The Entropy of Built Things: Postapartheid Anxiety and the Production of Space in Henrietta Rose-Innes’ Nineveh and Lauren Beukes’ Zoo City

Two recent novels reveal two interrelated clusters of postapartheid anxiety in twenty-first-century South Africa: one type is a dread of invasion, contamination, infestation, and other encroachments of the new, alien, and other. A second set of preoccupations involves subterranean spaces—basements, mines, tunnels—and a distrust of the solidity of built environments. Both Nineveh and Zoo City strip away the surface layers of Cape Town and Johannesburg and show us the layers of infrastructure, mechanization, and human labor that constitute or produce the city itself. But the two novels show us different understandings of the urban “underneath”: Beukes’ imagined Johannesburg is one in which spatial inequalities that seem chaotic, in fact structure the city and allow for social regimentation, while Rose-Innes shows us a Cape Town where spatial structures and entrenched inequality appear to be designed to ward off the intrinsic “entropy of built things.”