世界文学与中国现代诗歌的世界性

世界文学概念自歌德提出之后,经过不断的讨论和阐释,成为重要的理论范式和方法。丹穆若什强调,世界文学是从翻译中获益的文学,它不是指一套经典文本,而是指一种阅读模式。宇文所安以北岛为例分析了中国现代诗歌在向世界传播过程中的得与失,以及文化民族化与全球化等问题。在世界文学的视域下,中国现代诗歌的发展与流变轨迹既体现了民族化的内在诉求,也见证了其参与世界交流与对话的外在需要。中国现代诗歌的重要发展阶段及集大成者诗人的创作历程,都显示出其在融通民族性与世界性上的不懈努力。中国现代诗歌何以走向世界?罗伯特·白英1947年编译出版的《当代中国诗选》提供了一些可资借鉴的经验与模式。研究世界文学与中国现代诗歌的世界性,有助于推动中国文学与文化走出去,提升文化自信,增强中华文明的传播力与影响力。     

Deconstructing the Boundaries: Gender and Genre in Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden,Norway and Denmark

ABSTRACT

In her 1796 travelogue, Wollstonecraft combines the main elements of many different genres, blending together the physical-geographical account of the countries she was visiting with her own feelings, producing a Romantic conception of the human being overwhelmed by and subsumed into the natural elements. The journey through the Scandinavian countries turns out to be more than a business travel. It takes the shape of an inner route, a rediscovery of herself and of her experiences, including motherhood. The ability to dismantle the boundaries of the travel writing genre in such an innovative way is the same ability she shows when subverting the literary gender stereotypes that saw women marginalized inside the domestic sphere. What emerges from this extraordinary epistolary collection is a woman capable of the greatest sentimentality and, at the same time, of the smartest rationality, an active woman who does not deny her femininity but who strongly refuses the passivity society has always attributed to the female.     

我国少数民族网络文学的价值评析及趋势预判

少数民族网络文学既是我国网络文学的重要组成部分,更是我国当代文学的重要部分。在网络创作日益繁盛的背景下,少数民族网络文学范式及风格也表现出自身特点,如文体式样相对集中、母语创作比较活跃以及地域色彩明显等。从当代文学史建构层面而言,少数民族网络文学的出现丰富了现有文学版块、修正传统文学体制、并逐渐建立起新型的文学秩序。展望少数民族网络文学未来,大数据技术、多民族文学史观、全球化、全面深化改革的国内环境以及针对少数民族发展的西部大开发战略,都将重塑着少数民族网络文学的发展格局。     

Living Beyond Apartheid: The Territorial Ethics of Reconciliation

This essay explores the ethical murkiness of interpersonal reconciliation in the post-liberation era, focusing on the problem of material, and specifically territorial, restitution—an aspect of justice which critics say was the missing component of the Truth and Reconciliation Commission. A reading of J.M. Coetzee’s Disgrace alongside Bessie Head’s A Question of Power offers a window into the knotty relationship between reconciliation and redistribution, a relationship which, these novels insist, must be accounted for in reassessing directions for the future and defining new political horizons. Theories of post-apartheid interpersonal ethics, this essay argues, are incomplete and unachievable without a territorial dimension. While Coetzee shows territorial demarcations to be the silent shaper of human interaction and a constant snag in the fabric of the “new” South Africa, Head goes outside the boundaries of the apartheid state to envision the ethical restructuring of human relations through transformative practices of cooperative farming. While ethics is fundamentally about a relation to the other, these novels suggest that land distribution must be factored into the interpersonal equation.     

