康奈尔和她的社会性别理论评述

康奈尔的社会性别研究由女性主义开始,集中在男性气概的研究领域。她认为女性气质和男性气概都是在社会性别秩序三重关系下建构起来的。作为当前世界上最著名的男性研究专家,她认为男性气概是在实践中建构的,它可以分为支配型、从属型、边缘型、共谋型四种类型。康奈尔还从全球化、地理差异、男性气概的危机趋势等方面对社会性别的研究做出了重要贡献。     

‘It’s deemed unmanly’: men’s experiences of intimate partner violence (IPV)

This study investigated male victims’ experiences of female-perpetrated intimate partner violence (IPV). Seven participants were interviewed and the data were analysed using Interpretative phenomenological analysis (IPA). Four essential themes were revealed. (1) Participants identified themselves as victims of abuse (experiencing physical and multiple forms of abuse). (2) They felt they were victims of controlling abuse (through the use of children and isolation). (3) Respondents experienced manipulation through gendered stereotypes of abuse. (4) They felt it was different because they were men. The participants within this study were often deeply affected by the abuse they had experienced. Previous research has found male abusers use societal structures and norms to enable their abuse. The participants in this study felt that their female abusers were equally adept doing this, although the mechanisms were different. Further research should look at the processes by which abusers of either gender control and abuse their victims.     

‘You can tell which ones are the laddy lads’: young women’s accounts of the engineering classroom at a high-performing English university

This paper explores how four young women narrated accounts of their interactions with their male peers in the engineering classroom. Drawing on data collected in a qualitative case study conducted at one high-performing English university, this paper details how the four women described two different versions of laddish masculinity evident within their engineering classroom; a hostile laddish masculinity, and a ‘friendly’ or ‘genial’ upper/middle-class laddish masculinity. Whilst the hostile lads were seemingly frowned upon and socially excluded, the ‘friendly’ or ‘genial’ upper/middle-class lads appeared largely liked and tolerated by the women. This paper thus adds to our understanding of women’s current experiences in engineering education, and works to extend research in the area of laddism in formalized learning contexts in higher education (HE). In particular, this paper draws attention to the existence of subtle or nuanced degrees of laddism in engineering at the university under study, and highlights a possible relationship between ‘lad’ discourses and gendered disciplinary discourses.     

Masculinity and male survivors of wartime sexual violence: a Bosnian case study

While conflict-related sexual violence affects men and women, male survivors are often overlooked or marginalised. The case of Bosnia-Herzegovina (BiH) is a poignant example. Twenty-two years after the Bosnian war ended, little attention has been given to the men who suffered diverse forms of sexual violence during the conflict. The present article contributes to addressing this gap. Based on semi-structured interviews with 10 men who endured the horrors of the ?elopek camp in north-east BiH, it focuses on the lives of these men today. Exploring the men’s silences and the intersection of their trauma with ongoing everyday problems, it goes beyond the commonly made argument that sexual violence against men constitutes an attack on masculinity. Fundamentally, it examines how masculinity norms and expectations have shaped the men’s stories, coping strategies, and current needs. This use of a masculinity lens highlights important gaps within transitional justice, which to date has narrowly focused on violent and militarised forms of masculinity. The article thus calls for transitional justice processes to give more attention to masculinities affected by violence.     

Chōra/Chōros: Samuel R. Delany and the masculine semiotic in Through the Valley of the Nest of Spiders (2012)

Julia Kristeva’s idea of the semiotic chōra continues to haunt gender, literary, and political theory and practice. Reaching what some might consider its controversial climax in the early to middle 1990s – following its introduction in La revolution du langage poétique – the fate of the chōra was left mainly with Judith Butler’s deconstruction of Kristeva’s use of the term in Gender Trouble and Bodies that Matter. Respectively Butler argues: (a) ‘Kristeva restricts herself to an exclusively prohibitive conception of the paternal law, [and] is unable to account for the ways in which the paternal law generates certain desires in the form of natural drives’ and (b) ‘Kristeva insists upon [the] identification of the chora with the maternal body.’ The present article seeks to resurrect this debate with a critique of Kristeva’s as well as Butler’s position regarding the chōra; my argument is twofold: (i) Kristeva is guilty of being unable to account for the generative capacity of the paternal law and (ii) Kristeva’s use of the semiotic chōra does indeed resonate uncomfortably close to certain frequencies of essentialism in gender theory; however, both criticism can be overcome by adding chōros, the masculine form of chōra, to Kristeva’s theoretical lexicon. In order to sketch out the implications for gender, literary, and political theory and practice I turn to American author and critic Samuel R. Delany’s Through the Valley of the Nest of Spiders.     

