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111.
台湾史是一门兼具学术与政治意义的新兴特色学科。中国大陆的台湾史研究,从学科建设的角度来说,属于中国历史学的分支学科。从研究史的角度,对于60多年来大陆学界台湾史研究成果做一宏观性的检讨,具体分析各个不同时期台湾史研究的特点,剖析唯物史观与“台独”史观论争的典型事例,提出新的研究问题,展现新的研究趋向,将有助于推动台湾史研究的深入拓展。  相似文献   
112.
This article illuminates how performances of gender, race, and sexuality are integrated with representations of food and food performance in contemporary American cooking television. Interrogating the intersections of food, gender, race, sexuality, and performance, this essay explores how the cable-television show, Down Home with the Neelys, depicts a nouveau gastro-porn anchored in the perceived pornographic level of blackness itself. The author reveals the ways that food and performances of food become a medium of gendering and racialization employed by American popular media. Through the lens of reality television, shows like Down Home (re)produce a certain type of black heterosexuality and gendered enactments of domesticity and space, while challenging dominant televisual reflections of black love and labor. The author argues that the Neelys self-consciously employ a vernacular aesthetic performative of “down home” (a uniquely classed, temporally–spatially situated, and sexualized blackness) to exploit the phenomenon of gastro-porn in a highly lucrative performance that signals the entangled artifice of gender, race, and sexuality. More than offering culinary expertise and education, such cooking instruction reveals the pedagogy of gender, race, and sexuality as visual lessons of a complex and contradictory authenticity. This essay reveals television cooking shows as critical sites for considering the domestic laboring of gendered and racialized sexualities. In particular, shows like Down Home evince the ways that race continues to be rendered in visual terms and the enduring edibility of blackness.  相似文献   
113.
“Spaces of self-consciousness” examines three environments created by the Italian artist Carla Accardi in light of an emerging feminist politics. Though better known as a painter, Accardi created these three-dimensional works during an era of political and social upheaval in which her own commitment to the Italian feminist movement began to take shape. Her environments were deeply imbricated both with her own experience of autocoscienza, or consciousness-raising, as well as with radical design proposals that rejected the current state of civilization. This article examines how these environments functioned as prototypes of the transient, anti-institutional spaces that she would later create as co-founder of Rivolta femminile, a historic Italian feminist collective, and examines a previously obscure moment in Carla Accardi's career.  相似文献   
114.
Challenging the influential view that the chapter on biology in the first volume of The Second Sex is exposing scientific myths in severe prose, in the view of this paper, the chapter is as much about scientific facts as it is an intriguingly open-ended dialogue between phenomenology and science. Beauvoir’s consuming epistemological and scientific preoccupation with the category of biology is analysed in a bid to advance a new, naturalist–feminist conception of Beauvoir’s theory of natural history. The analysis unravels the theoretical edifice, with its tensions between Beauvoir’s selective but brilliant appropriation of recent discoveries in evolutionary biology and genetics and certain deliberate rejections and omissions of Darwinian evolutionary thinking. Contrary to Beauvoir’s intentions, she ends up conflating the term biology with, in particular, reproductive physiology, and perpetuating the ill-fated division between body and psyche. In contributing to a reformulation of an empirically grounded approach to the embodied mind and situated body, this paper debates some promising insights from contemporary neuroscience and primatology. These insights are critical to theory development, based on a non-anthropocentric stance and non-dualistic understanding of the mind–brain continuum and the body as a situation.  相似文献   
115.
Oliver Parker 《圆桌》2019,108(1):81-85
Recent debates on Brexit have made several attempts to connect the current situation with Britain’s first attempt to gain entry to the European Economic Community (EEC) in 1961. In both 2016 and 1961, questions were raised about what role the Commonwealth would take and how the relationship with Britain would adapt to their then-entry and current exit of a union with Europe. This article seeks to examine how Canada reacted to Britain’s decision to enter the EEC and sheds light on the vociferous opposition it raised within the Commonwealth. Using both British and Canadian cabinet minutes and Commonwealth memoranda, the article follows the Canadian campaign against British entry to the EEC and its fervent defence of the Commonwealth as an economic-focused community. Ultimately, the Canadian-led protest against British entry into the EEC derived from a fear that Britain would drift from the Commonwealth towards Europe, leading to the complete dissolution of the economic bonds that tie the community together.  相似文献   
116.
