论社会科学迁移中的文化安全问题

西方社会科学是随着资本主义发展而产生的一种地缘文化,是维护现代世界体系中处于霸权地位的西方中心国家利益的认知符号体系。它具有统治、制约边缘国家的性质。当西方社会科学来到我国,就有可能嬗变为意识形态,危及我国的文化安全和社会主义建设。我国应该构建立足于本土和社会公正的批判社会科学。     

Situational variables or beliefs? A multifaceted approach to understanding blame attributions

Are victim and perpetrator blame attributions affected more by situational-specific variables or observers’ basic motives and personal beliefs? In three experiments, varying the scenario setting, the effects of victim and participant age, participant gender, sympathy for the victim, trust in the justice system, belief in a just world and acceptance of rape myths were investigated. In total, 877 Swedish adolescents and adults read scenarios reflecting common acquaintance rape situations. Victim age (18 or 31) was manipulated, but did not affect attributed blame. Effects of participant age and gender varied markedly across the three experiments. Sympathy for the victim and acceptance of rape myths were stronger predictors than belief in a just world. Consistently, blame attributions were found to be more affected by personal beliefs than situational-specific variables.     

我国社区矫正制度面临的困境及路径选择

开展社区矫正工作,是我国行刑方式的重大改革,符合国际刑罚执行的发展趋势,有利于维护社会稳定,推进和谐社会的构建。目前,我国社区矫正工作碰到许多现实难题,存在矛盾困境。我们应借鉴吸收发达国家社区矫正的先进理念和管理制度,完善我国社区矫正法律法规,加强专业队伍建设,建立健全管理制度,强化执法监督,积极探索中国特色社区矫正制度的新出路。     

提高欠发达地区农业产业化经营水平解读——陕西省渭南市农业产业化经营水平实证分析

农业产业化经营自然而然地、有机地将稳定家庭承包经营、改革经营方式和管理体制、发展市场经济和现代化农业融于一个历史进程。渭南市农业产业化经营尚处于起步阶段,各类农业产业化组织辐射面还不够广,带动农户能力也还比较弱。应依靠市场信号来组织生产经营,把增加农民收入作为发展农业产业化的基本出发点和落脚点,加快新产品的产业化开发进程,改善农村、农业基础设施薄弱的现状,彻底改造和提升传统农业和农村经济结构,推行生态和清洁生产模式,推广农业质量标准和技术规范,引导农民大力发展适销对路的新、优、特农产品,发展无公害产品、绿色食品和有机食品,实现经济效益、生态效益和社会效益的统一。     

Monopoly defeating mechanisms: Will they function in the digital world?

History reveals that ‘copyright’ was originally monopolistic (in the early fifteenth century) and remained so until the enactment of the Statute of Anne in 1709. Since then copyright has striven to maintain a delicate balance between incentive to authors and avoiding monopolistic stagnation. To achieve these goals, certain monopoly-defeating mechanisms have been adopted such as: fair use, public domain, the idea/expression dichotomy and the exhaustion doctrine. Recently, however, with the implementation of new laws: for instance the Digital Millennium Copyright Act (1988), the EU Copyright Directive (2001), and the implementation of the EU Copyright and Related Rights Regulation amending the Copyright, Design and Patents Act 1988, there is a growing concern that the mechanisms which were enacted to defeat the monopoly will not work in the digital medium. With the provision of affixing technological measures to copyrighted works and the non-application of the exhaustion doctrine in the digital world, arguably the monopoly defeating mechanisms have been disabled. The aim of this paper is to demonstrate the way monopoly defeating mechanisms are becoming non-functional in the digital world. Furthermore, the study also demonstrates how the European Copyright Directive and the UK implementation of the Directive has transgressed the boundary of exclusive rights set by the two World Intellectual Property Organization (WIPO) treaties – the World Copyright Treaty (WCT) and the WIPO Performers and Phonograms Treaty (WPPT) – and copyright law, thereby strengthening the copyright owner's rights in a way that was never intended by the WIPO treaties or by copyright law. Consequently, the new laws have also shifted copyright's attention from commercial pirates to non-commercial individual users. The study aims to demonstrate how the shift took place and finally, trace the recurrence of the monopoly; giving rise to a situation where there is no fair use/dealing, no public domain, no idea/expression distinction and no exhaustion doctrine.     

我国宪法的制定、修改与社会法治化转型

中国向法治社会的转型是通过社会内部自身变革的方式在政府主导之下得以实现的。转型的轨迹可以描述为:思想解放运动使全党全国人民在新的时代条件下重新认识了马克思主义,在彻底否定和不断排除影响中国发展的“左倾”、“右倾”思想和观念的同时,人们的现代文明思想与理念也得到了全面提升并不断加深修养;在正确认识社会基本矛盾和主要矛盾的同时,开始了改革开放将马克思主义与我国社会主义具体实践相结合的发展探索道路。民主法制的重建和不断完善,经济体制和政治体制改革不断深入在实现了市场经济制度的前提下,最终实现了社会向法治化的转型。     

影视信息不同接受心理分析

电视与电影共用一种符码系统--图像,但由于接受环境、接受方式的不同,形成了影视信息不同的接受心理,电影营造的全息幻觉使受众进入梦境,而电视的受众在电视展示生活原貌的同时,始终是在"清醒"地感受纪实空间.