校园流行文化在大学生思想政治教育工作中的作用探析

校园流行文化渗透到大学生的日常生活,对大学生的思维方式、行为方式和价值观念产生了积极和消极的影响,这就要求我们要辨析校园流行文化的表现形式和发展趋势,激发其积极影响,抑制其消极影响,发挥其在大学生思想政治教育中正能量的作用.     

Anxious Images: Linder's Fem-Punk Photomontages

Discussion of British punk visual culture has generally been restricted to the work of the male protagonists, such as Jamie Reid's designs for the Sex Pistols. Jones seeks to present a wider view of punk imagery and its context by discussing the little-known photomontage work of the artist Linder Sterling during 1977-9. Her images are considered in the context of her other work (performance, music and graphic design), the concerns of radical feminism (namely, gender and representation) and feminist-inflected, iconoclastic photographic-based practices of the 1970s. Furthermore, drawing on the work of various theorists, such as Roland Barthes, Walter Benjamin and Angela McRobbie, he argues that Linder's use and subversion of mass media imagery represents a critique of constructed gender identities and the consumer society.     

‘Killing Ourselves is Not Subversive’: Riot Grrrl from Zine to Screen and the Commodification of Female Transgression

This article draws on material from the Riot Grrrl Collection at New York University's Fayles Library to examine the culture of ‘zine’ production in riot grrrl communities in the United States during the 1990s. After investigating the relationship between the political issues and aesthetic strategies explored by riot grrrl literary producers, the author analyses the points of tension arising within the movement, which become illuminated by zines’ revelatory confessional modes, or what Mimi Thi Nguyen has called riot grrrl's ‘aesthetics of access’. The author subsequently enquires after the implications for riot grrrl politics of understanding experiences of oppression and transgressive behaviour as cultural commodities. Finally, the author goes on to trace the commodification of the transgressive feminist gesture in mainstream popular culture and contemporary online feminist activism in the United States.     

从“快乐女声”看商业文化对青少年流行文化的影响

＂快乐女声＂是继＂超级女声＂之后在国内再次掀起了一场大型电视平民选秀节目活动。＂快女＂的受众对象主要是青少年群体,青少年在这一节目活动中除了获得名利双收外,更多的是受制于商家和媒体的操纵与诱导,进而成了给媒体带来高的收视率和给商家带来滚滚商机的＂牺牲品＂。＂快女＂火爆的原因,除了青少年自身因素外,其背后的商业力量也是其产生的重要原因。成人社会应该更加重视青年文化,尤其要正确引导青年流行文化向主流文化方向发展。     

当代中国马克思主义大众化与党的群众路线

当代中国马克思主义大众化与坚持党的群众路线是内在统一的。推进当代中国马克思主义大众化,就是坚持“从群众中来、到群众中去”的党的群众路线。     

当代中国大众文化问题的思考

由于思想解放运动的开展 ,海外大众文化的传入 ,市场取向的经济体制改革等原因 ,当代中国产生了大众文化。这种新型文化的迅猛发展 ,舒缓了大众的身心压力 ,提高了生活质量 ,开辟了新的教育渠道 ,促进了市场经济的发展 ,但同时也导致了新的文化失衡和人文精神的失落。因此 ,要通过明确大众文化的价值体系 ,坚持综合创新的原则 ,进一步规范文化市场等措施 ,引导和促进大众文化的进一步健康发展     

Action repertoires in contentious episodes: What determines governments’ and challengers’ action strategies? A cross-national analysis

This paper studies the interactions between governments, challengers and third party actors in the context of 60 contentious policy episodes in 12 European countries during the Great Recession. More specifically, we focus on the endogenous dynamics that develop in the course of these episodes. Based on the combination of a new event dataset, which allows for the construction of action sequences, and a novel method (contentious episode analysis) to study the impact of actor-specific actions on subsequent actions within a sequence, we test a set of hypotheses on the determinants of actors’ overall action repertoires within specific contexts. Overall, our results are more supportive of the interdependence of cooperation than of the interdependence of conflict: the repression-radical mobilisation-external legitimation of conflictive behaviour nexus is weaker than the concession-cooperation-mediation nexus. While the literature tends to focus on conflict dynamics, we find that there is a more systematic dynamics of cooperation in the course of contentious episodes.