论后现代主义电影批评在中国的发展

后现代主义电影批评因为受到西方当代电影理论的强烈影响而有着鲜明的理论背景,它的研究对象囊括了中国具有后现代主义特征的电影在内的各种电影现象。同时,后现代主义理论为这种电影批评提供了众多的思想资源和研究方法。后现代主义批评在20世纪90年代的电影批评中占有非常重要的地位。     

电视节目模板的法律保护

电视节目模板已经在国际上形成了一个巨大的产业,但人们对它本身的认识及其法律保护问题仍存在着巨大的分歧。在各国现行的法律框架下,虽然电视节目模板的某些元素分别受到不同法律的保护,但电视节目模板作为一个整体往往不符合版权法的保护标准,也很难受到反不正当竞争法的保护。     

保护作品完整权的重构--对我国著作权法相关条款的质疑

我国著作权法上有关保护作品完整权的规范同日本、德国一样 ,都来源于《伯尔尼公约》。但后者却将其内容划分为作品本身遭受改动和作品本身没有遭受改动两种情形并规定了不同的构成要件。我国著作权法中有关作品完整权的规定在法律构造、保护水平上都失之偏颇。通过比较法上的分析 ,笔者对我国著作权法中有关作品完整权的规定提出了自己的建议。     

化痰降气胶囊对慢性阻塞性肺疾病模型大鼠影像学的影响

目的:探讨慢性阻塞性肺疾病(COPD)模型大鼠及化痰降气胶囊治疗后影像学的变化.方法:采用气管内注入脂多糖加熏香烟复合刺激法复制大鼠COPD模型.治疗组4周后给药,6周后各组摄片.结果:呼吸频率各组相比,差异有显著性(P<0.05或P<0.01);各组横膈前肋、横膈后肋、肋间隙积分比较,差异有显著性(P<0.01);横膈前肋积分,模型组与治疗组相比,差异有显著性(P<0.05).结论:COPD大鼠有明显的肺气肿影像学表现,化痰降气胶囊对COPD大鼠的影像学有较为明显的改善作用.     

鲁迅留日期间的翻译活动研究

早在日本留学期间鲁迅就清醒地认识到翻译具有启迪思想、沟通文化的作用。他的翻译作品为传播被压迫民族的反抗之声、启迪国人思想作出了很大贡献。鲁迅这一阶段的翻译以间接翻译为主。这种根据中介本进行翻译的移译经历为其日后翻译路径观的形成奠定了重要的实践基础。     

《著作权法》修改:关键条款的解读与分析(下)

修改后的《著作权法》将视听作品分为"电影作品、电视剧作品及其他视听作品",并分别规定了不同的著作权归属规则,但两类视听作品分类标准不明,且对其他视听作品采用约定优先的著作权归属规则,不利于此类视听作品的许可与传播。当一名合作作者无正当理由反对对合作作品的特定利用时,其他合作作者不能发放专有许可,这可能给合作创作的学术论文和专著的出版带来负面影响。修改后的著作权法将电台、电视台和报刊通讯社员工的职务作品定为特殊职务作品,可能产生其员工离职后无法获得出版其职务作品文集所须授权的问题。新增的有关职务表演的规定合理地解决了长期以来将"演出单位"作为"表演者"的问题。对传播录音制品获酬权的规定并不是法定许可,因为《著作权法》并没有为录音制作者规定除信息网络传播权之外的传播权专有权利。修改后的《著作权法》的一大亮点是将广播组织的转播权以技术中立的方式拓展至网络环境。有关用作者的署名推定权利存在的规定,被诉侵权人应证明其使用涉案作品已获许可的规定,以及法院有权没收和销毁侵权复制品的规定,均直接来源于《中美经济贸易协定》,其中有些仅具有形式意义。修改后的《著作权法》为摄影作品享受新的保护期(作者有生之年加50年)所设定的条件与《世界知识产权组织版权条约》不一致,可能需要再次修改。     

Disability,right to culture and copyright: which regulatory option?

