“中国文学史编写研究”笔谈——史识、体例与趣味：文学史编写断想

中国文学史的编写已有近百年的历史。就其范式而言，大致有三种类型。早期由林传甲、黄摩西、谢无量等所撰写的中国文学史，相互之间虽然差异甚多，但相同点是明显的，都将学术史视为文学史的重要组成部分。1920年代以降，中国文学研究加快了由传统向现代转型的进程，其显著特点是，以诗、文、小说、戏曲作为文学所特有的样式，文学史不仅以这四种文体作为主要叙述对象，而且在叙述中贯彻了“一代有一代之所胜”的思路，即格外突出《诗经》、楚辞、汉魏乐府、唐诗、宋词、元杂剧、明清小说。进入90年代后，第三种范型开始出现，一批学者不约而同地追求中西会通的境界，即一方面合理地引入某些西方概念，以激活中国的学术传统，另一方面又充分注意中国文学中某些特殊的现象、范畴，力求给予同情之了解。文学编年史就是在这种学术背景下兴盛起来的。陈平原、陈文新、刘勇强、赵伯陶等学者长期从事中国文学史研究，在中国文学史的编写方面积累了若干心得。这组笔谈表达了他们对部分问题的看法。     

鲁迅《野草》的现代主义因素探析

将“现代主义因素”确立为《野草》的一个重要特质来加以分析,正是谋求对《野草》中大量苦闷彷徨空虚绝望的“情感压抑”的深化理解。《野草》所指涉的众多精神命题与西方现代主义文学的空幻、绝望、死亡、荒诞等基本主题有很大同构性,其艺术形式上的象征意味、非实指性、哲学品格的追求与西方现代主义文学的典型外部特征也惊人地相似。《野草》在表现现代人的危机意识、探索人的心理深度方面为中国新文学开辟了艺术表现的新途径。     

流寓异乡兼照两地--新加坡华侨邱菽园与新加坡早期的"流寓文学"

本文探讨了邱菽园"流寓文学""心属故地、兼照两地以及华文本土化"的特点,论证了邱菽园文学个案对新加坡早期"流寓文学"、新加坡华文文学史的价值.     

先锋小说的传统文化意味

先锋文学浪潮的兴起是时代、社会与历史文化发展的必然。先锋小说在对主流现实主义文学的反叛中,不自觉地回归了我国古代的历史文化传统,在思维方式、价值态度和小说观念等方面,都无意识地与我国古代文化传统相沟通。先锋小说具有浓郁的传统文化意味。     

What does recovery mean to a forensic mental health patient? A systematic review and narrative synthesis of the qualitative literature

This is a systematic review and narrative synthesis of qualitative literature for forensic mental health patients’ perceptions of recovery. Relevant databases were searched and a total of 11 studies that fit the inclusion criteria were identified. Thematic Synthesis was applied to synthesise the collated themes into six superordinate themes: connectedness, sense of self, coming to terms with the past, freedom, hope and health and intervention. Two superordinate themes were particularly prevalent: connectedness and a sense of self. It is argued that a focus on increasing opportunities for forensic mental health patients to develop a sense of self and connectedness could help improve recovery. Future recommendations to expand on these findings include using grounded theory methods to develop theoretical understanding of the data.     

从旅行文学看日据时期台湾文人的民族认同——以彰化文人的日本和中国大陆经验为中心

日据时期许多彰化作家前往日本或中国大陆旅行或旅居。他们欣赏日本的美丽风景,但心情并不愉快,因他们无法认同统治台湾的殖民者。如叶荣钟诗作充满悲凄落寞之感,虚谷诗风转向清淳淡远,但这只是严峻时局下的隐忍。洪弃生、施梅樵、庄太岳、赖绍尧、杨树德等对大陆充满向往,通过自己或亲友游览祖国壮丽河山,增强了民族自豪感;赖和、周定山等更看到了当时中国的贫穷战乱以及某些国民性弱点,这不仅没有减弱,反而加强和深化了他们的民族意识和认同。     

An interview with Eben Venter: Trencherman and environmentalism in South Africa

This interview explores the role of environmentalism – specifically as it relates to meat and agriculture – in the literature of South African writer Eben Venter. As discussed in the interview, Venter’s novel Trencherman, through its envisioning of a post-apocalyptic South Africa, serves as an especially productive text for examining the interplay of colonialism and ecological violence.     

论彝族毕摩文学

毕摩对彝族文学的繁荣发展起着重要作用,创作出了卷帙浩繁的文学作品。彝族对文献的传统分类有二种,一类是毕摩专门用于宗教仪式方面的经典著作,称“毕摩特依”(祭祀书);一类是用于民间仪式方面的普通文献,称“卓卓特依(民间文学)。本文阐述毕摩及毕摩文学与彝族文学的关系。彝族文学的发展,从创作历史看,卓卓特依(民间文学)要晚于毕摩文学,因此彝族文学是随着部分毕摩的社会职能的改变,即从祭师—经师—歌师的角色衍化而来的,客观上促使彝文应用从宗教领域向民间社会生活的渗透和伸张。     

比较法视阈下民间文学艺术的知识产权保护重构

用法律手段保护民间文学艺术是知识产权保护“国际化”进程的需要,也是保护传统文化、增强文化自信、提升我国文化软实力的迫切要求.民间文学艺术的法律保护问题首先是由发展中国家提出来的,发达国家中对民间文学艺术保护相对较弱.比较法视阈下,民间文学艺术的知识产权保护尽可能既要与现行国内国际立法实现有效对接,又要坚持立法重构,以有效保护民间文学艺术传承、记录、整理和汇编者的合法权益.     

Educating Young Radicals: Shanghai University, 1922-1927*

Abstract

The development of the vernacular language during the New Culture Movement was only intended as a transitional stage to the goal of abolishing the Chinese language. Intellectuals such as Qian Xuantong, Lu Xun, Hu Shi, and Chen Duxiu all advocated to varying degrees the Romanization, Latinization, and abolition of the Chinese language. Chen Yinke, however, argued that the adoption of a Europeanized grammatical structure, and the borrowing of neologisms from abroad, such as Japan, altered the fundamental property of Chinese as an independent language. Reassessing the language reform of the May Fourth today, it is evident that the development of the simplified character, the vernacular language, and the pinyin did not achieve the goal of unifying the spoken and written Chinese. Instead by eliminating the classical language, the language reform removed the ability of the vernacular-speaking masses to create a literature of the written words.