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111.
安全是国际关系研究的核心概念。20世纪90年代,哥本哈根学派提出具有建构主义特色的“安全化理论”。女性主义安全研究重视性别与安全的关系,认为安全化理论忽视了性别安全问题。以联合国安理会通过的第1325(2000)号决议为基石的妇女、和平与安全议程既是近二十年来形成的新国际安全规范,也是性别议题安全化的集中体现。1325号决议及其后续决议共同形成了妇女、和平与安全议程,使性别议题进入国际安全日程。对妇女参与、妇女权利和性暴力等性别议题的安全化或去安全化问题,受到多重因素的交叉性影响。在不同行为主体和各种因素的共同作用下,以安理会成员国特别是常任理事国围绕妇女、和平与安全议程进行的互动与辩论,推动了性别议题安全化的发展进程,既体现出“主体间的和由社会建构的”安全化问题的复杂性,也规范了安理会表决机制下安全化的程度和限度。性别议题安全化的发展前景亦具有一定的复杂性和多重可能性。  相似文献   
112.
Virginia Woolf's aspiration in A Room of One's Own (1929) for a private space and independence for the 'uneducated' women who would write fiction was echoed in Jipping Street (1928), the fictional autobiography of the working-class Kathleen Woodward, as well as by numerous other women during the period. This article asks why this wish for a room emerged in the twenties, and what is shows about the political affect of feminism at that time. One of the effects of post-suffrage feminism was that working-class women's experience began to be not only observed but listened to, written down and published, but real changes in the legal and economic position of women only came slowly. Both Woolf's polemic and Woodward's fictional autobiography are diatribes against poverty and laments for women's wasted lives. Neither idealized suffering; poverty in their texts was an injustice that aroused anger, not a state of abjection or redemption which required an anguished identification. When these two books were published, just after women's suffrage was achieved, hopes were high. The thirties were a more brutal decade, with unemployment and the growth of fascism, and Woolf's Three Guineas (1938) is darker in tone. Neither Woolf nor Woodward had faith in conventional politics. Instead both writers chose silence, solitude and the aesthetic seduction of words and thoughts. Neither wanted to enter the world of men, but nor did they want to live lives like their mothers. Both these books require of women an inner change. The room represents a transitional space. There was no clear vision of the future yet. As so often with feminist thought, the wish is for a break with the past, a resistance to culture and a change in human nature.  相似文献   
113.
Moore discusses the work of visual artist Shirin Neshat exhibited at the Serpentine Gallery, London, from July to September 2000, which comprised the photographic series Women of Allah and the video installation trilogy Turbulent, Rapture and Fervor . Her emphasis is on the way in which Neshat's work addresses the critical issues of positioning, representation and cross-cultural reception. The exhibition was marketed as referring to 'the social, cultural, and religious codes of Muslim societies in general, and Iranian society in particular'. Moore argues, however, that the images tend to project a departicularized cultural context that encourages a neo-orientalist interpretation. She first analyses Women of Allah in terms of symbolic projections of womanhood during the Islamic revolution in Iran and in light of post-revolutionary gendered realities. A critique is also mounted of Neshat'snostalgic self-investment in the revolutionary scene. In a discussion of the later video trilogy, Moore disentangles gendered and cross-cultural binaries in order to theorize the space between the dual screens. Her conclusion is that this intermediate space figures the ambivalence of a displaced cultural perspective. As such, it forces a spectatorial enactment of the frayed or troubled connections that the artist makes between two cultural locales.  相似文献   
114.
This paper examines the way that women’s relationship to peace is constructed in international institutions and international law. It identifies a set of claims about women and peace that are typically made and considers these in light of women’s experience in the conflicts in Bougainville, East Timor and the Solomon Islands.
Hilary CharlesworthEmail:
  相似文献   
115.
James F. Guyot 《Society》2008,45(6):529-533
Women advance more rapidly in the appointive executive and judicial branches than in the elected legislative branch at both national and state levels. Demand side and supply side factors explain much of this. In particular, greater male variability restricts the opportunity for gender equity.
James F. GuyotEmail:
  相似文献   
116.
ABSTRACT

Sybil Campbell was appointed a Metropolitan stipendiary magistrate in 1945, the first woman to become a full-time judge in the courts of England and Wales. She sat for 16 years, at Tower Bridge Magistrates’ Court, where she met with a great deal of opprobrium from the national and local press, trade unionists and individuals, much of it directed to the fact that she was a woman dispensing justice, with some severity, in a working-class community. She weathered the criticism with indifference and continued until her retirement, in 1961. Her pioneering example, however, did not encourage the appointment of other women to a judicial role until the appointment of Elizabeth Lane as a county court judge in 1962. This article examines her judicial career and her work for the British Federation of University Women, of which she was Honorary Secretary and its honorary vice-president.  相似文献   
117.
ABSTRACT

This article examines the work of the Women’s International Democratic Federation (WIDF) with women from Africa, Asia and Latin America. It analyzes their role in the WIDF’s decision-making process and activities during a period marked by decolonization and the intensification of women’s rights activism outside Europe. This analysis contributes to a better understanding of the extent to which the WIDF’s official position on support for the rights of women in the Global South was translated into the practical work of organization. The article is based on materials from Moscow archives that have hitherto not been explored in research on the WIDF. It shows that, in spite of the WIDF’s formal anti-colonial stance, women from the Global South were not always given a voice or able to insert their demands into WIDF policy.  相似文献   
118.
ABSTRACT

This article explores the significant role played by arcane knowledge and expressions of African spirituality in the iconography of powerful black women in three films directed by independent African-American filmmakers in the 1990s: Sankofa (Haile Gerima, 1993, USA), Mother of the River (Zeinabu irene Davis, 1995, USA), and Eve’s Bayou (Kasi Lemmons, 1997, USA). My discussion draws on the orature and legendary tales of West African-based cosmologies in the African diasporas of the Americas and the concept (and practice) of ‘conjure’ in African–American cultures. It argues that heroic black women characters possessing extraordinary or supernatural powers not only predate the current vogue of cinematic superheroism, but that the iconography of such ‘science-women’ is embedded in culturally specific, African-rooted cosmological, epistemological and spiritual contexts. I argue that the feminine power celebrated in the films by the independent African-American filmmakers discussed here draw on legendary and historical accounts of women in African diasporic oral, literary and spiritual traditions for their cinematic storytelling to construct an affirmative and paradigmatic model of black female heroism based on empowering African spiritual beliefs and arcane knowledge.  相似文献   
119.
全面建成小康社会,一个都不能少。女性发展是全面小康的重要组成部分。在全面建成小康社会过程中,女性发展既取得了巨大成就也面临着严峻挑战。女性要共建共享全面小康,既要依靠自己,也要争取男性支持,更需要各级党委政府的大力推动。  相似文献   
120.
20世纪50年代所推广的节制生育政策通过各种途径得以传播,但毫无疑问的是,报刊尤其是女性报刊在传播节育知识的过程中起到了举足轻重的作用。当时的《湖南妇女报》不仅及时宣传国家政策,树立节育典型,还在人们对避孕知识一无所知或者沉默不语的情况下,介绍避孕方法,给妇女带来了福音。当然,作为湖南省妇联所创办的一份女性报刊,它也是党和政府联系妇女群众的桥梁和纽带,与政府的导向息息相关。  相似文献   
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