The intention of this analysis is to examine The Daily Show with Jon Stewart’s coverage of politics and assess the persuasive power of the program’s unique brand of humor. Evidence from a content analysis of The Daily Show’s “Indecision 2004” coverage of the Democratic and Republican Party Conventions shows the program’s humor was much harsher during the Republican Convention than it was during the Democratic Convention. While the humor in both conventions was heavily based on self-deprecation and the exploitation of conventional political stereotypes, the ridicule of Republicans focused much more on policy and character flaws. Humor pointed toward Democrats, on the other hand, tended to focus more on innocuous physical attributes. Analysis of panel data collected by the National Annenberg Election Survey during the 2004 national party conventions shows that exposure to The Daily Show’s convention coverage was associated with increased negativity toward President Bush and Vice-President Dick Cheney. These relationships remain significant even when controlling for partisan identification and ideology. Attitudes toward the Democratic ticket, John Kerry and John Edwards remained consistent.  相似文献   
117.
Russell Jacoby 《Society》2009,46(1):38-44
Over twenty years ago my book The Last Intellectuals put into circulation the phrase “public intellectual.” The term unexpectedly enjoyed great success. It encapsulated a new division between a professional or academic intellectual focused on his or her specialty and an intellectual orientated to a larger public. The former tend to disappear into the university, while they latter write for the educated public. In the twenty years since its publication, my book has been sharply challenged. Moreover the emergence of African-American and women intellectuals, and well as new developments such as Internet, have possibly undermined my thesis. Yet these phenomena amount to revisions, not refutations, of my thesis. Moreover the role of intellectuals in France and Germany suggest that the same process of academization is taking place in other advanced industrial nations. What is called for is not nostalgia or its opposite, a celebration of everything that happens, but a consideration of the real shifts that affect the lives and work of intellectuals.
Russell JacobyEmail:
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118.
随着第一代独生子女进入婚育年龄,产生大量的双独家庭、单独家庭,不同家庭类型的变化将引起政策生育率自然回升,如果考虑到有部分家庭放弃生育二孩,则意愿生育率会低于政策生育率。本文从独生子女婚育选择的角度出发,使用相关调查数据分析,发现由双独家庭所产生"4-2-1"家庭的数目受政策微调生育的影响较小,政策微调可以大幅度降低一孩家庭的比例,二孩家庭比例的增加无疑会降低家庭风险,且不会大规模地增加出生人口数量,因此,中国应当对生育政策进行微调,增强人口结构的合理性。  相似文献   
119.
侦查错误理论要求侦查主体在侦查过程中正确、全面、发展地诠释和抑制对科学侦查有负面导向的侦查主体、侦查客体、侦查方法和相关人的致错因素。侦查主体未能形成正确的侦查错误意识,不明确侦查错误的表现形式,缺乏探求侦查错误成因的勇气,将很难在侦查错误预防上大有所为。对侦查人员来说,运用侦查学基础知识,准确界定侦查错误概念,明确侦查错误表现形式,探求侦查错误原因,进行侦查错误预防,是十分必要的。  相似文献   
120.
苏翔 《贵州民族研究》2020,41(1):96-100
空间环境孕育和成就了文化,具有代表性的在地文化沉淀下来后,则成为环境的象征符号并反作用于空间环境。在设计少数民族传统文化在空间和环境中新的活动、形式乃至构成体系时,必须充分考虑尊重少数民族传统文化所生发的土壤,观照少数民族传统文化艺术形式的特征,尊重以黔北傩戏为代表的少数民族传统文化的历史文脉与当地空间环境交互的特点,才能使黔北傩戏的活力在新的时代焕发新的光彩。在开辟新的黔北傩戏传承思路时,应当以当代黔北傩戏的发展需求为要义,创造一个满足当代人对以黔北傩戏为代表的少数民族传统文化加深交互、产生需求的环境,利用当代媒介环境的需求来启发社会活动,并塑造与人的需求、文化的发展需求相适应的环境和空间。  相似文献   
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