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肖琳 《今日中国(中文版)》2001,50(1):44-47
当西方国家的当代艺术已经成为艺术的主流,并由政府资助的时候,中国的当代艺术家们才刚刚忙着将自己的作品搬上政府的艺术舞台,去年底至今年初,为期三个月的上海双年展得以在上海美术馆举办。本届双年展第一次广泛吸纳了油画、国画、版画、雕塑、摄影、装置艺术、录像艺术等中国、西方当代的艺术样式;它还第一次邀请到了世界18个国家的数十位有代表性的艺术家们同台展出,在运作模式上,它首次尝试国际通告的策展人制度,由策展人和艺术委员会来决定入选的作品。这次展览被冠以中国当代艺术的“转折点”、“里程碑”、“具有樗性的意义… 相似文献
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A photographer-turned-entrepreneur in Shanghai, Mr. then Haiwen has been pursuing the “photography can get a better development only if it involves in society” concept in both his business and photography practice. He is exploring a road, which is complementary, not conflicting, and also embraces photography, society, art and business. Since society is so large whereas photography is so esoteric, photography can not get a great leap forward, he thinks, unless it integrates into society. And it is true that any art form is of no value if it is divested of social moorings and photography must go to market if it wants to engage with society. 相似文献
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There are some 3,800 rectangular courtyards, 387 well preserved, spread out in this small town. These idiosyncratic domestic buildings have more or less retained the slyle of the Ming and Qing dynasties: the outer walls are usually made of grey bricks bound with white lime mortar reaching up to a height of seven or eight yards with no windows but crenellated tops, which gives it an imposing look, iust like a citadel. 相似文献
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Of the various photography festivals in China, the Pingyao International Photography Festival is still the one of the highest professional standard, the most appealing. As a form of visual language, imagery should not get divorced from social reality. If we could invite to the festival more culture researchers, historians, anthropologists, sociologists, and painters, the photography festival would break the boundaries of photography, attrad more audience, have a more enduring life, and meanwhile offer a wider scope of knowledge to photographers. 相似文献
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The ancient city of Pingyao get familiarized with the world, under the auspices of the festival, which brings Pingyao into the mainstream of the world cultural life but also pushes it to the forefront of history. What we felt viewing each frame of photo is the young Pingyao full of vim and vigor. Pingyao, assuming a new posture, is taking to the stage before the world, like beautiful stage sets decorating the ancient city. And all these will be forever fixed in our eyes and memories. 相似文献