论招录体制改革下的公安法学教育

公安院校招录体制改革出现的新情况,使原有公安法学教育模式已不能适应改制生的教育需求,针对改制生的特点,公安法学教育应科学、合理设置法律课程,突出法律意识培养、实战能力培养,创新教学方法和手段。     

论著作权集体管理中的私人自治——兼评我国集体管理制度立法的谬误

在著作权集体管理制度中,保证权利人、集体管理组织与使用者的私人自治,是集体管理得以发挥其制度优势,并在交易成本问题上优于其他类似制度的前提.私人自治的贯彻,既能实现市场供求信息在权利人与集体管理组织之间及时传递,也能保证定价机制随利用方式的变化灵活调整.由于我国集体管理组织由政府主导构建,因而缺乏私人自治存在和适用的土壤,使集体管理组织在运作中引发诸多社会矛盾.只有改变公权力的干预,并通过立法将私人自治体现在集体管理制度中,才能真正实现许可效率与传播效率的协调发展.     

Bourgeois Myth versus Media Poetry in Prime-time: Re-visiting Mark Frost and David Lynch's Twin Peaks

This article explores IVIark Frost and David Lynch's television series Twin Peaks from the perspective of the two dominant world-views it dramatized. The world-view based in bourgeois myth can be described as employing significations that are always present in naturally and mythically transcendent terms. The other world-view is generated by media poetry, which is a virtual mode of signification that re-mediates linguistic/audio/visual phenomena with contingent capacities for meaning. That generative potential for signification is an aspect of all media use, but media poetry specifically highlights and exploits the capacity of new multi-media to enhance “poetic” possibilities for meaning-making. This may occur through either the actual use of virtual media, through a critical ambiguity with regard to official ideologies and formal/generic con-straints, or through thematic content that destabilizes fixed meanings/representations and entertains possibilities for alternative significations. The article makes the case that the adolescent characters in the show specifically embody the productive world-view inherent in media poetry, and the “poetic” challenges they present to adult, mythic society allow for the continual re-mediation of any and all bourgeois myths. Those adolescents, especially Laura Palmer, embody cultural meanings that refuse ideological codification; that is, that can still become. Twin Peaks, as the article demonstrates, is a striking example of media poetry since it was aired on prime-time network television; it still deserves attention for the stunning ways it remediated the mythic nature of American, middle-class society.     

论著作权的权利限制及其立法完善——以网络作品权利限制为视角

作者的著作权、传播者的邻接权、使用者(社会公众)的使用权,三项权利的平衡是立法者的期望。著作权法在保护网络作品著作权人权利的同时也应当对其权利进行合理的限制,以平衡网络作品的创作者与社会公众之间的利益。对网络作品著作权的权利限制是虚拟的网络世界发展的必然。应平衡网络作品著作权的权利限制与反限制。网络作品著作权的权利限制存在着尴尬,以网络作品权利限制为视角对网络作品权利限制在今后的著作权立法时的完善提出了建议。     

“假冒他人署名”的性质认定

对假冒他人署名的定性问题有＂署名权说＂,但该说忽视了著作权依作品的创作而产生的原理。基于被冒名者的姓名被他人擅自利用的事实,应认定冒名行为侵害了被冒名者的姓名权。假冒他人署名往往还会侵害权利人的名誉权,也可能构成不正当竞争行为。     

我国生产者责任延伸制度实施困境分析——从家电以旧换新政策实施谈起

生产者责任延伸是解决废弃产品问题的一项新兴的环境策略,在我国已初步构建并开始实施。为拉动经济增长,促进废旧电器电子产品的循环利用,我国实施了家电以旧换新政策。但该政策实施后遇到的一些问题,如回收企业技术落后不能满足回收的大量废弃电器电子产品的无害化资源化处置、生产者组织和废弃产品处理基金制度没有有效建立、政府行政干预机制和经济激励机制的缺位、法律规定的空白等阻碍着生产者责任延伸制度的实施。     

Horror Films Face Political Evils in Everyday Life

Studies of cognition show that Americans get much of their political information from audiovisual media. Therefore, attention to popular films can help us learn how genre conventions communicate politics. The popular genre of horror uses subtexts to help people face political evils in their everyday lives. Many of the evils lately concern the politics of communication, and this is evident in a wide range of horror films, recently including Phone Booth (2003), The Ring (2002), and The Mothman Prophecies (2001).