“文化围城”及其超越

在东西方文化的碰撞之间存在着一种非常普遍的文化隔障或壁垒,并由此引出一些文化误解与冲突,可以把这种现象叫做"围城"现象.从哲学上来讲,对文化围城问题可以从文化本体论、价值论、认识论等角度来进行探索.如果说现代化也是一种文化现象,则在现代化问题上也存在着一种非常深刻的"围城"问题."文化围城"今天具体表现在对于现代化、资本主义和社会主义的一些思想误区,我们应当走出"围城",从而为人类文化的未来发展做出我们的独特贡献.     

Gender and Homosexuality as a Major Cultural Cleavage

In post‐modern society cultural cleavages are becoming at least as relevant as socio‐economic ones. They can only be properly researched by the survey method, which opens up a whole new area for both micro and macroanalysis. So, first, we pinpoint some of the main problems of research into value orientations. Second, we suggest a new analysis of attitudes towards gender and homosexuality, employing both micro and macro data. One key finding here is that attitudes towards gender and homosexuality are linked at the micro level, which explains some of the saliency of gender and homosexuality as a new emerging cleavage in advanced societies. At the macro level, the main finding is that attitudes towards gender and homosexuality are strongly embedded in cultural or civilisational differences among countries. The evidence suggests therefore that these attitudes do constitute a new cleavage in advanced societies.     

文化建设：全面建设小康社会的关键环节

文化深深地蕴涵在小康社会的总体内容当中 ,文化建设既是全面建设小康社会不可缺少的重要组成部分 ,同时也对全面建设小康社会目标的实现有着举足轻重的作用 ,它是实现社会可持续发展和人的全面发展的内在需要。在文化建设的过程中 ,我们必须树立正确的文化发展意识 ,坚持综合创新的文化原则 ,处理好与传统文化、西方文化的关系 ,同时要避免重经济轻文化、重宣传轻建设、重短期轻长远、重设施轻素质、重事业轻产业等错误做法。     

社会保障体系完善与社会经济可持续发展——基于城乡差异和区域差距视角的统计分析

社会经济的又好又快发展,是我国社会保障体系可持续发展的坚实依托。而消费需求不足则是长期制约我国经济持续健康发展的瓶颈之一,在当前国际金融市场动荡、外部需求下降的情形下,扩大内需就显得更加紧迫。本文从定量的角度开展我国社会保障支出水平与社会保障可持续发展影响因素的关联序分析,认为确保社会保障支出可持续发展是实现我国经济可持续发展的前提;从城乡差异和区域差异的视角,通过实证分析,探讨城乡社会保障水平与扩大内需之间的关系,考察了社会保障支出项目对居民消费作用的城乡差异和区域差距。在此基础上提出,改善社会保障水平区域不平衡现状、建立覆盖城乡的全国社会保障体系、实施全国统一的社会保险关系转续办法和建立多部门协同管理的社会保障统计体系,将是我国扩大内需、促进经济稳定增长的长期战略。     

论人民警察的文化魅力

人民警察的文化魅力是人民警察在文武双全的基础上形成的道德品质及其所散发出的影响力和感召力。它通常在公安民警感召群众、说服证人、战胜犯罪嫌疑人和展现能文能武功底时表现出来。这种魅力来自于不断的学习和实践。     

文化全球化与辽宁老工业基地振兴——兼论日本、韩国发展文化产业的经验借鉴

文化全球化是伴随经济全球化必然到来的社会现象,它带来了全球范围内不同文化的交融、碰撞,这对辽宁老工业基地的振兴也产生了极大的影响。优先发展先进的文化生产力、建立健全文化创新体系、公共文化服务体系和现代文化市场体系,借鉴日本、韩国发展文化产业的有益经验,是文化全球化条件下辽宁老工业基地振兴必然的战略和策略选择。     

理性看待我国少数民族文化的兴衰、发展和保护

我国少数民族文化的兴衰发展,有其自己的特殊规律。在国家认同下,各民族具有共同的最高利益和核心价值、共同的伦理道德和行为规范、共同的经济生活方式、共同的文化符号系统,从而使文化融合成为民族文化发展的基本形式。理性看待民族文化的兴衰发展,正确处理民族文化保护与发展的关系,促进各民族文化的共同发展和共同繁荣。     

论宪政模式选择中的本土文化传统因素

随着我国民主宪政制度的发展和宪政观念的不断深入人心,宪政模式的选择问题也越来越为人们所关注。而在这个问题上,本土文化传统因素的影响至关重要。西方国家与近代中国宪政的发展历史证明,本土固有的文化传统及其特异性,直接决定了宪政发生与发展的道路,以及宪政模式的基本特征。因此中国要选择符合自己国情的宪政模式,构建有中国特色的民主宪政制度,首先必须对本土文化传统因素及其影响问题有一个清楚的认识。     

Women and War

Susan Hill's novel The Woman in Black (1983) is a radical example of women's Gothic horror. It is a popular ghost story that has been successfully adapted for the London stage. In addition, it offers a social critique of motherhood and contemporary rhetoric surrounding the family. Scullion interprets the novel from several critical perspectives: feminist, psychological, biographical, generic and intertextual. Principally, however, she offers a reading of the novel that engages with its immediate historical context. The contention is that Hill's novel mediates women's anxieties about motherhood and autonomy during the early 1980s when the institution of the family in Britain was an ideological battleground. Set primarily during the 1860s, The Woman in Black exposes Victorian hypocrisy towards the unmarried mother, and indirectly probes the quasi-Victorian values promulgated in the 1980s, during the first term of a Conservative right-wing government. The protagonist of the novel, the eponymous woman in black, resists the lot of the so-called fallen woman. In her physical form, she refuses to submit to Victorian patriarchal values by attempting to reclaim her illegitimate child. In spectral form, she repeatedly inflicts suffering on families by causing the death of their children. Her excessive revenge knows no compassion, and recognizes no boundaries of place and time. Her ghost is never laid to rest. Neither is order restored by the closing pages. Thus the novel, as well as being a popular ghost story, challenges assumptions about women's 'natural' acquiescence and their unconditionally generous responses to husbands, partners and children. Shaped by the social climate in which it was written, The Woman in Black suggests that mothers under extreme pressure have the potential, like any other members of the family, for cruelty to children. Through its forceful rejection of either idealized or derogatory stereotypes of women, this novel belongs to the genre of radical Gothic horror.     

印度尼西亚的创世神话

按照东部印度尼西亚和西部印度尼西亚的划分,印度尼西亚的创世神话呈现出一些不同的神话特质,也透露出不少值得关注的文化信息.这都是地理、民族、外来影响等因素共同作用的结果.