‘So nobly struggling for their manhood’: masculinity and violence among steelworkers in the wheeling district, 1880–1910

ABSTRACT

Between 1880 and 1910, new technologies and managerial schemes undermined skilled steelworkers’ ability to control production and demand high wages, which also threatened their sense of manhood. The steelworkers in the Wheeling District of northern West Virginia and eastern Ohio remained a union stronghold until the 1909–1910 steel strike. Steelworkers defined manhood in terms of their family wage, a manly bearing toward their bosses, solidarity with fellow workers, and their rights, all closely associated with union membership. Faced with the loss of their union, they turned to violence – not just out of frustration or to win the strike – but also to defend their rights and freedoms and reclaim their masculine identity.     

Surpassing the word: Aileen Wuornos

This article explores the dynamics of Richard Move's drag performance of the late Martha Graham. Drag dance is remarkably self-aware as historiography, and it employs a rhetoric of bodies becoming other bodies: channeling, paying homage, re-embodying, reliving, being possessed. This article argues that drag dance has a historical project for dance history; specifically, that drag bodies can become a new medium through which aesthetic/kinetic histories are transmitted. In the case of Richard Move, the exaggeration and excess of the ageing Martha Graham become modalities that align with the ‘wrongness’ of his body. This is drag dance as a strategy of re-embodiment after the original body has been lost, and Richard Move presents his performance as a ‘haunting,’ much like the feeling Martha Graham describes as the result of a dancer's “first death,” when she watches someone else dance a role she had originated. Ballets like Graham's Lamentation and Cave of the Heart give Move the opportunity to portray Graham's struggle to continue to dance after this “first death,” using drag as a strategy to show up the eerie perfection of voice against the hollowness of the ageing dancer's body. Combining vaudeville and séance, moving from the restless gay “underworld” of the Meatpacking District to the right to presume himself the heir to the mother of modern dance, Richard Move first embodies and then moves beyond Susan Sontag's camp “etc etc” of Graham's self-performance.     

Anorexia nervosa and the problem of “men”

The essay explores anorexia nervosa as clinical historiographical performance, focusing in particular on the role of masculinity and male subjectivity in the development of diagnostic standards for the “disorder” and in contemporary non-traditional patients diagnosed with the condition.     

Dislocated Masculinity: Adolescence and the Palestinian Nation-in-exile

Taking as its starting-point emerging discussion about genderand nationalism, this article considers the masculinities constructedby and for adolescent males born into a Palestinian refugeecamp in Jordan. I consider the relationship of these masculinitiesto the construction of the camp as a moral and socio-politicalspace. Through the employment of ethnographic material, thearticle demonstrates the ways in which young males—throughthe performance of a particular, dominant vision of masculinitytermed mukhayyamji—serve to reproduce the camp as authenticlocation of an exilic national community. The article also examinesthe implications for individual young men of this interplaybetween masculine performance and the reproduction of the campas a moral and socio-political space. It explores the consequencesboth for those who fail or choose not to uphold the idealized,mukhayyamji adolescent masculinity and for those who evincethe skills and qualities that this entails. It is argued that,while the former risk marginalization from the camp as a moraland socio-political community, the latter face marginalizationfrom the economic life of wider Jordanian society and, withthat, endanger the transition to social adulthood. Thus, a setof paradoxes emerges for young males that reflects the ambiguousposition of the Palestinian refugees in Jordan at a specificmoment in the history of Jordan and the Palestinian nationalstruggle.     

Negotiating Violence and Creative Agency in Commissioned Mexican Narco Rap

This article explores agency as an ability to act and exert power creatively when failure implies literal death. It draws on interviews with an ex‐narco and rappers who willingly accept narco‐commissions in 2010s Tamaulipas, Mexico, a context where precarity and necropolitical logics prevail. It asserts that many rappers exert power creatively, despite the risks. Rappers shape narco‐aesthetics by determining the lyrical and sonic elements of songs; draw on experiences of narco‐life to contribute to narco‐ethics; and mould narco‐masculinities by encouraging listeners to stay firm. It proposes that prevalent discursive Us–Them dichotomies facilitate Othering and stigmatisation of actors in the narco‐world, and serve to accentuate narco‐power.