两岸经济合作的政治效应问题探讨

推进两岸经济合作与一体化发展,形成日益紧密的经济共同体,可以巩固和深化两岸关系和平发展的经济基础,有助于推进两岸和平统一,但并非两岸和平统一的充分条件。而且,发挥两岸经济关系对两岸和平统一的促进作用需要相应的主客观条件,至少需要两岸双方的共同政治意愿与积极行动,以便在共同利益不断增进的基础上建构国家认同。民调显示,近年来的两岸经济合作,在“反独”中起到一定的积极作用,但因施行时间较短且尚未充分展开等因素而不足以证实或证伪其在“促统”方面的作用,并面临制约因素。而国家认同的形成,乃是两岸和平统一的关键。因此,必须确立正确的合作理念,坚持特定的推进原则,选择适宜的推进方式,以提升两岸经济合作的政治效应。     

两岸大交流背景下台湾青年的“国家认同”研究

近年来两岸关系已步入和平发展新时期并且在诸多领域取得丰硕成果,但由于受到岛内政治、文化教育、两岸关系、国际政治与青年自身等诸多因素的影响,在两岸大交流背景下台湾青年的“国家认同”仍然呈现出“去中国化”与“台湾化”的现状,对于两岸关系和平发展与国家和平统一将造成相当大的负面影响。因此,未来两岸双方应继续深化两岸经济、文化、教育、社会领域的交流合作,以建构“双重认同”作为化解台湾青年“中国认同”危机的基本路径,在深化两岸关系和平发展的进程中重新建构台湾青年的“国家认同”。     

Conserving the Principle of Identity: Identity,Representation and Equivalence

Howie recognizes as a starting position that there is a significant and political problem with judgements that presume an easy and unrestrained identification of a thing or a person, but she is sceptical that all judgements of identity are necessarily implicated in the same politics. She investigates how 'identity' functions in logic, judgement and epistemology, and argues that a dialectical understanding of identity provides the grounds both for a realist appreciation of the world that includes a subjective element and for a recognition that a subject both is and is not how she is and has been identified.     

Feminist utopias and questions of liberty: Margaret Atwood's The Handmaid's Tale as critique of second wave feminism

Taking her cue from the recent Cindy Sherman exhibition at Metro Pictures, New York, 'New Photographic Work 2000', Meagher considers the ways in which feminist art critics have analysed Sherman's work since it was first 'discovered' by Douglas Crimp in 1979. Her claim is that analyses of Sherman's work are involved in a debate about whether the images are useful or destructive to feminist politics. More importantly, what has come to be known as Sherman Studies places an emphasis not upon Sherman's art, but rather upon the identify of the artist. Instead of enquiring into the political status of the art works (are they feminist?), critics often end up asking after the political status of the artist herself (is she feminist?). Meagher's essay is in four sections: 'Encounters' traces the critical reaction to Sherman's work; 'In or Out of the Picture' considers the critical tendency to impose a narrative upon the work and the simultaneous insistence that this narrative is informed by the artist's feminist intent; 'New Photographic Work 2000' looks at the most recent reactions to Sherman'swork and prepares for the final section, 'Feminist Occasions', in which Meagher draws upon Nancy Miller and considers the relationship between feminist critics and their resistant celebrity.     

What is Black British Feminism?

Young looks at the place of black feminists in today's academy in Britain, and poses some questions for contemporary self-identified black and white feminists based in that country. There is a new confidence among some black, professional Britons but infiltration into the academy remains problematic for many. Black British feminists and writers are largely absent in so-called postcolonial literary canons developed in the Anglo-American institutions, and by and large black British feminists are only offered fragile support by white feminists. Although African-American feminism offers intellectual sustenance and networks, the situation in the United States is very different, particularly as, there, black feminism has had much more impact and recognition. Discussions of the intersections of race, class and gender are rare in Britain outside black feminism, and there has been much less attention than in the States to black women's writing. Perhaps some kind of 'provisional essentialism' is still needed, for it is difficult for black feminist academics ever to feel the question of race is optional. It can be argued that 'blackness' is used to describe women of very different origins, and can obscure differential histories, but 'blackness' is always a political concept, not a register of national belonging. Black women have transformed British culture, but white feminists have largely failed to understand their problems. Attention to the social history of black women in Britain, and particularly to the creative work of black women writers, filmmakers and other cultural workers, is the place at which a new analysis should begin.     

试论娱乐服务场所公安机关治安管理的机制建设——以沐浴行业治安管理为例

入世以后,我国娱乐服务场所在扩大就业、提高人们生活质量、方便群众需求等方面发挥了积极的作用。但由于法律法规不完善、场所自管意识不强、治安主体关系模糊等原因,导致场所管理秩序混乱,持续发展乏力。以沐浴行业为个案,分析沐浴行业公安机关治安机制中存在的问题,探讨构建符合时代要求的娱乐服务场所治安管理工作的新机制。     

第四代管理中的质量管理

当今企业在激烈的市场竞争中,共同面临的一个问题是,如何更快、更好地发展（即不断追求卓越）。第四代管理为解决这一问题提供了思路,其核心要素有：质量、科学的方法和所有人的团队。本文重点讨论第一个要素一质量。首先介绍了第四代管理中关于质量管理的基本思想：质量是管理的第一要素;解决工作中的问题关键在于改进系统。介绍了第四代管理对顾客的理解,特别介绍了“顾客对质量的定义”的四个方面的内容。最后讨论了第四代管理的质量战略——以顾客为焦点。     

关于强化城市大气环境管理若干问题的思考

我国城市大气环境质量不容乐观,特别是煤烟加汽车尾气复合型污染是当前急待解决的问题。要强化大气环境管理,应建立有效的大气环境管理运行机制,制定大气污染防治目标和对策,积极推进各种管理手段的改革和深化,坚持科研为管理服务,加强科学研究。     

丽江纳西族的社区资源管理传统

东巴文化“人与自然是兄弟”的传统观念对社区资源管理有着深刻的影响 ,丽江纳西族村寨社区资源管理有许多传统习俗 ,包括社区组织、管山员和乡规民约的种种社会功能 ,以及良好的社区资源使用与管理方式。只有充分发扬各民族传统文化中所存在的理性生态保护意识 ,调动民众的生态保护自觉性 ,完善传统的社区资源管理机制 ,才能保护好生态环境     

Enacting Oblivion

After periods of major political change, incoming regimes have often declared “acts of oblivion” in which courts and sometimes citizens are commanded to forget what happened under the preceding regime. But how are courts and citizens supposed to obey this command? Must they not remember what it is they are commanded to forget? If so, obedience is only possible at the price of disobedience. This paper suggests this paradox raises important issues about the concept of memory. It argues that in order to understand acts of oblivion we need to distinguish between two aspects of memory: the cognitive, concerned with the transmission of information, and the conative, concerned with the transmission of will and affect. This distinction provides a way of avoiding the more overtly paradoxical features of acts of oblivion. However, there remain significant difficulties facing the political project of forgetting.