The aesthetic public sphere and the transformation of criticism

This article argues that criticism is fundamental for understanding how culture and politics shape the ambiguous self-interpretation of society. An initial exploration of Habermas's theory of the public sphere reveals that it is inadequately cultural. An alternative is thus offered by discussing the work of Jacobs, and especially his concept of an “aesthetic public sphere”. His insight that nothing is too trivial when it comes to broadening the limits of the public sphere prompts scholars to take into consideration the positive as well as negative aspects of criticism. As a cultural mediation, criticism is shaped by a struggle for recognition that gives rise to the interpretation of its own crisis. The purpose of the article, however, is to propose a more balance account of such predicament. By discussing online criticism, the rise of the “prosumer” and user-generated content, it is argued that there is now a new battle for authority and legitimacy undergoing. This creates the potential for the democratization of criticism, even though this potential has great chance to remain within an inescapable democratic tension.     

The gypsy as vanishing mediator in Russian television coverage of inter-ethnic tension

The article addresses the representation of gypsies in Russian television news bulletins and popular drama series over a 15-month period. It seeks first to explain the prominence of the media image of the gypsy relative to the size of the Roma population and second to account for the relationship between fictional and non-fictional modes of representation. Situating itself within the broader field of post-Soviet Russian identity studies and applying qualitative tools differentiated according to the arena of analysis, it looks at questions of lexicon, voice and viewpoint in relation to news and issues of characterization, fictional space and plot with respect to drama. The two apparatuses are linked through a shared emphasis on narrative, and in particular on its dual orientation toward the exceptional (what makes a story worth telling and capable of embracing “difference”) and the typical (what enables it to represent and project “identity”). In its central argument it maps this dual “identity/difference” dynamic onto the gypsy's liminal status as both “of the self” and “of the other”, and its mediatory function: the ability to serve as a proxy for ethno-cultural difference more generally, and to negotiate the tensions between the cultural and racial aspects of ethnicity.     

The Television Industry in Post-authoritarian Indonesia

This article examines the rise of capital in the Indonesian television industry. Following Richard Robison's seminal book, Indonesia: The Rise of Capital, it suggests that a range of powerful economic and political interests have determined the dynamics of the evolution of this industry in Indonesia. During the heyday of the New Order, a commercial television industry was created in ways that suited the expansion of the business interests of oligarchic families. In the post-Soeharto era, a major interest of capital in this industry has been to overcome regulatory mechanisms that were put in place before the euphoria of reform and democratisation had abated. Moreover, there are strong connections between capital in the television industry and political groupings contesting power within Indonesia's democracy. While capital accumulation in this industry may not be as massive as in some others, the unique characteristics of television as a medium ensure that exerting control over it remains vital.     

Congressional Communication: Content & Consequences,by Daniel Lipinski. Ann Arbor: University of Michigan Press, 2004. 143 pp. $29.95 paper.

Television interviews with political candidates are pivotal moments in election campaigns. Previous studies in Anglo-American contexts have shown that adversarialism in television interviews can be predicted by the power of the politician and by the status of the interviewer. However, worldwide the structural conditions of the liberal media system are unique. This article studies how the Anglo-American watchdog model of interviews should be adapted to polarized television markets such as Italy, where broadcast organizations are politically, financially, and historically linked to different political blocks. A content analysis of the level of toughness in questions posed to politicians from different parties during the 2006 and 2008 Italian general elections showed that, in line with the watchdog model, journalists are more adversarial toward politicians who are likely to win the elections. Apart from this, interviews in polarized television markets follow a different model: Interviewers with high status are less adversarial, politicians from minor parties face more threatening questions, and partisan bias is more important than role bias. The generalizability of this model is discussed in the light of the polarization of television markets, partisan segregation, and the potential consequences for vote choice and election outcomes.     

Agenda-Setting and Priming in Prime Time Television: Crime Dramas as Political Cues

The effects of agenda-setting and priming are well established in regard to the news media. Considerably less attention has been paid to these phenomena in entertainment media, in spite of the fact that entertainment media enjoy larger audiences than do news media and often address political topics. This article argues that the psychological mechanism hypothesized to lead to agenda-setting and priming effectsthat is, changes in construct accessibilityapplies as equally to entertainment media as it does to news media. Moreover, we contend that the frequency, consistency, and duration of entertainment media treatments of political issues encourage chronic accessibility of those issues. We test these hypotheses looking at television crime dramas as a source of political information. Using data from two controlled laboratory experiments and the 1995 National Election Study Pilot Study, we demonstrate that viewing crime dramas significantly increases concerns about crime and that these concerns significantly affect viewers' opinions of the president. The NES Pilot Study data suggest that these effects are restricted to frequent viewers of crime dramas, supporting a chronic accessibility model of agenda-setting and priming. These findings extend our growing understanding of how non-news sources of political information contribute to the construction of political attitudes.     

