论《讲话》的历史地位和现实价值——纪念延安文艺座谈会召开70周年

《在延安文艺座谈会上的讲话》是马克思主义的杰出文献,在马克思主义文艺思想史上占有特殊的地位。它创造性地阐释了许多文艺基本问题,对美学理论有多方面的贡献。说《讲话》是＂庸俗社会学＂或＂文艺政治学＂是不妥当的。《讲话》思想和精神＂一要坚持,二要发展＂,它对当今的文艺建设仍有巨大的指导作用。     

Reflexivity,participatory art,and the failures of monist representation

ABSTRACT

This essay engages in a dual-disciplinary theorizing of reflexivity as response to crises of democratic representation. We trace this crises through the parallel lenses of democratic theory and art history. As political theorists explore alternative representations of ‘the people,’ contemporary artists have developed their own responses to the crisis of monist representation. In both state institutions and in participatory art – and in the theorizing of both – we find the rejection of monist representations of ‘the people’ and the embracement of pluralist, partial, and proximate representations. These public reflexive spaces give voice to new, partial publics, and call attention to past and present exclusions.     

Art,Cold War Diplomacy and Commonwealth: Australian and Canadian Art at the Tate Gallery 1962–1964

This article analyses the formation, presentation and reception of two seminal exhibitions: Australian Painting: Colonial, Impressionist, Contemporary (1962–1963) and Canadian Painting 1939–1963 (1964). The presentation of these exhibitions at London’s Tate Gallery reflected the institution’s support for “old dominion” Commonwealth members. The exhibitions also highlight the differing visions of the Canadian and Australian governments concerning the relationship between art, diplomacy and politics during the Cold War. In Canada, Vincent Massey (Governor General 1952–1959) played a key role in ensuring that all forms of Canadian art were promoted internationally. Massey wanted to connect with the European and American avant-garde and to be part of a multiracial Commonwealth. This contrasted with the rather “old-fashioned” views of the Australian prime minister, Robert Menzies, and the Commonwealth Art Advisory Board. They supported a Commonwealth dominated by the “white dominions” and the initial exhibition plan for Australian Painting recalled previous British Empire art shows. The British response to the Canadian and Australian exhibitions is also discussed. British critics preferred the nationally identifiable “exotic” art found in Australian art to the transnational forms of international abstraction in Canadian art. Eventually, Australia “caught up” with Canadian cultural policy following the establishment of the Australia Council.     

具象修辞、符号象征与消费文化——1980年以降台湾流行绘本艺术文体解析

作为一个文学和美术结合的艺术种类,台湾绘本文体具有借助图画进行具象表达的文学修辞手段,其文本通过线条、色彩与语言结合的符号系统和技术手段实现了意义象征,其中的配图文字具有超逸于说明文字的文学功能。自1980年以降,当代台湾绘本艺术已成为一种流行娱乐文化,此种台湾绘本文化现象具有消费文化的特征,是消费社会里适合大众审美心理和现代社会文化传播及市场运营机制的成功创意范例。     

Banking on Folk Art: Banamex‐Citigroup and Transnational Cultural Citizenship

This article offers two readings of The Great Masters of Mexican Folk Art, a travelling exhibition of the Fomento Cultural Banamex, AC's folk art collection that coincided with Citigroup's buyout of Banamex, Mexico's second largest bank. The first, a political economic critique, situates the exhibition within the neoliberal economic reform of the Mexican banking system and the designs of US‐based transnational banks on migrant remittances. The second, a material culture approach, focuses on the exhibitionary strategies employed to incentivise folk art consumption as a mode of cosmopolitan citizenship.     

论艺术消费过程

从艺术经济学的角度看,艺术欣赏(鉴赏)就是艺术消费.艺术消费是人类特有的以满足精神审美需要为目的,以艺术产品为对象的审美活动.而艺术消费过程可以具体化为感受知觉过程、理解领悟过程、情感体验过程、想象超越过程和内化升华过程,各个过程对艺术消费主体具有相对独立的审美意义,它们共同带给消费主体深浅不同的精神愉悦和审美享受,程度不同地满足着人们的精神审美需要.     

7哈巴罗夫斯克的音乐舞蹈艺术

俄罗斯哈巴罗夫斯克不仅是远东地区的政治、经济和科技教育中心,而且是名副其实的文化艺术中心。该地区音乐、舞蹈人才辈出,群星璀璨,使整个远东地区的文化艺术事业显得更加绚丽多彩。     

美育对公安大学生心理素质的影响

美育素质是人才综合素质的构成要素之一,美育可促使人个性和心理积极健康地成长。公安院校要把美育提高到一个培养合格公安人才的高度来正视,使公安大学生的警察业务知识中融入丰富地人文美育知识,使他们心胸开阔、身心健康、能文能武、品性高尚,将来更好地适应社会、工作的需要,承担应尽的职责。     

马克思主义文艺理论的当下有效性

在 2 0世纪末西方学术界“马克思主义终结论”的叫嚣声中 ,伊格尔顿从坚定的马克思主义立场出发 ,在证明基础与上层建筑理论的正确性以及深入考察“意识形态”理论等方面作了积极而富有成效的探索 ,为捍卫马克思主义的当代有效性作出了巨大的贡献     

曲径通幽相看不厌——天人合一与古代艺术散论

天人合一思想是中国传统哲学最基本的命题.本文主要分析天人合一与古代艺术的相互影响与融通.分别从中国古代文学、绘画和建筑三方面来一一论列.天人合一思想影响了古代文学作品的创作,促进了绘画的形成和发展,且渗透到了建筑理念中,它为这些艺术形式提供了一定的思想基础;而一些艺术作品则将天人合一的思想表现得淋漓尽致.二者相辅相成,密不可分.