中共八大对社会主义体制改革的探索

中共八大从政治体制和经济体制两方面对我国社会主义体制改革进行了探索,文章认为这些有益的探索初步指明了社会主义体制改革的方向,是中国共产党探索中国特色社会主义建设道路的伟大起点。     

Stamped out!: Carto-philatelic evidence of the PRC’s constructed notion of China’s territorial integrity

Carto-philatelic imagery illustrates that the “mental map” of China underlying territorial policies of the People's Republic of China is constructed, contingent, and impermanent. Although it has claimed Taiwan by asserting primordial sovereignty, declaring the island to have been part of China “since ancient times,” the ruling Chinese Communist Party (CCP) has not always viewed the island as part of China. Although it recognized the independence of Mongolia in 1950, before it came to power as the government of the state the CCP envisioned Mongolia as part of China. Postage stamps issued in territories governed by the CCP before 1949 juxtaposed to stamps issued by the Republic of China government affirm what documents suggest: that China's boundaries have not been immutable and have been highly contested by Chinese political elite. This should prompt readers to view with skepticism categorical claims about China's sovereignty and “territorial integrity.”     

社会治理转型中的公共行政价值的回应与平衡

公共行政范式转换与社会治理范式变迁相生相伴,每一种社会治理范式实际上都在寻求回应与平衡效率、责任、公平等核心价值,只是在社会治理不同的发展阶段对某一种公共行政价值有所侧重而已.从公共行政价值多元交叉并存的视角来研究和把握社会治理的根本价值和目的,倡导效率、责任与公平等核心价值并重、统一、均衡的科学公共行政价值观,不仅有助于科学把握公共行政理论的发展规律和走向,破解工具性价值与目的性价值的悖论,也有助于社会治理持续均衡发展,从而更好地强化公共行政精神,实现公共利益.     

保护规范理论的始源形态——布勒公权论的再认识

布勒的公权理论可谓保护规范理论的始源形态,应当立足于其历史脉络与整体结构来理解。在布勒的保护规范理论中,法规的强行性排除了裁量规范,但包含不确定法律概念的法规范仍具有强行性。私益保护目的以公私益的划分为基础,构成了布勒保护规范理论的核心要义。援用可能性不同于诉讼可能性,是指受保护的私人可以援用法规范请求行政机关为特定行为。只要法律并未明确排除,即可承认援用可能性的存在。经由布勒保护规范理论所得出的公权具有严格的法规从属性,但也使公权受立法者的宰制。此外,布勒所讨论的公权仅指以特定实体决定为内容的实体性公权,程序性公权被排除在外。在审判实践中,我国法院应对布勒的旧保护规范理论保持警觉,合理地确定行政诉讼的原告资格。     

贪污受贿犯罪定罪量刑标准的变迁与反思——以《刑法修正案(九)》的出台为视角

1997年《刑法》以数额为中心的定罪量刑标准缺乏社会适应性;各法定刑量刑幅度交叉现象严重;贪贿犯罪刑罚减免规定存在"宽严皆失"的弊端;生刑与死刑差距过大,资格剥夺措施一直缺位。《刑法修正案(九)》虽针对诸多问题作出了调整,但贪污与受贿的关系、终身监禁的落地实施等问题仍有待研究。为此,应降低贪贿入罪标准,扩大地方自由权,以无期徒刑重构终身监禁制度,厘清贪污受贿关系并严密刑罚裁量情节,废除贪贿犯罪刑罚减免制度。     

论中国政府的服务性

在政府服务性概念的基础上探讨中国政府服务性的发展阶段、形态、内容与性质问题，分别考察了“为人民服务”与公共服务两种形态的政府服务性的价值、理念、实现形式和特征；区分了政治本位的政府服务性与公众本位的政府服务性，以及这两种服务性对于政府服务实践的影响；指出从政治本位的政府服务性向公众本位的政府服务性转变体现了中国政府服务性的进化，因而具有积极的公共行政和政治意义。     

宁夏传媒业人才开发问题及模式研究

传媒业在愈演愈烈的竞争中需要大批有较高政治素质、文化素质和业务素质的优秀传媒人才投身其中。探讨与现代传媒业发展相适应的人才开发新模式,对于加快宁夏传媒业人才队伍建设步伐,提升宁夏文化软实力和推动社会主义文化大发展大繁荣具有十分重要的现实意义。     

B. F. Skinner's utopian vision: behind and beyond walden two

This paper addresses B. F. Skinner's utopian vision for enhancing social justice and human well‐being as it was introduced in his 1948 novel, Walden Two. In the first part, we address the historical, intellectual, and social context that situates the book in the utopian genre, the critiques of its premises and practices, and the fate of intentional communities patterned on the book. In the second part, we review practices in Skinner's book that advance social justice and human well‐being under the themes of health, wealth, and wisdom, and then focus on contemporary practices that are the legacy of his vision. His vision was neither the a priori truth of a particular premise about human behavior or a necessary practice (blueprint) for an intentional community but rather the use of empirical methods to discover premises and practices that work to advance the health, wealth, and wisdom of individuals and survival of the culture.     

新思想库与奥巴马政府的亚洲政策决策——以新美国安全研究中心为例

在美国对外政策决策体系中,思想库在政策理念创新、人才储备、打造政策辩论平台以及教育和引导公众等方面具有非凡的作用。新近兴起的新美国安全研究中心对奥巴马政府的对外政策影响巨大。该中心的亚洲政策研究强调务实的态度,注重美国对亚洲事务的重新"参与",倡导强化和升级美国在亚洲的联盟关系,推动美国积极介入地区多边制度,其政策建议通过"旋转门制度"等对当前美国的亚洲政策决策产生了深刻影响。     

Art,Cold War Diplomacy and Commonwealth: Australian and Canadian Art at the Tate Gallery 1962–1964

This article analyses the formation, presentation and reception of two seminal exhibitions: Australian Painting: Colonial, Impressionist, Contemporary (1962–1963) and Canadian Painting 1939–1963 (1964). The presentation of these exhibitions at London’s Tate Gallery reflected the institution’s support for “old dominion” Commonwealth members. The exhibitions also highlight the differing visions of the Canadian and Australian governments concerning the relationship between art, diplomacy and politics during the Cold War. In Canada, Vincent Massey (Governor General 1952–1959) played a key role in ensuring that all forms of Canadian art were promoted internationally. Massey wanted to connect with the European and American avant-garde and to be part of a multiracial Commonwealth. This contrasted with the rather “old-fashioned” views of the Australian prime minister, Robert Menzies, and the Commonwealth Art Advisory Board. They supported a Commonwealth dominated by the “white dominions” and the initial exhibition plan for Australian Painting recalled previous British Empire art shows. The British response to the Canadian and Australian exhibitions is also discussed. British critics preferred the nationally identifiable “exotic” art found in Australian art to the transnational forms of international abstraction in Canadian art. Eventually, Australia “caught up” with Canadian cultural policy following the establishment of the Australia Council.