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121.
Like that in other post-communist states, Tajikistan’s agricultural decollectivization was initiated through top-down measures. However, the implementation process has not been uniform across the state’s territory; in some districts collective farms were quickly and thoroughly broken up, while in others the process is just now beginning. In this paper, we investigate spatial variation in Tajikistan’s decollectivization process. Through analyses of diverse data, we reveal that low cotton yield is a necessary condition for farm individualization in districts that are distant from the capital. We interpret this result as indicating that farm managers responsible for unproductive farms often have little incentive or capacity to resist the break-up of farms. In contrast, managers of productive farms have both an incentive and the capacity to maintain collective farming. Furthermore, although human capital dimensions, including family size, off-farm income and education, affect an individual farmer’s preference for private farming, these are not necessary conditions for widespread farm individualization at the district level. In other words, we did not find evidence that farmers had the capacity to directly determine collective farm dissolution. 相似文献
122.
Sandrine Mahieu 《The Political quarterly》2017,88(4):622-630
Public policy for supporting the visual arts has historically followed different traditions in France and the United Kingdom. In an environment of fiscal austerity that impacts upon public funding as well as private patronage, and given the tensions between artistic freedom on the one hand, and market constraints on the other, this article examines how these two traditions of financing artists has influenced the direction of the work itself. A brief historical presentation of the two forms of public support and their evolution in recent decades provides a framework for understanding government attitudes and policies on both sides of the Channel. A closer examination of selected artists, chosen here for their representativeness and their international renown, is used to illustrate the changing nature of public support for visual art creation. 相似文献
123.
124.
Located in current debates on one party dictatorships and regime durability, this article explores continuity and disruptions within the Turkmen political elite in their transition from presidents Saparmurat Niyazov (1991–2006) to Gurbanguly Berdymuhamedov (2007-). We are particularly interested in how the change from an idiosyncratic system, based mainly on president Niyazov's personality cult and visible repression of potential opponents, evolved into a more refined system under his successor, Berdymuhamedov. We will thus look at regime efforts to re-brand Turkmenistan without substantially changing the domestic political structures and dynamics. These include the manufacture of ‘opposition parties’ and holding of formal elections every five years while retaining absolute control over the most important political aspects of the country. We suggest the existence of a two-fold strategy to maintain the status quo based on authoritarian tendencies and learning. Whilst the shift from the first to the second president has brought significant changes, it also demonstrates essential continuities that helped the formation of an official domestic and international narrative proclaiming commitment to a number of international standards and national values; and strict control of most, if not all, aspects of national political life. 相似文献
125.
刑事录像是刑事科学技术的一个重要组成部分,是刑事技术中的一种新手段。加强刑事录像课教学,推广、普及刑事录像技术,使之更好地为刑事侦察工作服务,是我们公安院校面临的急需解决的问题。本文主要从刑事录像在公安实战中的作用;加强刑事录像课教学的必要性及具体的几点措施等几个方面作初步的探讨。 相似文献
126.
李妍 《河北青年管理干部学院学报》2006,(4):62-64
《药》通过明、暗两条线的结构安排,以明线来描述开小茶馆的华老栓一家人的命运,以暗线来叙写革命者夏瑜的故事,来塑造两个主人公,使两个故事通过一个“人血馒头”交织在一起形成了一个艺术整体,从而开拓了作品的思想容量,强化了主题,给人以深刻的印象。 相似文献
127.
郑蕾 《中华女子学院山东分院学报》2007,(1):76-79
当前,高职院校装潢艺术设计教育工作存在教学目的不明确、教学方法守旧、教学内容同一化等诸多问题。针对这一现状,我们要树立正确的教育观,通过教学方法和教学内容的更新,整合教育资源,建立适应时代需要的教育体系,全面提高该专业的教学质量,从而为该专业的发展创造良好的条件。 相似文献
128.
逻辑艺术,它是逻辑方法、规律的运用技术,它将一些抽象的逻辑原理转换成具体的思维方法,并在解决实际问题中加以巧妙地运用。在政法实践中应用的逻辑艺术是适用政法实践各个环节的、体现政法实践具体特色的、能解决司法疑难问题的逻辑手段,对其进行研究和运用具有实用意义、普遍意义、特别意义和效率意义,能起到提高断定能力、推断能力、论辩能力、辨析能力和表达能力的作用。 相似文献
129.
在李安执导的《家庭三部曲》中,《推手》和《喜宴》带有一定的奇观意味,《饮食男女》则从最平凡的饮食和婚恋切入,通过一组群像式的人物及其不同的性格和行为模式,来展现中国文化的多面性和复杂性,以及它与外来文化碰撞之后所呈现的新特征。《家庭三部曲》既表现出对父辈的关爱和同情,也对中国传统文化中的父权进行了解构,并对中国封建伦理道德进行了局部性的颠覆。细腻严谨的视听语言、温柔敦厚的叙事态度和中国文人式的幽默是《家庭三部曲》主要的美学特征。 相似文献
130.
高锋 《山西警官高等专科学校学报》2007,15(1):50-54
劫持犯罪是无法预测的,只能在劫持态势发生后进行有效应对。其中一种有效途径,就是现场策略性的谈判,通过警方与劫持者的谈判沟通来达到缓和局势、保证人质安全的目的。于是一种新型的控制犯罪的手法——反劫持谈判应急方式就应运而生了。 相似文献