文艺与革命的变奏——毛泽东《在延安文艺座谈会上的讲话》刍议

毛泽东《在延安文艺座谈会上的讲话》围绕＂文艺与革命＂这一中心命题,阐述了文艺与群众、文艺与生活等一系列理论问题,成为中共指导政治建设、文化建设、伦理建设的纲领性文献,体现出毛泽东哲学认识的特性。作为毛泽东及其党内同志长期思考的产物,《在延安文艺座谈会上的讲话》成为马克思主义中国化的重要成果。     

高校文学课多媒体运用的局限性探讨

多媒体课件在高校教学得到普遍认可并成为主要的教学辅助手段，但无论是多媒体课件自身的辅助作用，还是文学作为艺术的一个门类，文学课使用多媒体课件都有明显的局限性。主要包括以信息替代知识，背离文学课程的基本教学目标；视觉的直观满足，违反了艺术教育和鉴赏的“不到顶点”原则；情感道德的隐退，弱化了文学课教书育入的基本功能。     

汉代造物艺术的文质观

“文”与“质”是古代中国人审美范畴中的重要观念，作为一种评判尺度，文质观念涉及了人们物质和精神生活的各个方面。造物艺术作为一种实体艺术，作为一种意识形态的物化形式，它更是“文”与“质”这对审美观念发展历程的见证。本文浅谈了汉代造物艺术中体现的文质观念。即循“质”而进，“先质而后文”，从而达到“文质兼备”的造物观念。     

甘肃民间剪纸艺术及其旅游开发

甘肃民间剪纸艺术具有悠久的历史,值得我们进一步深入挖掘。在西部大开发的时代背景下,应该将其作为民俗文化的一个有机组成部分,融入蓬勃发展的甘肃旅游业中。     

杂技艺术人才克服心理障碍之途径探析

杂技艺术人才的培养,克服心理障碍是一个重要环节.杂技演(学)员的心理素质训练应早期进入,教师对演(学)员的心理状态要定期"会诊",综合分析,并及时制定详细、切实可行、有针对性和目的性的心理训练方案,且通过持久不懈、日积月累的训练,才能逐步增强杂技演(学)员的自我调节和自我控制能力,确保在临场能正常发挥水平.     

Managing Autonomy: Analyzing Arts Management and Artistic Autonomy through the Theory of Justification

Arts management has commonly been analyzed as a microcosm of the art field, in which struggles between artistic, economic, administrative, and societal considerations are constantly being fought. Using the field theory of Bourdieu, scholars have attempted to uncover levels of functional differentiation within arts organizations, and interpreted differentiation between artistic considerations and economic and administrative considerations as a core element in defining the artistic autonomy of such organizations. In this article, I present an alternative approach to the interpretation of artistic autonomy in arts management. Through the stories of three artistic directors and the way in which they run their theatres, I aim to show the theory of justification (developed by Boltanski and Thévenot) and shed new light on the interpretation of arts management, as well as on the understanding of artistic autonomy more generally.     

Examination of a "velasco" signature on an oil painting

In September 2003, an investor bought an oil painting at auction in Denmark. The painting was signed "José Maria Velasco." The investor attempted to sell the painting in the United States, but found that he needed confirmation that this was an authentic Velasco painting. The provenance of the painting was questionable because it came to Europe from Cuba without appropriate documentation including the date of its entry into the European market. If the signature was determined to be authentic, the painting would have an approximate value of 1 million dollars. Initial research on the life and works of the artist and a literature review resulted in the preparation of an "Art Worksheet." Known signature specimens were obtained from reputable sources. A comparison of the known signatures with the questioned signature concluded the questioned signature was very probably not executed by José Maria Velasco.     

思想政治教育学范畴论及其相关研究的现状视域

思想政治教育学范畴论是思想政治教育学基础理论研究中的薄弱环节,其重要原因之一是对思想政治教育范畴论及其相关领域的研究现状缺乏深入的了解。思想政治教育学范畴研究应借鉴相关领域的研究成果,哲学领域中亚里士多德、康德和黑格尔的逻辑范畴思想对思想政治教育学范畴研究具有借鉴意义,马克思、恩格斯和列宁的逻辑范畴思想为思想政治教育学范畴研究提供了理论基础和方法论。思想政治教育学范畴论尚处于起步阶段,其研究有待拓展空间,以便将研究引向深入。     

素描与设计艺术人才培养

素描在培养人的思维性、创造性、审美能力等方面,都起着极为重要的影响。设计艺术的发展与设计人才的培养紧密相连,因此,应高度重视素描在现代设计艺术中的地位和作用。     

中国仪式艺术研究综述

中国仪式艺术的研究深受西方人类学艺术研究的影响,但发展进程相对滞缓,基本与中国人类学界的艺术研究同步。其研究发展历程大致可分为两个阶段:20世纪80年代前为仪式艺术研究的发端阶段,成果多见于调查报告中;20世纪80年代至今,大量的西方人类学理论被介绍到国内,仪式艺术的研究方法、对象和路径都向多元化发展,著述颇丰。