Post-9/11 counterterrorism in popular culture: the spectacle and reception of The Bourne Ultimatum and 24

This article examines the representation of counterterrorism in contemporary film and television and surveys its reception among active online audiences. Contemporary counterterrorism fiction like The Bourne Ultimatum (2007 The Bourne ultimatum. 2007. Film. Directed by Paul Greengrass. Produced by Doug Liman, Henry Morrison and Jeffrey M. Weiner. USA.  [Google Scholar]; Film. Directed by Paul Greengrass) and the TV series 24 (2001–2010; Television series. Created by Robert Cochran and Joel Surnow), present viewers with conventional hero-driven narratives wrapped in a spectacle of high-tech surveillance technologies. As counterterrorism is an inherently covert exercise, the widespread popularity of these Hollywood franchises raises questions about how the public understands the capabilities and ethics of counterterrorism. These questions are addressed through an analysis of the generic and aesthetic features of the texts along with a survey of audience responses on the Internet Movie Database (IMDb).     

Criminal Justice “Hollywood Style”: How Women in Criminal Justice Professions Are Depicted in Prime-Time Crime Dramas

With the abundance of prime-time crime dramas on television, it is imperative that researchers examine how female criminal justice professionals are depicted in the world of fiction versus in reality. In this study, a content analysis of 10 prime-time television crime dramas was conducted. Of the 69 characters observed, female criminal justice professionals were portrayed as young, White, and single. Female characters were more provocatively dressed, and they also were more likely to be victims of crime. Unlike previous studies that showed that female characters were underrepresented on prime-time television, here women were overrepresented as crime scene investigators, detectives, and special agents. Stereotypical images of women as subordinate, nurturing, affectionate, and sexually attractive still prevail. However, compared to their male counterparts, female characters were equally assertive, self-confident, and competitive.     

Small Screens and Big Streets: A Comparison of Women Police Officers on Primetime Crime Shows and in U.S. Police Departments, 1950 to 2008

This article utilizes a longitudinal approach to assess the visibility of women as police officers in primetime crime shows from 1950 to 2008 and compares these numbers for television to actual data on women who work as police officers in the United States. We find that as expected, annual labor force data and crime show data both indicate increases in the number of minorities and women working in the criminal justice system over time. Given the robust literature on the general underrepresentation of women on television, however, we did not expect to uncover that both White and minority women are overrepresented as police officers on television every year compared to the occupational reality. Implications of the findings are discussed.     

A motion detection-based framework for improving image quality of CCTV security systems

Closed-circuit television (CCTV) security systems have been widely used in banks, convenience stores, and other facilities. They are useful to deter crime and depict criminal activity. However, CCTV cameras that provide an overview of a monitored region can be useful for criminal investigation but sometimes can also be used for object identification (e.g., vehicle numbers, persons, etc.). In this paper, we propose a framework for improving the image quality of CCTV security systems. This framework is based upon motion detection technology. There are two cameras in the framework: one camera (camera A) is fixed focus with a zoom lens for moving-object detection, and the other one (camera B) is variable focus with an auto-zoom lens to capture higher resolution images of the objects of interest. When camera A detects a moving object in the monitored area, camera B, driven by an auto-zoom focus control algorithm, will take a higher resolution image of the object of interest. Experimental results show that the proposed framework can improve the likelihood that images obtained from stationary unattended CCTV cameras are sufficient to enable law enforcement officials to identify suspects and other objects of interest.     

彝民通过电视的仪式--对一个彝族村落"电视与生活"关系的民族志研究

通过把电视植入某个社区的过程视为该社区通过电视的仪式,可以将大众传播视为社区在现代宿命的、必然要"通过"的"仪式",是在面临大众传媒、尤其是电视所带来的种种变化和现象时,社区为标识、定位、解释这些现象和变化,进而调整自己以适应这种现象和变化而做出的种种社会性行为.展示一个彝族村落中"电视与生活"关系的民族志表明电视与村落的生活一直处于相互建构的过程中,村民按照自己的方式将电视纳入当地生活,同时村民们也渐渐调整自己的生活和文化结构以适应电视.