文化强国的战略思考

文章通过对中共十八大报告有关建设文化强国的目标和战略转型的解读,对建设中国特色社会主义文化强国的基本方法与具体路径进行了系统的分析,同时从核心价值引领,道德文明素质支撑,文化生活保障,文化创造提升,文化产业驱动等方面提出了建设文化强国的一些具体对策和措施。     

清末北京城市治理和治安立法样式的法理分析

清末北京城市治理和治安立法是依法治市，实现城市治理法治化的新尝试，可谓中国城市治理和治安法制模式的现代化启动。从法律文本分析入手，对清末北京城市治理法规的结构、渊源及其社会基础等相关问题在制度层面进行探讨，可以反映北京城市治理和社会治安法律制度的实际变迁。可以说，该时期的有关立法尝试是具有现代意义的城市法制建设活动，在推动北京城市治理初步迈向法制现代化的同时，也深刻影响了民国时期及其后来城市立法样式及法制现代化进程。     

The first woman in the process of book production in Livonia: the case of Ursula Krüger and Daniel Hermann

I present the first case from the history of early modern Livonia, when a woman participated in the editing and publication of a printed book. Ursula Krüger, wife of Prussian–Livonian humanist Daniel Hermann, illustrates the wider perspective of non-aristocratic women’s activities involving book production in the geographical periphery of humanist culture, Riga, rather than in the heart of European humanism. Her story also illustrates the ability of women to collaborate as an editor, both as a learned woman who could compose Latin dedications and a businesswoman who could financially and organizationally engage in publishing books.     

略论死刑复核中“发回”案件的重新审判

在重新审判“发回”重审死刑案件的司法实践中，对被告人容易产生有罪推定的倾向、依据补强证据再次适用死刑的倾向和漠视侦控行为合法性的倾向，为此重审法院应杜绝片面依据侦控机关提供的不利于被告人的存疑补强证据，对被告人再次适用死刑；对“事实不清、证据不足型”发回重审的死刑案件，如果经过重审认定的案件事实没有发生重大变化，一般也不宜对被告人再次适用死刑。     

宁夏重点投资项目带动就业研究报告——以2011年重点投资项目为例

实施重点项目建设,不仅要发挥固定资产投资推动经济快速增长,促进国民经济综合平衡发展的作用,更要着眼于提升就业水平。提高就业水平是政府宏观调控的重要目标,也是实现宁夏经济社会和谐发展的客观要求。     

历史唯物主义与中国改革发展——当代语境下的恩格斯晚年书信诠释

社会现代化境遇中,重读恩格斯的晚年书信有助于挖掘其思想的当代价值。从社会哲学的逻辑定位看,社会发展作为一个整体,"四位一体"战略格局中的经济、政治和文化等各个领域的改革发展是有机统一的:经济发展方式的转变会进一步解放和发展生产力,会促进经济领域的改革发展,最终为政治、文化等领域改革发展提供坚实的物质基础;民主政治建设与文化改革发展的及时跟上,对经济体制改革的纵深推进有巨大反作用,从而为破解当前的经济发展方式转变难题提供新动力和赢得制度保障;文化的改革发展释放了文化生产力,文化产业将成为国民经济新的增长点,为转变经济发展方式提供新契机。     

著作财产权客体结构中的使用行为——审视著作权法权利作用“焦点”的一个阐释进路

知识产权客体是一种多重构造体系,除涵盖知识产权处分客体(知识产权利益)以外,还存在知识产权支配客体(使用行为)与行为客体(抽象物)之分。就著作财产权而言,权利作用"焦点"的行为客体路径更多制造的是表述模糊的历史性概念,在权利边界的设定方式上难以限定,并不能一劳永逸地解决著作财产权的权利作用"焦点"困境。著作财产权的支配权能并非指向独占之作品,而是限制他人对作品的某些使用行为。支配客体(使用行为)路径始终贯穿于著作财产权的权利作用"焦点"思路当中。在反思著作财产权的支配客体,对使用行为进行定性与价值判断时,应避免时下"合理使用"原则、"三步检验法"传统规则的价值偏向与闭合趋势。使用行为的"商业性"和"公开性"(即"公"、"私"区分)作为"合理使用"原则、"三步检验法"等使用行为定性及价值判断基准仍具有重要的补充和参考作用。     

论我国鉴定人屏蔽作证制度的法理基础

新《刑事诉讼法》规定,鉴定意见应经质证才能作为定案依据.这一刚性规定促使鉴定人必须履行出庭作证义务,从而提高了鉴定意见证据效力对质证程序的依赖程度,鉴定人出庭作证制度的完善就格外重要.鉴定人屏蔽作证方式为这一问题的探寻提供了微观视角,我国已经存在证人屏蔽作证的司法实践,但是对于鉴定人屏蔽作证的正当性还存在争议,而这些争议实质上是鉴定人屏蔽作证与传统诉讼法原理的冲突与解决,具体反映在鉴定人屏蔽作证应当遵循的原则、程序设置、配套措施等方面.     

‘Into the custody of the Serjeant at Arms’: inducing parliamentary attendance in Dublin and Westminster, 1690–1859

Parliamentary attendance could be quite problematic before the advent of modern political parties. For more than a century after the Glorious Revolution both the English/British and Irish Houses of Commons sought to address this challenge by ordering the Serjeant at Arms to take into custody hundreds of absent Members of Parliament (MPs). The extraordinary expedient of turning parliament into a prison, albeit of the softest variety imaginable, did not solve the attendance problem. On the contrary, it became considerably worse after both Houses adopted new rules for adjudicating controverted elections in the late eighteenth century. Nevertheless, the willingness to employ this distasteful and rather ineffective weapon quickly dwindled. The last arrest order for unauthorized absence came in 1859, 112 years before the final occasion on which Westminster was forced to adjourn business for want of MPs.     

Hearing the voice of Donbas: art and literature as forms of cultural protest during war

This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People’s Republics, on the other. They explore familiar tropes and images of Donbas and use guerrilla tactics (shock effects, provocativeness, and deception) to initiate public reaction to the war. Their works are united by their search for a shared communication space and direct access to the audience on occupied territories. These artists challenge the accepted perception of Donbas as a free but uncivilized space and participate in the creation of a new Donbas text. The interaction between politics, art, and activism makes their voices and vision powerful and infectious and can help achieve civic consolidation in Donbas.