寻找精神家园--沈从文对人性美的诠释和追求

对人性美的诠释和追求是沈从文生命结构的主要组成部分。以边城的秀丽风景、纯朴的民情风俗而构成的“湘西世界”,呼唤着美的人情人性,这正是他所寻找到的理想的精神家园。本文主要从人性美的角度切入,来探讨沈从文小说中透露出的人性美,以及人性美的具体表现方式。     

Ink Blossoms Renowned painter Guo Shifu soars to new heights in the traditional arts

正Guo Shifu was born in 1945 in Beijing.A member of the China Artists Association and an art commissioner with the Beijing Fine Art Academy,Guo is also the founder of Beijing’s first painters’association,which has since been renamed the Beijing Society for Bird-and-Flower Paintings.Guo is proficient in traditional painting,calligraphy,seal cutting,poetry and Western artistic techniques.The Ministry of Culture has listed Guo as one of the masters of contemporary Chinese art.     

LETTERS

正Now in my 60s,I am starting to think seriously about where I’m going to spend my later years.I do not personally oppose living in a nursing home when I’m too old to take care of myself.My children treat me very well and I enjoy the time we spend together.But they have lives of their own,while I have a life of my own.I don’t have the heart to expect them to look after me,as they are already occupied with     

试论中国传统服装美学与西方服装美学的差异

服饰是透射一个民族艺术哲学理念的重要窗口。中国传统服装美学一方面受到儒家礼教规范及伦理道德的影响,注重＂美＂与＂善＂的相似性,缺乏对人体之美的正视与研究,把服装审美创作看作传播教化、塑造人格、维护礼制的形象表征,遮蔽人体曲线,宽衣博带;另一方面在道家思想统摄式思维观照下,追求衣饰与人体在整体审美上的和谐,淡化人体特征而凸显精神气韵。西方服装美学注重＂美＂与＂真＂的共同点,求真务实地强调人体曲线,以探求表现人体的本质美为审美理想。如何承袭中国传统美学智慧,又借鉴西方服装美学求真精神,创造出中国服装独有的时代语言,是中国当代服装设计师们面临的一个意味深长的课题。     

Walter Benjamin’s Variations of Imagelessness

Abstract

Strongly positive uses of terms that designate an absence, a cognitive or ontological impossibility or a sensory privation are among the persistent conceptual figures of Benjamin’s thought. This article analyses the moves by which Benjamin gave his concept of ‘the expressionless’ (das Ausdruckslose) its intriguing semantic meaning and moral value. Drawing on the poetics and philosophy of the sublime from Greek antiquity through modern times, the article reveals key historical reference points of Benjamin’s concept and, furthermore, his strategy of advocating a novel theory of the sublime as an antithesis to, or an interruption of, the beautiful by selectively integrating older traditions (such as the topos of god’s “imagelessness”) with theorems previously unrelated to these traditions (such as phenomenological reflections on body perception and colour and the twentieth-century discourse on “decision”).     

Undignified Thoughts After Nature: Adorno's Aesthetic Theory

Abstract

This paper seeks to redress the marginalization of Adorno in environmental philosophical discourse. Kate Soper describes two opposing ways of conceiving nature. There is the redemptive "nature-endorsing" paradigm that lays claim to the intrinsic value or "otherness" of nature. Conversely, the "nature-sceptical" approach denies that we can access originary, untouched nature. This paper argues that the significance of Adorno's treatment of natural beauty lies in how he brings these approaches together. In writings that resonate with the dual connotations of Sebald's phrase "after nature", Adorno both affirms the skeptical point that we cannot transcend a human history alienated from nature as well as retaining redemptive hope wherein art "after" nature seeks creative possibilities from out of the very ruins of history marked by nature's destruction.     

浅议德育美学观在大学生思想政治教育工作中的积极意义

德育工作是高校思想政治教育的重要组成部分,但是在高校德育工作中普遍存在着功利化的倾向,这是导致德育工作实效性低下的主要原因。因此,树立德育美学观,在德育工作中开展美学德育对大学生思想政治教育工作具有积极意义。     

一起美容医疗机构越级开展美容项目投诉事件的分析与思考

随着人们永葆青春和美貌欲望的增强和医疗美容技术的发展,医疗美容行业日益火爆,同时医疗美容监督管理发现的违法医疗美容行为也越来越多。通过对一起医疗美容机构越级开展美容手术投诉处理事件,对越级开展美容项目是否为超范围执业提出见解,同时对规范医疗美容活动提出建议和思考。     

通过艺术教育培养当代大学生正确的审美观

通过艺术教育,提高当今大学生的审美素质和审美能力,使当代大学生摆脱庸俗、狭隘的观念,使之具有高尚情操。同时,提高学生的判断力,把握美丑的尺度和价值高低,培养正确的审美观,使自身素质全面发展。     

综合绘画教学与材质媒介的创新性表现研究

在综合绘画教学中,树立创造性思维方式是进行材质媒介创新性表现的前提,材料的个性特征包括质感特征和情感特征,每种材料都具有与众不同的特殊质感及情感传递。切实了解并把握材料的个性特征,突出综合绘画的艺术表现力。把握材质的美感特性,发挥形式美的设计原则,获得鲜明生动的艺术效果。