The formative years of Azerbaijani nationalism in post-revolutionary Iran

This article covers the period from the Islamic Revolution to Khatami's landslide victory at the presidential elections in 1997 and analyses the processes leading to the formation of a national movement in Iranian Azerbaijan. It successively explores the role played by the Turkish intellectual entrepreneurs, former Leftists and disillusioned Islamists in politicizing Azerbaijani identity and shaping a nationalist movement. This process of aggregation of different social groups reveal what has now become one of the main symptoms of the profound crisis faced by the Islamic Republic.     

Max Weber: Family History, Economic Policy, Exchange Reform

Max Weber descended from Anglo-German merchant families with world-wide connections. This helped make him a cosmopolitan nationalist. Fittingly Weber at first tried to pursue a career in international commercial law. Family connections informed his understanding of South American wheat exports and North American railroad capitalism and of the tariff issues resulting therefrom. This in turn influenced his critique of the Prussian agrarian capitalists, especially of their opposition to trading in grain futures. Weber championed a strong capital market and efficient exchanges. His economic policies remain of exemplary interest insofar as they link the presumptive, if contested, national interest with an unsentimental acceptance of the world economy.     

恐怖主义问题研究

恐怖主义对国际社会的安全与稳定构成了严重的威胁,已经成为影响地区与世界安全局势的顽疾。恐怖主义的核心特性是追求政治目的与利益并实施或威胁使用暴力。恐怖主义常假借宗教名义,或以极端民族主义、极端意识形态为其思想基础。现代社会对恐怖主义的萌生与发展极具影响,为恐怖主义提供存在的客观环境。反恐怖主义必须着眼于事前预防恐怖主义行为的萌生和事后侦查打击恐怖组织和恐怖分子两大方面,确立反恐怖主义的原则与机制,构建反恐怖情报网络,强化反恐怖侦破工作,加强反恐怖队伍建设。     

Debating gender and Kazakhness: memory and voice in poetic duel aytis between China and Kazakhstan

Aytis is a central component of Kazakh oral literature. It is a duelling performance of improvised oral poetry between two aqins (poets, or bards) accompanying themselves on the dombra, a two-stringed plucked instrument. This article analyses contending issues in a transnational aytis between Chinese and Kazakhstani aqins, and explores how gender plays into the complex interplay of transnational identity politics, nationalism, performer positionality, and the preservation of intangible cultural heritage. This article argues that, though minority actors are subject to state-patronized national projects and the gender paradigms those projects entail, they can also obtain empowerment from performing tradition as a way to legitimize their status as culture producers and flexible citizens. Situated as the guardians of a constructed gender balance in society, women performers of oral tradition occasionally find themselves with opportunities to transgress the boundaries of their national and gender norms.     

Guarding the honor of the nation and the prosperity of the state: National Defense of Lithuania ‘Iron Wolf’ (1928-1930)

The radical right, semi-clandestine, and paramilitary organization called the National Defense of Lithuania ‘Iron Wolf’ (1928–1930) is, perhaps, the best known and the only example of an attempt to introduce a fascist form of governance in interwar Lithuania. Established and controlled by the Lithuanian Nationalist Union (Lietuvi? tautinink? s?junga) authorities, its first and foremost task was to protect the new nationalist regime from its political opponents, spread propaganda, as well as report any acts of societal disloyalty and disobedience. The short-lived organization was shut down due to conflict between the highest authorities and the threat that ‘Iron Wolf’ was beginning to pose to President Smetona’s rule.     

The Politics of England

Party political interest in the so‐called ‘English Question’ has grown in recent years, due to the enmeshing of constitutional issues with a growing political and public affiliation with and expression of English national identity and culture. More recently, attention has shifted to the decentralisation of government within England. The ‘English Question’ is thus defined by two interconnected but distinctive ‘English Questions’. This article will assess whether, in seeking to find answers for these ‘English Questions’, the Conservatives and Labour are establishing a more distinctive ‘politics of England’. It will first consider the extent to which the politicisation of English identity and civic society have stimulated a more nationally framed political culture and party politics, and then assess whether constitutional reforms undertaken in Westminster, especially the introduction of EVEL, and regional devolution initiatives within England might facilitate greater party political engagement with an emergent ‘politics of England’.     

Paranoia with a purpose: conspiracy theory and political coalitions in Kyrgyzstan

This article considers the political uses of conspiracy theories (CTs). It is widely accepted that post-Soviet citizens are prone to believe CTs, but there has been little research about the conditions under which politicians endorse conspiracy narratives and why those narratives sometimes become hegemonic. I argue that in times of high uncertainty, CTs have properties that are useful in providing political elites with a focal point for coordination in the absence of other bases for coalition formation. I demonstrate this logic by analyzing the politics surrounding the construction and spread of a conspiracy narrative following violence in Kyrgyzstan in 2010. Politicians with different interpretations of the event coalesced around a contrived conspiratorial narrative, and used it to paper over differences as they formed a ruling coalition. This argument has implications for how to understand the appearance and durability of conspiracy claims in states where political formations are fluid.     

Development Discourse and Popular Articulations in Urban Gujarat

This article discusses how members of marginalized groups in the Indian state of Gujarat make sense of hegemonic discourses about national development in light of their own experiences and material circumstances. For many, the idea of development resonates even when they do not experience material progress in their lives. This partial hegemony of development discourse can be explained by the concept of “political articulation.”. This captures the political process by which parties succeed, at specific historical moments and under certain circumstances, in joining different, even potentially conflictual interests by referring to a common idea and project. The article focuses on Ahmedabad city where the Bharatiya Janata Party (BJP) has created a cross-caste bloc through the trope of development. The BJP has been particularly effective in linking the idea of development to mundane concerns about security, identity and spatial order. However, anxieties about the degradation of labour by increased casualization, informalization, and socio-spatial marginalization have disrupted this common sense linkage and weakened the hegemony of the BJP's model of development.     

‘Hold that Pose!’ Photography and kabuki in Kitano Takeshi's Kikujiro

This article examines Kitano Takeshi's film Kikujiro (Kikujirō no Natsu, 1999) from two directions: first, as an as an experiment in moving versus still photography, and second, as an exploration of time, memory and Japanese identity. I argue that it is in Kitano's cinematic use of elements from the kabuki drama that the two aspects come together. Kitano plays upon the conventions of both kabuki and film media to highlight the significance of the ‘still shot’ as it functions in human memory. By presenting moments of the story in the format of a child's photograph album, Kitano is able to explore ideas of ‘adult’ and ‘child’ as equally arbitrary constructions. Throughout Kikujiro, Kitano draws on a rich tradition of film, drama and television convention in order to explore the idea of where identity comes from – does it come from the past, the present, or do we make it up ourselves? Kitano places emphasis on the still mie pose to heighten emotion and draw attention to the present moment. By contrasting this method against that of photography, Kitano juxtaposes past and present modes of expression, enabling him to interrogate notions of time and the supposed timelessness of art. Finally, Kitano's critical use of the past locates identity not in some distant, unobtainable myth of the nation, but in the lived experience of each individual as a human being.