移居印度的傣族后裔阿洪姆人的历史文化变迁

今天居住在印度东北部阿萨姆邦一带的阿洪姆人的祖先,是13世纪以后从中国云南德宏一带地区迁过去的傣族,他们的先民辗转迁徙到今天的印度东北部地区以后,在当地建立了一个叫做“勐顿孙罕”的王国并统治了当地。这些傣族移民的后裔后来被当地人称为阿洪姆人。在他们统治印度东北部地区的同时,他们也逐渐接受了印度教和当地的语言,文化上发生了很大的变化。     

论人民警察的文化魅力

人民警察的文化魅力是人民警察在文武双全的基础上形成的道德品质及其所散发出的影响力和感召力。它通常在公安民警感召群众、说服证人、战胜犯罪嫌疑人和展现能文能武功底时表现出来。这种魅力来自于不断的学习和实践。     

文化全球化与辽宁老工业基地振兴——兼论日本、韩国发展文化产业的经验借鉴

文化全球化是伴随经济全球化必然到来的社会现象,它带来了全球范围内不同文化的交融、碰撞,这对辽宁老工业基地的振兴也产生了极大的影响。优先发展先进的文化生产力、建立健全文化创新体系、公共文化服务体系和现代文化市场体系,借鉴日本、韩国发展文化产业的有益经验,是文化全球化条件下辽宁老工业基地振兴必然的战略和策略选择。     

Cultural Identities of Adolescent Immigrants: A Three-Year Longitudinal Study Including the Pre-Migration Period

This article investigates the cultural identities of adolescent immigrants in the pre-migration period and during the first 3 years after immigration. The target population consists of high-school Jewish adolescents from Russia and Ukraine participating in an Israeli immigration program. In this program, Jewish adolescents immigrate to Israel without their parents, live in kibbutzim and boarding schools, and study in Israeli schools. Participants filled out questionnaires four times: half a year before their departure from the homeland and once a year for three consecutive years after their arrival to Israel. Changes in the cultural identities during immigration were curvilinear. Three stages were distinguished: devaluation of the homeland and idealization of the country of immigration in the pre-migration period, disillusionment with the receiving country and strengthening of the homeland cultural identity in the first year after immigration, and the formation of an inconsistent bi-cultural identity in the later post-migration period. Throughout the entire post-migration period, immigrants’ attitude towards the receiving country was more positive than their attitude towards their homeland; however, immigrants’ sense of belonging to the homeland was stronger than their sense of belonging to the receiving country. Pre-migration cultural identities and perceived discrimination in the receiving country predicted post-migration cultural identities of immigrants. Immigrant adolescents from ethnically homogenous Jewish families had a less positive attitude towards Russia/Ukraine, a more positive attitude towards Israel, and a weaker sense of belonging to Russia/Ukraine as compared to immigrants from ethnically mixed families.

Women and War

Susan Hill's novel The Woman in Black (1983) is a radical example of women's Gothic horror. It is a popular ghost story that has been successfully adapted for the London stage. In addition, it offers a social critique of motherhood and contemporary rhetoric surrounding the family. Scullion interprets the novel from several critical perspectives: feminist, psychological, biographical, generic and intertextual. Principally, however, she offers a reading of the novel that engages with its immediate historical context. The contention is that Hill's novel mediates women's anxieties about motherhood and autonomy during the early 1980s when the institution of the family in Britain was an ideological battleground. Set primarily during the 1860s, The Woman in Black exposes Victorian hypocrisy towards the unmarried mother, and indirectly probes the quasi-Victorian values promulgated in the 1980s, during the first term of a Conservative right-wing government. The protagonist of the novel, the eponymous woman in black, resists the lot of the so-called fallen woman. In her physical form, she refuses to submit to Victorian patriarchal values by attempting to reclaim her illegitimate child. In spectral form, she repeatedly inflicts suffering on families by causing the death of their children. Her excessive revenge knows no compassion, and recognizes no boundaries of place and time. Her ghost is never laid to rest. Neither is order restored by the closing pages. Thus the novel, as well as being a popular ghost story, challenges assumptions about women's 'natural' acquiescence and their unconditionally generous responses to husbands, partners and children. Shaped by the social climate in which it was written, The Woman in Black suggests that mothers under extreme pressure have the potential, like any other members of the family, for cruelty to children. Through its forceful rejection of either idealized or derogatory stereotypes of women, this novel belongs to the genre of radical Gothic horror.     

印度尼西亚的创世神话

按照东部印度尼西亚和西部印度尼西亚的划分,印度尼西亚的创世神话呈现出一些不同的神话特质,也透露出不少值得关注的文化信息.这都是地理、民族、外来影响等因素共同作用的结果.     

非物质文化遗产保护与知识产权制度的兼容与互动

非物质文化遗产是人们在认识自然和改造自然中所形成的文化与社会实践方面的信息及利益,其客体具有无形性的特点.尽管非物质文化遗产的具体内涵在其表征上与传统的知识产权客体存在较大的差异,但从知识产权视角看来,在宏观框架下寻求知识产权制度的保护并非不可逾越.实际上,非物质文化遗产的保护机制与知识产权制度存在一定程度的兼容性,可以通过对现行知识产权制度予以适当变革实现对非物质遗产的法律保护,从而促进我国非物质文化遗产的传承和创新.     

从中日两国对外交流历史看民族心理对文化交流效果的影响

中日两国对外文化交往的历史说明 ,不同的民族心理对文化交流效果所产生的影响和作用是不同的。只有摆脱对本土文化的自我优越感和对异质文化的排拒心理的束缚 ,以平等的开放心态 ,从整体性上去把握和吸收异质的先进文化 ,才能赶上和超过世界先进水平 ,真正成为先进文化的代表。     

"非洲个性"或"黑人性"--20世纪非洲复兴统一的神话与现实

“非洲个性” (AfricanPersonality)或“黑人性” (Negritude)思潮 ,是 2 0世纪非洲大陆为实现复兴与统一而高举的精神旗帜 ,是非洲人民团结奋斗的情感认同对象。这一思潮的传播过程 ,集中体现了 2 0世纪非洲大陆为实现复兴与统一所作努力的特殊性质与艰难过程。     

Free trade agreements and “economic territory” as a geoeconomic imaginary in South Korea

Since the early 2000s, the discourse of “economic territory” has surfaced in conjunction with economic neoliberalization in South Korea. This paper argues that economic territory as a geoeconomic imaginary not only facilitated the expansion of free trade agreements as an accumulation strategy but also served as a hegemonic project which masked the nature of an accumulation strategy as a class project and consolidated political legitimacy by manipulating nationalism. To examine this linkage, it critically draws upon the idea of cultural political economy (CPE) developed by Lancaster-based sociologists Bob Jessop and Ngai-Ling Sum. This paper offers a fresh and more substantial interpretation of South Korea’s political economy and opens up new analytical space for CPE.