新形势下黑龙江省对俄文化交流

2014年是推动更加紧密型中俄关系发展的重要一年.两国领导人的成功互访给两国贸易和投资合作带来新的机遇.面对新形势、新问题,黑龙江省应抓住对俄文化交流与合作的有利时机,巩固和发展对俄传统友谊,深入拓展对俄文化交流与合作渠道,以促进对俄经贸合作更上一层楼.     

农耕文化中的"孕育仪式"及其在少数民族中的遗存

“孕育仪式”是农耕文化的一种文化现象,是许多农耕民族都曾存在过的农业祭祀。作为古老的原始宗教祭仪,它寄寓着农业民族的许多观念和信仰,在农耕社会中经历着传承和蜕变的历史演进过程,近代许多少数民族的民俗活动中还有遗存。透过“孕育仪式”的文化表象,我们依稀看到人类在认识和改造客观世界、把握自然规律过程中所走过的一段曲折而漫长的经历。     

教育与文化传承:贵州少数民族教育存在的两个问题

忽视少数民族语言和文化是贵州少数民族教育存在的两个问题。有选择的文化传承成为现代学校教育的重要特征之一,也是阻碍少数民族文化传承的主要根源。贵州文化的多元性与现代学校教育的排他性之间的矛盾关系根源于:文化中心主义、高度集中的教育管理制度、文化商业功利性和少数民族话语权缺失。     

商标财产化的负面效应及其化解

商标本为一种用于区别来源的工具。然而,现代商标法将之财产化,并采用民法财产权体系中的绝对权保护模式。绝对权的认知结构预设着强有力的私权保护,这为商标权的强化和扩张埋下了种子。商标财产化的理论基础脆弱,经典的自然权利理论、现代的法经济学理论以及商誉论和广告功能保护论都无法为商标财产权提供坚实的理论支撑。商标财产化在实践中产生了一些负面效应,在我国还呈加剧之势,有必要予以纠正。在认知上,需要打破绝对权理念之拘束。在实践中,停止侵害的禁令救济的绝对化适用需加以纠正;混淆之扩张需谨慎对待,以反击"财产论"对"混淆论"的挤压。此外,还需提升商标性使用的地位,使其扮演商标法"守门人"角色,以期对商标财产权的不断扩张进行约束和限制。     

理想图景与正义问题——《中国法学向何处去》读后

通过对中国法学自1978年以来26年间的这一个时代的批判,邓正来提出了一种以社会秩序的建构及其正当性为核心问题的中国法律哲学观,其任务是建构一种"中国法律理想图景".以"中国法学向何处去"为主题的系列论文,不仅强调了世界结构是这种法律哲学观的历史性条件,还隐含着建构"中国法律理想图景"必须考虑的三类正义问题.     

东亚区域的文化共性探析——以日本茶道和谐美的考察为中心

区域一体化是集经济一体化、政治一体化、社会规范化和文化均质化于一身的综合进程,这一进程起步于经济领域,外溢于政治、防务和社会领域,但将终结于文化领域.重新审视、追溯东亚区域文化的源流,寻求东亚区域各国的文化共性,对于促进东亚区域的和平、繁荣,有着积极的现实意义.本文将以日本茶道为例,探讨东亚和谐思想的共性.     

Contesting Ideologies: Deconstructing Racism in African-American Fiction

Baillie's article is concerned with how African-American fiction seeks to define and shape an aesthetic in opposition to racial ideologies as diffused through science, education and popular culture. In an examination of Count Joseph de Gobineau's Essai sur l'inégalité des races humaines (1853-5), it traces the construction of racialized discourse in nineteenth-century America. Baillie examines Toni Morrison's first novel The Bluest Eye (1970) in terms of Morrison's engagement with nineteenth-century racial theory and its implicit presence within ideologies of beauty and American popular culture of the 1930s. Through the figure of Shirley Temple, Morrison shows how the African-American community's internalization of cinematic images of beauty can lead to a psychosis that leaves identity fractured and the racial self all but erased. As well as reading The Bluest Eye as both a critique of scientific racism and as an historical novel in sustained debate with the cultural hegemony of the 1930s, Baillie examines its significance as a text in dialogue with the social and political milieu in which it was written. Here, The Bluest Eye becomes an intervention into the affirmative aesthetic of 1960s Black Power politics and its extreme proclamations of racial pride rooted firmly in black lower-class expression. She discusses the Black Power movement's appropriation of Frantz Fanon's theories and argues that Morrison's own articulation of a black identity eschews the nationalism of Black Power, and instead finds its focus in the political contestation of ideologies through the expression of African-American art forms. The Bluest Eye is an oppositional narrative that draws on western forms and yet privileges African-American vernacular as a counter-balance to language as a vehicle for ideologies of beauty and scientific racism.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.     

朝鲜族乡村社会的集中村建设及其社会共同体的质变

城镇化进程将导致传统村落共同体的解体与巨大社会变迁.引导乡村社区的整合与重构,摸索乡村社会可持续发展模式是必要的.朝鲜族乡村社会在城市化进程中经历了巨大社会变迁.为了克服社会变迁带来的阵痛,朝鲜族社会自发组织起集中村建设运动,通过集中村的形式实现就地城镇化的道路.尊重经济结构形式与社会共同体形式之间关系的规律,成为城镇化背景下乡村社区重构的关键因素.集中村建设经验对于处于社会转型期的中国乡村社会,具有启示性的意义.     

公共政策网络管理：机制、模式与绩效测度

政策网络管理应重点研究七个基本问题和应注意十个重大问题,政策网络管理存在工具、互动和制度三种观点和个人权威控制、专制控制、结果控制、文化或集团控制、声誉控制五种控制机制,具体管理模式可以从行动者、认知和制度三个维度和政策管理、过程管理和网络宪政三个层面进行架构,并可根据不同的网络环境选择不同的网络管理行为.网络行动者的数量、管理能力与技巧、网络的开放性、利益冲突、网络管理成本是影响政策网络管理有效性的重要因素,网络管理的绩效也可根据不同的网络结构选择不同的评价指标进行定量到定性的评价.