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中国比较美学的研究方法已日趋成熟,相继出现了同中求异、异中求同以及理论联系实际、逻辑和历史相结合等方法。周来祥先生强调的微观比较与宏观比较、求同中之异与异中之同、动态比较与静态比较相结合的原则,为比较美学的健康、深入发展提供了有普遍启示意义的方法论指导。 相似文献
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Jyoti Mistry 《Communicatio》2013,39(1):87-100
AbstractContinuous trauma syndrome (CTS) is the foundation for the characters in the film Impunity. The aesthetic choices in the narrative structure are an exploration of the discursive nature of violence and trauma in contemporary South African society. The theorising of continuous stress trauma provides the necessary challenge to the more conventional understanding of post-traumatic stress syndrome and informs the underlying analysis of the film. This analysis is offered in an interlocutory manner with psychology theorist Garth Stevens who provides a hermeneutic reading of Impunity that draws directly from his own research and others in the field of psychology. The paper is offered as an examination of an artistic research, film practice. The practice itself constitutes a theoretical expression which connects the aesthetic and structural choices of the film with the disciplinary observations made by Stevens. It suggests two theoretical approaches from different disciplines brought in conversation with each other to inform the reading of Impunity as artistic expression. The paper puts at its centre the discursive approach to the study of violence and trauma to suggest how the film’s structure and its aesthetics may be connected to research in the field of psychology. 相似文献
55.
Alzo David-West 《社会征候学》2013,23(1):106-123
This paper inquires into aesthetics and politics in North Korean socialist realist painting by way of an examination of North Korean journalist Han Chol Ju's article series “Visit to Korean Art Gallery” and three paintings in Korea Today (2010–2011). The paper explains late North Korean leader Kim Jong Il's national-Stalinist conception of Juche socialist realism in On Fine Art (1991); considers one Korean painting (Chos?nhwa), two oil paintings (yuhwa), and one jewel painting (pos?khwa); and addresses approved ways of seeing in political-aesthetic experience and response in the North Korean situation. 相似文献
56.
《Critical Horizons》2013,14(3):337-350
AbstractIn this paper I address what Arendt called the “problem of the new”, or, as Castoriadis put it, the problem of how to make the new “the object of our praxis”. I argue that the problem of the new requires thinking about receptivity in a new way, making it normatively and epistemically prior to creativity. I illuminate my new approach to receptivity through detailed engagement with Russell Hoban’s brilliant novel, The Medusa Frequency 相似文献
57.
裴萱 《浙江省政法管理干部学院学报》2014,(4):28-36
艺术自律和审美现代性从争取自身存在的合法性地位开始,最终使得主体以感性的能力通达生存的价值追求和意义体验,但是伴随着整个社会思想文化的发展,艺术自律最终也面临着内部和外部的双重危机.现代派艺术自身的危机和后现代文化语境促使了后现代艺术的出现与转型,波普艺术、观念艺术、装置艺术、大地艺术、行为艺术等则是将艺术的反叛性、生活性和观念性发挥至极致,并且在美学领域与生活相结合,适应了后现代的文化景观,其建构起的主体化自由审美体验也给复杂的中国艺术和美学理论注入了强大的活力,并且以全球化普世性的维度影响了中国本土的言说方式,同时也给真诚生活的人们以建构历史的自由. 相似文献
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Uhuru Portia Phalafala 《Safundi: The Journal of South African and American Studies》2017,18(4):307-326
The African American revolutionary poetry outfit and purported grandfathers of rap The Last Poets coined their name from Keorapetse Kgositsile's poem “Towards a Walk in the Sun”. This is relatively common knowledge. However, no sustained academic research has been conducted on this crucial exchange in diasporic studies. In this paper, I show how Kgositsile's poem in question harvested the rich oral, aural, and literary practices of his native Setswana, which in turn enabled The Last Poets to not only draw a name from Kgositsile's poetry, but also a language and poetic. This way, I demonstrate multivalent streams of influences between black South Africa and black America, as opposed to the current one-way exchange in scholarship that almost always presents black South Africans as emulators and mimickers of Afro-American culture. I expose how Kgositsile's poetry trans/figures both Afro-American literary and musical histories. Functioning within the framework of pan-Africanism, I uncover black music's transatlantic arch in Kgositsile's poetry, which unifies Africa, the Caribbean, and black America. I offer a deep analysis of that arch, and demonstrate its dynamic and complex networks which span generations and centuries, and continues to be generative till today. I focus particularly on the evolution of orality and aurality in black expressive cultures, understood as practices that express the black cultural continuum on both sides of the Atlantic. 相似文献
59.
毛萍 《长沙民政职业技术学院学报》2006,13(4):106-107
传统美学对我国现代艺术有重大的影响,它们在潜移默化地影响着我们现代的设计思想。当然,我们也在不断受到外来文化的冲击,且从中收益非浅。因此,在这全球性的文化交流和竞争当中,凡是我们民族确有的长处,决不会丧失,只会发扬光大。 相似文献
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庄子与后现代美丑观比较研究 总被引:1,自引:0,他引:1
范亚丽 《中共郑州市委党校学报》2006,(2):148-150
“以丑为美”的观点是随着后现代这个大的文化氛围的到来而逐渐在当代美学界声誉雀起的,是后现代美学的一个主张,但却并非为其所独有,早在庄子那里,丑就具有了一席之地,成为被赞美的对象。 相似文献