我国民族古籍传统分类体系概述——以纳西族、藏族、彝族古籍为例

以纳西族、藏族、彝族古籍为例,总结了历史上我国民族古籍传统分类体系的特点,介绍和分析了近现代学者对民族古籍的分类方法,并提出建立适用而完善的民族古籍分类体系的粗略设想。     

高校院系资料室文献资源建设与管理

专业文献资源是高校文献信息保障体系的重要组成部分。新形势对高校院系资料室工作的要求和定位,使得其必须进行整顿和改革。加强专业文献资源建设与管理,提高资料室管理人员的素质,成为高校院系资料室建设的重要任务。     

简论布依族民间文学中的女性形象

布依族民间文学中成功地塑造了布依族古代劳动妇女的各种典型形象。这些女性形象集中体现了布依族妇女的传统美德     

“打通”和“分界”:回到中国现当代文学

将传统意义上的中国现代文学与中国当代文学"打通",是当下中国现当代文学研究格局深化调整的某种必然.若把中国大陆、台湾、香港三地文学纳入共同的参照视野,不难发现,1945-1949年的中国文学是更多地贯通着1950年代文学形态的,而在传统的研究中,这种内在的贯通性恰恰被阻断,由此可以引起我们对中国现当代文学"打通"和"分界"的重新思考.笔者认为,可以把距今30年以上的文学作为"现代文学史",着重从文学史观的调整、深化来建构;把近30年的文学作为"当代文学"的批评内容,着重从文学批评观的调整深化对当下文学历史完成"同代人"的留摄、考察.相信这样一种分界经得起时间推移,有利于中国现当代文学的学科建设.     

The writer as social thinker

Social theory in, and social theorising about, Africa has largely ignored African literature. Yet, the works of African writers constitute potential sources for the analysis of social thought and for constructing social theory in the continent. Indeed, African writers offer the kinds of abstractions, comparisons, frameworks and critical reflections on the African lifeworld – and the place of the African in the global context in the longue durée – without which it will be impossible to fully account for the nature of being, existence and reality and the nature and scope of knowledge in the African context. This introduction to the special issue on ‘Writers and Social Thought in Africa’ attempts to bring the social sciences back into conversation with literature (and vice versa) in re-articulating the philosophical dimensions of literature and the social sciences. It re-emphasises the role of African creative writers, not merely as intellectuals whose works mirror or can be used to mirror social thought, but as social thinkers themselves who engage with the nature of existence and questions of knowledge in the continent – and beyond.     

Technocrats and Tortured Bodies: Simone de Beauvoir's Les Belles Images

Through an analysis of Simone de Beauvoir's final novel Les Belles Images (1966), this article examines how a 1960s French technocratic class dealt with individual and collective traumas, particularly how they placed their faith in an undying hope in the future while simultaneously ignoring the horrors of wartime violence. The article contends that Beauvoir's novel is a story of not remembering—or, more specifically, attempting to forget—Algeria and all the conflict signified to the average French citizen, including decolonization, torture, racial difference and political tumult. Analysis rests on the novel's representation of its protagonist Laurence, who had been shaken to the core after reading a newspaper article about a (likely Algerian) woman tortured to death, ultimately causing a nervous breakdown that forever altered her interactions with her family and fellow technocrats. Gender and nationality also figure centrally in this examination of the broader role that images—not only belles images—played in the construction of French national identity at this historical moment.     

Unveiling the Forbidden: Same-sex Love as a Motif in Lydia Wahlström’s Writing

This article investigates how the historian and writer Lydia Wahlström (1869–1954) wrote about same-sex passions in a time when homosexuality was forbidden by law and tabooed in literature. There were of course also, during the first decades of the 1900s, many people who lived in same-sex relationships, some of them openly enough that this can still be discerned in the historical material. Lydia Wahlström was among them. She was active in the suffragist movement and one of its most prolific leaders, speakers, and writers. Wahlström was awarded a doctorate in history in 1898 and then became the director of studies at the Åhlinska School for girls in Stockholm. Alongside this, she wrote numerous articles and non-fiction books on a wide range of subjects as well as three romans-à-clef. In these novels, she wrote about the love that dared not speak its name, but she had to draw a veil over the forbidden motif in order to write about it. The interesting thing is that Wahlström did not mask the controversial motif more than that the observant contemporary reader could understand the underlying meaning in the novels and that it becomes even clearer to those who read her autobiography that was published many years later. This article deals with writing about same-sex love in a profoundly homophobic time.     

世界文学与中国现代诗歌的世界性

世界文学概念自歌德提出之后,经过不断的讨论和阐释,成为重要的理论范式和方法。丹穆若什强调,世界文学是从翻译中获益的文学,它不是指一套经典文本,而是指一种阅读模式。宇文所安以北岛为例分析了中国现代诗歌在向世界传播过程中的得与失,以及文化民族化与全球化等问题。在世界文学的视域下,中国现代诗歌的发展与流变轨迹既体现了民族化的内在诉求,也见证了其参与世界交流与对话的外在需要。中国现代诗歌的重要发展阶段及集大成者诗人的创作历程,都显示出其在融通民族性与世界性上的不懈努力。中国现代诗歌何以走向世界?罗伯特·白英1947年编译出版的《当代中国诗选》提供了一些可资借鉴的经验与模式。研究世界文学与中国现代诗歌的世界性,有助于推动中国文学与文化走出去,提升文化自信,增强中华文明的传播力与影响力。     

形式本体论:新时期文艺的价值取向

形式本体论是新时期中国文艺从实践到理论都曾积极追求过的价值取向之一.这一文艺思潮首先表现在作家的创作实践层面,然后是文学批评家们的形式批评,最后上升为文艺理论家们的文艺形式本体理论的建构,这一思潮自有其产生的合理原因,也有其不足.     

中国古代文论在现代文艺理论中的融通与转换

中国古代文论的现代性转换,并不是要西化,绝不能离开民族特色这个根,而是要在古代文论与现代文论的融通中实现转换,比如言志抒情理论的延伸与转换、意境理论的发展与运用、文艺社会功能的拓展及其特殊性、神思妙悟式艺术思维的肯定等.