文化安全视域下高校宗教文化热的反思

从文化安全视域下，高校宗教文化热对高校马克思主义意识形态的稳固、高校科学精神的培养以及大学生对民族文化的认同存有负面影响。本文认为，高校党政领导和各职能部门应准确理解和把握党和政府的宗教理论和政策，从文化战略高度，加大科学无神论的研究和宣讲力度，弘扬优秀传统文化，以维护高校文化安全。     

论“不当出生”案件侵害的权利——试分析《侵权责任法》第六条之适用

在两起案件基本相同的"不当出生"案件中,判决结果迥异。经对两案评析认为,"不当出生"案件侵害了产妇的"生育自主权",该权利为"人格权",适用《侵权责任法》第六条,医疗机构应承担损害赔偿责任。     

新形势下黑龙江省对俄文化交流

2014年是推动更加紧密型中俄关系发展的重要一年.两国领导人的成功互访给两国贸易和投资合作带来新的机遇.面对新形势、新问题,黑龙江省应抓住对俄文化交流与合作的有利时机,巩固和发展对俄传统友谊,深入拓展对俄文化交流与合作渠道,以促进对俄经贸合作更上一层楼.     

农耕文化中的"孕育仪式"及其在少数民族中的遗存

“孕育仪式”是农耕文化的一种文化现象,是许多农耕民族都曾存在过的农业祭祀。作为古老的原始宗教祭仪,它寄寓着农业民族的许多观念和信仰,在农耕社会中经历着传承和蜕变的历史演进过程,近代许多少数民族的民俗活动中还有遗存。透过“孕育仪式”的文化表象,我们依稀看到人类在认识和改造客观世界、把握自然规律过程中所走过的一段曲折而漫长的经历。     

教育与文化传承:贵州少数民族教育存在的两个问题

忽视少数民族语言和文化是贵州少数民族教育存在的两个问题。有选择的文化传承成为现代学校教育的重要特征之一,也是阻碍少数民族文化传承的主要根源。贵州文化的多元性与现代学校教育的排他性之间的矛盾关系根源于:文化中心主义、高度集中的教育管理制度、文化商业功利性和少数民族话语权缺失。     

东亚区域的文化共性探析——以日本茶道和谐美的考察为中心

区域一体化是集经济一体化、政治一体化、社会规范化和文化均质化于一身的综合进程,这一进程起步于经济领域,外溢于政治、防务和社会领域,但将终结于文化领域.重新审视、追溯东亚区域文化的源流,寻求东亚区域各国的文化共性,对于促进东亚区域的和平、繁荣,有着积极的现实意义.本文将以日本茶道为例,探讨东亚和谐思想的共性.     

Contesting Ideologies: Deconstructing Racism in African-American Fiction

Baillie's article is concerned with how African-American fiction seeks to define and shape an aesthetic in opposition to racial ideologies as diffused through science, education and popular culture. In an examination of Count Joseph de Gobineau's Essai sur l'inégalité des races humaines (1853-5), it traces the construction of racialized discourse in nineteenth-century America. Baillie examines Toni Morrison's first novel The Bluest Eye (1970) in terms of Morrison's engagement with nineteenth-century racial theory and its implicit presence within ideologies of beauty and American popular culture of the 1930s. Through the figure of Shirley Temple, Morrison shows how the African-American community's internalization of cinematic images of beauty can lead to a psychosis that leaves identity fractured and the racial self all but erased. As well as reading The Bluest Eye as both a critique of scientific racism and as an historical novel in sustained debate with the cultural hegemony of the 1930s, Baillie examines its significance as a text in dialogue with the social and political milieu in which it was written. Here, The Bluest Eye becomes an intervention into the affirmative aesthetic of 1960s Black Power politics and its extreme proclamations of racial pride rooted firmly in black lower-class expression. She discusses the Black Power movement's appropriation of Frantz Fanon's theories and argues that Morrison's own articulation of a black identity eschews the nationalism of Black Power, and instead finds its focus in the political contestation of ideologies through the expression of African-American art forms. The Bluest Eye is an oppositional narrative that draws on western forms and yet privileges African-American vernacular as a counter-balance to language as a vehicle for ideologies of beauty and scientific racism.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.     

试论构建“东亚共同体”的思想文化基础——从历史启迪与未来追求的视角

创建共同合作、协同发展的“东亚共同体”,业已成为不可抗拒的发展趋势。历史事实证明:东亚地区是世界历史上最早“一体化”的区域;它既有成功的、进步的古代“东亚文化圈”,也有反动的、失败的近代“大东亚共荣圈”,还有设想中的“东亚共同体”。然而,现实中的“历史认识问题”,是直接关系到“东亚共同体”能否迅速建立的前提条件。为促进未来“东亚共同体”区域内的沟通和交流,需要在汉字的基础上创建共通文字,这不是复旧,而是与时俱进的创新。当人们思考构建“东亚共同体”时,在普遍关注经济协作的情况下,尤应重视思想文化观念的问题,因为东亚各国间的政治的、经济的、外交的问题,不能光靠政治的、经济的、外交的手段来解决,而确实需要从思想文化观念方面去寻求解决问题的办法。     

传衍 嬗变 融合——满族文化对北京文化的影响

满族作为中国五千年文化的集大成者之一,挟带着"国语旗射"文化,与农耕型的汉族京师文化在冲撞的过程中,相互调适、相互吸纳、迅速交融。基于对京师汉文化的倾慕,满族大举入关后,并未采取历代国君对待前朝宫殿或焚烧或拆毁或废弃的做法,而是将明朝故宫完整地保存下来并加以利用;但满族统治者极为重视并竭力保持和发扬满族文化,甚至把这些文化视为巩固清代统治的重要国策,因此,在北京城强制推行满族文化,使得满族文化对北京的人文民风等产生很大的影响。