Access to knowledge and participation in cultural life for persons with disabilities has always constituted a tough challenge. Recent studies show that only 5% of published works are available in accessible format, and the number plummets to 1% in developing countries. Coupled with the high costs of production and distribution, and the full reliance on public funds and intervention of public or non-profit organizations, copyright has traditionally represented an additional obstacle on the path for a broader availability of accessible works. Recently, the situation has worsened with the tilting in the balance between rights and exceptions caused by the legislative response to digital threats, when the unprecedented opportunities offered by new technologies to foster accessibility have been largely trumped by copyright law. Still, the last decades have witnessed the beginning of a paradigm shift, originating from the human rights arena, and moving towards a new definition of the interplay between authors’ rights and the right to take part in cultural life, both at a general level and with particular regards to persons with disabilities. This article offers a diachronic overview of the path that, from the rediscovery of Article 15 of the International Covenant on Economic, Social and Cultural Rights through its General Comments to Article 30 of the United Nations Convention on the Rights of Persons with Disabilities, has led to the adoption of the Marrakesh Treaty. It then analyses, with a focus on the European Union and its Member States, the national and regional responses to the new human rights obligations, looking at the relations between legislative exceptions and model or collective license agreements. The assessment of the strengths and weaknesses of the two main regulatory options lays the groundwork for proposals of further areas of intervention, necessary to fully comply with the international human rights obligations and to achieve the fullest access to and participation in culture possible for persons with disabilities, by using the tools offered by international and national copyright law.     

Comparison of the Columnar‐Thin‐Film and Vacuum‐Metal‐Deposition Techniques to Develop Sebaceous Fingermarks on Nonporous Substrates,

Both the columnar‐thin‐film (CTF) and the vacuum‐metal‐deposition (VMD) techniques for visualizing sebaceous fingermarks require the deposition of a material thereon in a vacuum chamber. Despite that similarity, there are many differences between the two techniques. The film deposited with the CTF technique has a columnar morphology, but the film deposited with the VMD technique comprises discrete islands. A split‐print methodology on a variety of fingermarked substrates was used to determine that the CTF technique is superior for developing fingermarks on clear sandwich bags and partial bloody fingermarks on stainless steel. Both techniques are similar in their ability to develop fingermarks on glass but the CTF technique yields higher contrast. The VMD technique is superior for developing fingermarks on white grocery bags and the smooth side of Gloss Finish Scotch Multitask^? tape. Neither technique worked well for fingermarks on black garbage bags.     

我国著作权质押制度探析

著作权质押作为著作权利用的重要形式,正日益成为版权产业融资的有效途径。然而我国关于著作权质押制度的立法还比较简单,尚待完善。笔者认为立法应结合著作权的特殊性,对著作权质押的标的、合同登记的效力、权利义务分配等基本问题作出明确回答,以实现出质人与质权人的利益平衡,充分体现著作权质押制度的价值所在。     

A Supplementary Proof to Du Fu's Meeting Li Guinian in Jiangnan——Also on the Emotional Connotation of the Poem

Meeting Li Guinian in Jiangnan is a famous poem in Tang Dynasty, and is considered to represent the highest level of Du Fu's Qi Jue poem creation. However, from ancient times to the present, some scholars have been questioning Du Fu's “copyright”。Some scholars have demonstrated the possibility of Du Fu's creation from the perspective of historical materials and historical facts. This paper proves it from the perspective of poetic image and aesthetic reaction mode which has been ignored by scholars. The core image of the poem “falling flowers” represents the most beautiful spring scenery, in accordance with the aesthetic habits of that time and Du Fu. This poem presents the scene of old friends meeting. It is not only in line with the creation of Du Fu's Jingxiang poetry, but also contains its uniqueness. This is a poem expressing “happy meeting”. There is no need to “over interpret” the significance from a political point of view.