殷熙耕与曹文轩成长小说比较研究——以叙述策略为中心

本文旨在研究使用叙述策略解释韩国作家殷熙耕和中国作家曹文轩的成长小说。成长小说是讲述任务成长过程的小说,是描写主人公在其所处时代的文化和人文环境中从幼年期迈向青年期的自我发现和精神方面不断成长的过程的小说类型。两位作者的成长小说的区别如下：首先,曹文轩是以当时的社会和政治背景下以事件为主进行叙述的,而殷熙耕更重视以成长主体的心理变化和发展过程为基础进行的叙述。曹文轩具有以讲述为主的现实主义倾向,而殷熙耕具有以展示为主的现代主义倾向。其次,叙述者的位相是构成成长小说叙述策略的重要部分。掌握成长全过程的叙述者的视线会在运用“叙述性过去”的过程中,在小说文本和读者之间的相互作用方面占据绝对位置。再次,《辞格》中所说的“距离”适用于成长小说中的“叙述者一主人公”之间。以心理描写为主进行叙述的殷熙耕成长小说的“距离”较近,借用客观叙述策略的曹文轩小说的“距离”较远。     

Co-constituting narrative: the role of researcher identity bids in qualitative interviews with women ex-offenders

Narrative criminology draws upon the stories of the research participants to better understand crime. These narratives are shaped not only by a range of structural, institutional and individual factors, but by dynamics within the interview itself. As both participant and interviewer deploy narrative techniques, they co-constitute identity meanings during the interview process. This study examines interviews with 30 women recently released from incarceration to identify ways that the researcher constructed and “bid” for identity meanings through narrative during the interview process. Specifically analyzed are the researcher’s “small stories” put forth in response to participants during the interview exchange. Ultimately, the co-constitutive nature of interview dynamics suggest that the researcher’s identity bids via small stories have implications for how participants assert their own identity meanings, account for their experiences, and ultimately orient or conceptualize their futures.     

Patient narrative: an ‘on-switch’ for evaluating best interests

This article examines how the wishes, feelings, values and beliefs of adults lacking capacity can be evaluated and the extent to which they are given effect in best interests decision-making. One way of fulfilling the clinician’s legal responsibilities to take a patient’s preferences into account is to explicitly link these to the notion of narrative. Narratives provide a compelling grounding and give weight to views and values that may have been informally and consistently expressed in the past. An evaluation of recent case law suggests that the trajectory of a person’s life, their character and personality, and the perspectives of those with whom the patient has valued relationships are given increasing judicial recognition. Attending to the narrative of the patient could lead to a more sophisticated judgement of best interests than an objective ‘balance sheet’ approach would allow and enable greater alignment with the UN Convention on the Rights of Persons with Disabilities.     

身份叙事与中国参与北极事务身份建构

国家身份可以划分为总体身份和具体身份,具体身份是总体身份在不同场域的具体投射。作为话语实践的一种形式,叙事则是身份建构的主要机制,它将一系列关于总体身份和具体身份的隐喻以特定逻辑联系在一起。当代中国所追求的总体身份是负责任大国,而这一身份的主要表现则是倡导构建人类命运共同体。这一身份通过领域或功能以及地域两个维度被投射到北极场域,形成了"北极事务的重要利益攸关方"这一具体身份。本文在论述叙事和国家身份形成关系的基础上,重点分析了"北极事务的重要利益攸关方"这一身份隐喻通过叙事被投射到具体场域中的过程。通过叙事,"北极事务的重要利益攸关方"同中国的国际责任、各国的共同利益等话语联系在一起,成为负责任大国身份在北极场域的延伸,成为构建人类命运共同体这一宏观目标的组成部分。     

大冈升平的东南亚叙事与战争认知——文学文本的政治指涉阐析

日本战后派作家大冈升平及其创作深受中日文坛关注.一种通行的观点是:他深刻揭露和批判了日本法西斯军国主义发动的那场侵略战争,表现出鲜明的反对法西斯侵略战争的思想倾向.笔者结合社会政治语境,对其作品做了深入的文本分析,意图通过对个案的考察,揭示出日本社会一般的错误战争认知理念所赖以产生的深层社会历史原因,批驳那种视大冈为反战作家的一厢情愿的、误导性的解读,消除由此造成的遮蔽,还原真相.     

中国叙事学事体流变论

叙事学有两个层面,一是叙的层面,一是事的层面。叙事学的研究必须从这两个层面分别进行。对中国叙事学事体进行考察,可以发现经过了实有之事、或有之事、虚构之事与文生之事四个发展阶段。这不仅是对事体的重大揭示,对于“叙”体的认识也有重要意义。     

解读历史叙事的包公断狱故事

历史叙事中的包公形象主要以忠孝、清廉、明察、刚毅为特征 ,而流传至今的 1 0个包公断狱故事 ,除了体现这些特征之外 ,还暴露了包公偶尔也有的断狱不明和刚愎自用的弱点。通过这一研究 ,可以提供一个与文学叙事和民间传说中的包公形象与断狱智慧进行比较研究的前提。     

长篇叙事吴歌产生及繁荣原因初探

吴歌经过千百年的孕育,在各种文艺样式的影响和丰富下,因叙事套式、自由的体制和丰富的句式、特定环境的特定歌手等各种条件的成熟,而于清朝中后期以来形成长篇叙事的巨制,乃是吴歌演进的必然,也是中国古代诗歌整个发展趋势的必然。     

Negotiating a Victim Identity: Young Men as Victims of Violence

This article is based on an interview study of how 10 young male crime victims talk about violent events and actors involved. It focuses on how the young men present their identities as ‘young men’ who have been victims of violent crimes. In their narrations the men struggle with a cultural understanding that ‘masculinity’ is associated with strength and power, while ‘victim’ is associated with weakness and impotence. During the interviews the young men actualize several balancing acts in their presentation of themselves as men and victims in a delicate manner by use of specific word choice, manner of speaking, laughter, etc. The young men are negotiating a victim identity; they portray themselves by careful positioning as both victims and strong, active young men. By this discursive balancing of identities the young men present themselves as manly at the same time as they present themselves as victims. In collaboration with the interviewer the participants negotiate how they want to be known: as ‘victim-worthy’ young men, with associations to a ‘hegemonic manliness’.