Women Behind the Scenes in the Performing Arts

Within Ireland, interest in strategically supporting young people's participation in the arts has increased. Additionally, awareness of the Internet's potential for promoting engagement with the arts has grown. Addressing national directives and local needs assessments, South Dublin County Council's Arts Office initiated NOISE South Dublin (http://www.noisesouthdublin.com), an interactive Web site based on Australia Council's NOISE project (http://www.noise.net), to promote the creative development of young people in the county. This article presents the practical challenges and potential of youth arts Web-based programs for harnessing the creative engagement of youth. It concludes that the Internet is only useful if it expands online engagement offline.     

Arts and Culture Indicators in Community Building: Project Update

The author questions the arts support system in post-Communist Romania, examining whether the cultural policies during 1990-2006 have contributed to the development of the arts sector, the enhancement of artistic creativity, and the independence of artists. His analysis focuses on the institutional framework and the financing mechanisms that support artists. The author argues that the institutional configurations and the collective mentalities that dominate the cultural sector and public policy have strongly influenced cultural policy in Romania. Along with the economic difficulties, the weighty legacy of the centralized authoritarian state and the paternalistic attitude that dominated for so long in Romanian history have acted as constraints on the public support for the arts and artists. The post-Communist cultural policy remains dependent on historical patterns and, despite some attempts of reform in the late 1990s, it is only recently that a noninterventionist policy and a more effective arts support system emerged.     

Gallery Districts of Barcelona: The Strategic Play of Art Dealers

This article focuses on Barcelona's art market to explore the underlying factors behind the clustering of art dealers in several of the city's districts. Drawing upon quantitative and qualitative data, the article analyzes how such clustering reveals a strategic action in the sense attributed to it by Crozier and Friedberg (1981 Crozier, Michel and Friedberg, Erhard. 1981. L’acteur et le système, Paris: Éditions du Seuil.  [Google Scholar]). Gallery districts are not a reflection of structural factors (economic, urban development-related, or social) but are the result of a combination of strategic choices—either individual or collective—which explain the permanence of leading gallery districts or the emergence of new ones.     

Art Fairs as a Medium for Branding Young and Emerging Artists: The Case of Frieze London

ABSTRACT

While previous researchers have attempted to explain the uncertain quality of visual arts with reference to branding theory, they have overlooked the role of art fairs. Socio-cultural approaches to branding allow us to explore the function of intermediaries in valuing contemporary arts. This article aims to analyze the role of art fairs in the process of branding young and emerging artists. In particular, a prestigious art fair, Frieze London, serves as an instrumental case study for developing a systematic understanding of art fairs in terms of valuing and branding contemporary art.     

Carbon markets and the new ‘Carbon Violence’: A Ugandan study

Abstract

This article examines the expansion of the global carbon economy, including a critical evaluation of its local level impacts. The authors describe the growing international support for carbon markets amongst governments, international institutions and financial investors as a response to human-induced climate change. By putting a price on carbon, proponents argue that carbon markets represent a win-win-win scenario; delivering benefits to local landholders where ecosystem services occur, as well as conferring benefits to investors and the environment. Plantation forestry represents a rapidly expanding sector in the broader carbon economy, with plantations representing one of a number of ‘flex crops’ able to be variously sold on the basis of their value as fuel, timber and carbon storage. To examine the impacts of expanding plantation forestry carbon markets, we take the case of Green Resources, reportedly the largest plantation forestry operator on the African continent. Drawing from in-depth research in 2012-2013 with affected communities in Uganda, the article examines the diverse historical and contemporary structural violence on which expansion of plantation forestry allegedly relies. Building upon earlier literature on violence (for example, Galtung [1990] and Watts [2001]), the authors introduce a new term ‘carbon violence’ to frame the distinctive forms of reported violence occurring alongside the burgeoning plantation forestry industry.     

Sweat or No Sweat: Foreign Workers in the Garment Industry in Malaysia

In the last decade factory owners, in response to brand-name Corporate Social Responsibility (CSR) parameters, have joined associations that verify (through a monitoring and audit system) that management does not exploit labour. There have been no reports of violations of codes of conduct concerning Malaysian workers but for foreign workers on contract there are certain areas that have been reported. These areas, including trade union membership, the withholding of workers' passports and unsuitable accommodation, generally escape notice because auditors who monitor factory compliance do not question the terms of contracts as long as they comply with national labour standards. This paper is based on research with foreign workers in Malaysia and argues that despite the success of the anti-sweatshop movement in a global context, the neo-liberal state in Malaysia continues to place certain restrictions on transnational labour migrants which breach garment industry codes of conduct. Available evidence does not support the assumption that CSR practices provide sufficient protection for both citizen and foreign workers on contract in the garment industry.     

Reviews

The expansion of the global economy and the governance deficit it has generated raise questions about the possibilities for regulating the practices of participants in global production networks. This paper focuses on the regulation of industrial relations in Cambodia's textile and garment industry – a unique ensemble of state, trade union, private sector and international institutions that is promoted as a “fair model of globalisation.” We track the trajectory of Cambodia's industrialisation and insertion into the global economy over three interrelated phases: first, the beginnings of export-orientated garment production in the mid- to late 1990s; secondly, the promotion of Cambodia as an “ethical producer” from 1999; and, thirdly, privileging “competitiveness” in global production networks over labour compliance for its advantage. In doing so we centre our analysis on the complex intertwining of global production, the genesis of the unique ensemble of actors in Cambodia and the anomaly of Cambodia's labour movement.     

Gender,Work and Resistance: South Korean Textile Industry in the 1970s

This paper examines the forces behind South Korean women workers' labour activism in the 1970s, an era of rapid export-orientated industrialisation. Most of the labour strikes initiated by women occurred in the labour-intensive manufacturing sector, and they were in sharp contrast to the overall labour quiescence of male workers during the same period. The actions of South Korean women refute widely held assumptions about the docility of Asian women workers. This case study suggests that women rebel when their lives undergo drastic changes under a set of macro and micro circumstances. Women dialectically interact with the capitalist-patriarchal structure as conscious human agents, and the result of such interaction is their gender- and class-based collective resistance.     

宁夏文化体制改革要把握的几个重点

深化文化体制改革,推动文化事业繁荣和文化产业发展,建设社会主义文化强国,是党的十八大提出的文化发展战略目标,要认真学习中共中央国务院《关于深化文化体制改革的若干意见》,推进宁夏文化体制改革.