Domesticating Ivoirité: Equating xenophobic nationalism and women’s marginalisation in Tanella Boni’s Matins de couvre-feu (2005)

Abstract

Tanella Boni, an author engaged with African women’s emancipation, has written cautionary essays since the 1990s decrying the xenophobic nature of government-sanctioned ivoirité in the Ivory Coast. Forced into exile owing to the subsequent strife (2000-2010), she wrote Matins de couvre-feu (2005), an allegorical novel in which the woman’s status as a second-class citizen is equated with that of a foreigner in a xenophobic state. This representation plays on the domestic / public space dichotomy, considered by feminist discourse to be a social barrier to women’s equal citizenship. Drawing on Boni’s own ‘feminist’ monograph, Que vivent les femmes d’Afrique? (2008), this article explores the internalisation of national politics (the public sphere) through the ‘domestication’ of an anonymous female narrator who is placed under house arrest. Thereafter an analysis of Kanga Ba, a character who is a victim of xenophobic nationalism, is used to substantiate the equation of the woman’s social and political marginalisation as being that of the foreigner. The argument concludes that Boni’s representational framework ultimately subverts the very notion of a public / domestic dichotomy through narrative strategies that illustrate the porous nature of both spaces, thus eliding the separation between private and national experiences.     

Fieldwork in a conflicted society: A contemporary researcher's ethical dilemma

Abstract

Ethnographers in Kenya have, in the past, grappled with methodological concerns in fieldwork. This is evidenced in the rich literature on methods of data collection, data analysis and dissemination. The discourses have been based on the assumptions that fieldworkers in oral literature are guided by a code of ethics in their fieldwork. This article argues that a number of folklore researchers operate in an ethical void and are unprepared in mitigating various ethical dilemmas that they encounter before, during and after fieldwork. Relying heavily on the personal experiences of the writer, this article discusses dilemmas a fieldworker faces when conducting research in a violence-prone environment, and the ethical considerations thereof.     

‘The new Europeans’: the image of the African refugee in European literature

Abstract

This essay examines the representation of African refugees and asylum seekers in European literature in general, as well recent life writings and literature for young adults in particular. Examples will be drawn from writers as diverse as Benjamin Zephaniah and Senait G. Mehari. It is argued that the selected refugee stories invest in narrating an imagined community of ‘the new Europeans’ and thus invite readers to a plural reading of history. Following this train of thought, I am particularly interested in the interplay between images and motifs that evoke and shape various nation-states while illuminating an imagined European community. I therefore seek to excavate a transcultural imagery that characterizes refugee and asylum seekers as the ‘new Europeans’ by utilizing narrative strategies which reflect Paul Ricoeur's ideas about a new ethos for Europe.     

Are children less reliable at making visual identifications than adults? A review

The current paper reviews research that has investigated developmental differences in lineup identification. A wealth of studies have shown that children can be as accurate as adults when making a correct identification from a target present lineup (TP), however children are more inclined to choose and thereby make a false identification from a target absent (TA) lineup, as compared to adults. The literature reviewed, suggests that the disparity between children's and adult's performances on TA lineups is due to children being unable to resist the social demands to choose someone from a lineup and/or the need to give a positive response. Employing a silhouette within a lineup, that can be chosen if the target is not recognised, appears to be the most successful technique for reducing false identifications made by child witnesses. Including a silhouette as a part of a lineup, along with the lineup administrator being attired in casual clothing, rather than a uniform, are two simple measures that could make child witness identification evidence more reliable.     

近20年来台湾少数民族题材文学中的历史叙事研究

本文在探讨近20年来台湾少数民族题材文学创作风貌的基础上,发掘从台湾少数民族主体这一相对边缘视角言说历史的再现与批判潜能,并从知识社会学的角度考察相关文学创作与诠释所折射出的台湾政治文化变迁。台湾少数民族与非台湾少数民族作家在处理台湾少数民族题材时的切入视角与美学策略有显著差异：台湾少数民族作家致力于追溯被汉文化入侵、改造和收编的历史,反思部落文化在现代文明冲击下的溃败命运,并通过召唤部落文化传统来重建族群认同;非台湾少数民族作家侧重于以历史事件为扭结呈现创伤记忆,一方面流露出某种赎罪心理,另一方面也有淡化历史上台湾少数民族与汉民族冲突的倾向,以共构入史的策略将台湾少数民族的悲情转化为“台湾人”的悲情。本文认为,对台湾少数民族文学的分析应与对20世纪90年代以来多元文化论的兴起与本土化论述策略转型的社会背景的考察相结合,才能还原台湾少数民族议题在当代台湾的兴起与质变过程,进而把握近20年来文学领域对台湾少数民族题材的关注所呈现的历史眼光与意识形态心理变迁轨迹。