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341.
吉林省在以社会主义核心价值体系引领文化建设的过程中还存在不少问题。针对以马克思主义为社会主义核心价值体系指导思想出现的认识弱化现象和中国特色社会主义理想信念受到冲击的现象,应深化社会主义核心价值体系引领文化建设的先导权——政治保障机制研究;针对多元化社会思潮对社会道德体系的冲击现象,应深化社会主义核心价值体系引领文化建设的主导权——舆论建构对策研究;针对社会主义核心价值体系建设受到冲击现象,应深化社会主义核心价值体系引领文化建设的引导权——制度建设研究。 相似文献
342.
ERICA SEGRE 《Bulletin of Latin American research》2010,29(3):313-335
The ubiquity of the artefact in Mexican photography needs to be understood as the locus of key originary concepts and as a point of purchase for metaphotographic reflexivity and not merely as an emblematic prop or decorative marginalia. The article discusses the way in which strategies of focus, composition and visualisation, along with the selection or ‘find’ of particular objects and materials, made palpable the abstractions of self‐hood and cultural singularity through the disclosure of form, light and texture. It considers how the practice of the close‐up itself became a cultural trope and how, paradoxically, the pursuit of sovereign objects and autochthonous production in modernist photography elicited a response that infringed visibility in favour of proximity. 相似文献
343.
344.
骆凯 《贵州社会主义学院学报》2011,(1):43-47
毕节试验区成立20多年来,一种成功的模式--毕节模式正呈现在我们面前.毕节模式成功的价值和意义,关键在于它为中国共产党领导的多党合作开辟了新思路,为中国参政党参与国家发展战略提供了现实舞台,充分彰显了中国多党合作的政治优势,丰富了新时期中国多党合作的内容.毕节模式是中国多党合作最集中、最突出的体现,是各民主党派履行参政... 相似文献
345.
李成实 《贵州社会主义学院学报》2011,(3):31-35
胡锦涛统一战线理论有着深厚的哲学根基.坚持以科学发展观统领统一战线工作;坚持统战工作一切从实际出发,实事求是,与时俱进;坚持把"求同存异"作为新时期统一战线的根本工作方法;坚持把实现好、维护好、发展好包括统一战线广大成员在内的全体人民的根本利益作为衡量新时期统一战线工作的根本标准,开创了我国统一战线新局面. 相似文献
346.
统战工作艺术是统战工作方法的巧妙运用和统战工作经验的理性升华。从党和国家领导人到普通统战理论工作者都十分重视统战工作艺术的运用和研究。毛泽东、周恩来、邓小平等老一辈无产阶级革命家在中国革命和建设的伟大实践中巧妙运用统战工作艺术 ,充分发挥了统一战线在革命和建设中的法宝作用。他们的统战艺术是统战艺术宝库的奇葩 ,鲜艳夺目。广大统战理论工作者 ,在统一战线实践中 ,不断探索 ,不断创新 ,使统战工作艺术更加丰富多彩。概括起来有八大艺术 :即善断的艺术 ;主动的艺术 ;应变的艺术 ;兼顾的艺术 ;创新的艺术 ;协调的艺术 ;求同的艺术 ;交友的艺术。 相似文献
347.
Macarena Marey 《Critical Horizons》2017,18(2):168-185
The aim of this essay is to analyse the potential for political emancipation that lies within Kant’s conception of Aufklärung, in critical dialogue with enlightenment critics and specialised Kantian literature. My thesis is that Kant’s concept of enlightenment is intrinsically political and so it must be studied from the point of view of his political philosophy, which was fully developed in the decade of the 1790s. From this standpoint, I propose we study the role and place of Aufklärung within Kant’s central political thesis, to wit: that only the united will of the people can be a legitimate authority. 相似文献
348.
Popular financial reports (PFRs) are intended to increase transparency by providing financial information to a non-technical, citizen audience. We examine the extent to which PFRs are meeting the goal of transparency by developing a 23-criteria fiscal transparency index for the citizen user (FTI-CU) and applying it to a sample of PFRs (popular annual financial reports and citizen-centric reports) issued by local governments in the U.S. These criteria are organized into five areas: comprehension, access, financials, appearance, and community-focused. The analysis finds that, while there are areas for improvement, the PFRs rated the highest in the access and appearance criteria. 相似文献
349.
Feminist scholarship has invested attention in popular culture as a terrain upon which understandings of feminism are circulated, contested and explored. This is particularly so in the contemporary moment in which feminism appears to have achieved a new ascendency. But whilst popular culture and feminism are recognised as inextricably enmeshed, there remains the implicit or explicit assumption in feminist scholarship that popular media culture could do ‘better’, and that there is a more ‘authentic’ form of feminism waiting to find representation. In response to this context, this article undertakes an analysis of Twitter responses to Celebrity Big Brother: Year of the Woman (2018) in order to explore the ways in which a popular media text provides an arena for the negotiation of popular feminism. Rather than positioning reality TV and celebrity culture as a site of ‘ideological ruin’ for feminism, this article explores how CBB is discussed in relation to feminism as popular television, and the ways in which this may offer affordances and limitations. The article concludes that feminist media scholars need to give due attention to the complexities of popular feminism as articulated by popular media culture. 相似文献
350.
Maya Winfrey 《Women & Performance》2016,26(2-3):208-221
Using a dialogic format this conversation between two authors uses political theorist Paolo Virno's conception of the “multitude” to examine and compare two different arenas of black feminist protest that took place on social media in the latter half of 2013. As a performative article, it offers historical and theoretical background to the terms “multitude,” “public intellect,” and “virtuosic labor” in racialized capitalist formations, situating them to provide an alternative to the power of the State – an alternative that unlike the State does not claim to confer rights. The article looks at the Facebook response to a call from the Crunk Feminist Collective to white feminists to speak out on the verdict exonerating Trayvon Martin’s killer and offer counter images to those that describe Martin's killing as justified. It then looks at the public dialogue around the applicability of the term “feminism” to Beyoncé's self-titled “visual album.” Through aesthetic inquiry, the authors look at the form these examples of protest take to situate and propose the active viewing of these aesthetic forms by others on social media, as well as by the authors of this article, as a kind of virtuosic labor. The article concludes with a series of poems created using the “cut-up” technique designed to transmit feeling through subjective action and a task manifesto for white feminists to use as a guide. 相似文献