代以降,以北美为主导的女性主义叙事学得到了长足的发展,无论是在叙事理论建构还是在叙事批评实践上均取得了引人瞩目的成果.本文主要从性别、叙事性、研究方法以及研究课题等层面出发,评析英国学者露斯·佩奇的女性主义叙事理论.文章指出,一方面,佩奇采用文学与语言学的双重视角,对女性主义叙事学的发展做出了重要贡献;但另一方面,佩奇关于叙事形式可以脱离性别的论点又偏离了女性主义叙事学研究的主流.     

The Self-salvation of Capitalist Society——Giddens' Criticism of Historical Materialism and the Third Way

Giddens fully absorbs the Marx's capitalism critical theory of capital criticism as the core by including Marx in historical framework of late modernity. Based on fracture of modernity, Giddens criticizes historical materialism and develops structural theory of understanding of the developed capitalist society. Thereby, Giddens shows the current status of modernity: pluralistic structure and high risk of society dominated by the forces of globalization. According to the principle, Giddens proposes “the third way” as self-salvation of capitalist society: adhere to the ideals of socialism, beyond the traditional opposition of government and market, making full use of the balance between state and market to build a society of positive welfare. Laying aside political label of “the third way”, the exploration of the balance between government and market is of great practical significance for China to promote the balance between government and market, and to manage the challenge of globalization. However, the position of Postmodernism indicates that Giddens criticism of Marx's historical materialism is a failure undoubtedly.