两岸文创产业知识产权法制保障与政策管理比较

目前世界发展潮流已从知识经济到创意经济时代,而创意产业又以知识产权为核心,是文化、商业与法律的结合,形成文化创意产业,借文化元素提升商品的附加价值,产生效益创造财富。台湾地区于2009年5月14日提出“创意台湾——文化创意产业发展方案”,打造台湾成为亚太文创产业汇流中心,马英九先生更于2010年主张在ECFA之框架下,以文化创意产业作为开创“黄金十年愿景”的重要主轴之一。大陆地区更在《十二五规划》第十篇“传承创新推动文化大发展大繁荣”中,强调推动文化产业成为“国民经济支柱性产业”之目标。本文将以比较法观点,从两岸知识产权法律体系,探讨两岸文创产业规范制度之差异。其次将商业机制导入文创产业中,从知识产权管理观点,分析文创产业之法律保护议题。希望本文研究成果,除有利于两岸文创交流时,能够突显两岸各自的核心价值及优势,也可以借此比较政策面及法规面之劣势及机会,俾完善文创产业发展环境,促进两岸文化创交流。     

新疆高校文化安全略论

在世界文化大冲击大交流的大前提下,我国遇到了很多新的机遇与挑战,新疆地处中亚,自古以来就是中西方文化交流融合之所在,年轻人的世界观人生观还没有完全成熟,容易产生摇摆。在全球信息化的时代背景下世界多元文化为新疆高校注入文化活力的同时也带来了文化安全问题。当前,新疆高校面临西方反华势力和境内外“三股势力”文化渗透的严重威胁,为确保新疆高校文化安全应建立健全文化安全预警机制、细致务实地开展宣传工作、加强校园文化建设,进一步夯实社会主义核心价值体系教育。     

农村警务战略运行成效探析——以贵州为个案研究

实施农村警务战略,延伸公安工作的触角,建立与社会主义新农村建设相适应的新型农村警务机制,是新形势下维护农村地区社会治安稳定,促进农村和谐发展的重要举措。自2006年以来,贵州强力推行农村警务战略,取得了如下阶段性的成效:一是以制度规范为抓手,农村警务建设有序推进;二是警力下沉和警务管理前移,农村治安环境得到优化;三是民警接"地气",警民关系和谐发展;四是以情报信息主导警务为导向,警务模式由传统向现代跨越发展;五是深入实施"创新强警"战略,警务模式推陈出新。     

Paradigms in South African cinema research: Modernity,the New Africa Movement and beyond

Abstract

The history of theoretical approaches about South African cinema is discussed from the turn of the twentieth century period of the New Africa Movement, through various other theoretical moments, up to the early 1990s. These include conservative cultural theory, liberal humanism, workerist, Althusserian and Gramscian Marxisms. The discussion examines theoretical interventions either promoting or opposing modernity in the work of Thelma Gutsche, Hans Rompel, John Grierson and various Afrikaner cultural organisations during the first half of the twentieth century. Post-1970s cinema theory is critically examined in relation to discursive contestation occurring within both academia and the industry.     

Chapter 11. The Future of Culturally Competent Mental Health Care for Latino Immigrants

Abstract

This chapter underscores the importance of cultural competence in the provision of effective mental health services to Latino immigrants. Culturally competent mental health care must be understood within the context of a social-political-economic framework that is changing on a continual basis. Health and mental health care reform for Latino immigrants must be linked to both practice-based research efforts and timely diffusion of best practice innovations. Cultural competence must be integrated as a valued component of the organizational structure of mental health systems of care.     

处理好文化产业两种属性的关系

文化产业既具有一般的商品属性,又具有很强的意识形态属性,商品属性是作为文化产业正常盈利的首选目的,意识形态属性是文化商品产业化的根。如果两种属性的关系处理不当,将不利于文化产业的持续健康发展。因此,在促进文化生产商品化的同时,要强调文化产业的意识形态属性,准确把握文化产业的商品属性,统筹兼顾文化产业的双重属性,只有这样才能立足本源,把握适度原则,促进文化产业的繁荣发展。     

Education and Employment in Rural Alaska

SUMMARY

The history of my work experience in rural Alaska suggests the value of combining academic and field experience in community psychology with employment in graduate school. Twelve years of employment in rural Alaska leading to my present position with a rural Alaska Native Health organization is briefly reviewed. It is concluded that graduate students should examine, carefully and openly, their choices in preparing a path for applied community psychology employment.     

新时期公安院校学员人文素质培养的路径探析

公安院校对学员进行人文素质的培养是公安教育本质的体现,将人文教育融入警务教学中,充分发挥人文教育功能,这也是公安学科素质教育不可或缺的重要内容.新时期,我国公安教育中人文素质培养还存在着一些问题.在公安教育中,公安职业技能培养和社会人文素质教育对学员成才的影响是互助关系,公安院校应以转变教育思想为先导,构建以人文素质为主的特色警务课程,通过加强公安专业课堂教学与对学员进行警察人文教育的有机结合,以全方位育人的理念来提升公安院校学员的综合素质.     

公安院校文化要素的区域差异研究

文章在回顾公安院校文化要素研究理论的基础上,归结了现有研究的特征,指出开展定量研究的必要性。在对8省、近千名公安院校师生调研的基础上,应用频数分析和对应分析得到了各个文化要素作用程度和重要性差异方面,以及不同地域对文化要素的倾向性差异方面的结论。     

Warburg’s “Goddess in Exile”

Abstract

As regards Aby Warburg’s oeuvre, it is fascinating that three unfinished or unpublished projects have come to represent the very theorems now appearing of most interest for cultural historians and theorists: The Mnemosyne Atlas representing pictorial memory; the Serpent Ritual as theorem for a cultural-anthropological reading of pagan cultures; and the Nymph Fragment as a foundational figure of modern iconology. This essay undertakes an analysis of the fragmentary character of Warburg’s way of working, arguing that his search for an analytic model to account for the interplay between Christian and pagan/polytheistic traditions displays striking asynchronies and displacements. Rather than explicating these irregularities biographically, the conceptual problems tied to his methods and cognitive interests are investigated. The article thus examines a set of conceptual questions whose relevance extends well past Warburg’s methodology, considering the dimensions of religious and cultural-historical theory within a broader history of European arts and media. Concentrating on probably the most cited figure from Warburg’s repertoire of images, the “nymph” figure on Ghirlandaio’s fresco The Birth of St John the Baptist, the essay focuses on Warburg’s borrowings from Heinrich Heine and reveals Heine to be a blind spot in research on Warburg up until now.