加强社区档案管理的思考

社区与我国市场经济发展相伴,是社会发展的产物。社区档案管理作为社区建设的一项基础工作,必将发挥越来越重要的作用。     

影视文化特色教育的实践与探索

在中国素质教育改革的大背景下,校本课程开发成为教育改革的趋势.在学校特色教育的探索中,依托乡贤人文资源,将"影视文化"作为学校的课程资源来开发,走"影视文化"为特色的办学之路,是学校得天独厚的.     

禁播电影国内传播的版权问题研究——兼论网络服务商的法律责任

禁播电影,即我国实行电影审查制度下不具备公映资格的电影,不能够在我国境内发行、放映、进口、出口.我国法律实践中仅仅规定了非法传播的刑事责任与行政责任,而没有有关版权人版权的民事责任规定.根据版权相关的国际公约,由于其形式上构成作品而应当享有版权,因此在我国被非法传播的禁播电影版权应该得到确认.禁播电影版权的国内保护具有特殊性,首先它不能够积极地行使版权,但是在非法传播的情况下可以依据电影版权而获得民事赔偿.网络服务商对禁播电影的网络传播承担间接侵权责任,而网络版权侵害中的替代责任的确立更成为了必要.     

论我国电影作品著作权的归属

从世界范围来看,电影作品著作权的归属主要有两种立法例,一种是创作者立法例,另一种是制片者立法例。结合我国的著作权制度和法律传统,比较两种立法例的优劣,我国在第三次修订《著作权法》时,应该采纳创作者立法例,规定电影作品的作者享有著作权,制片者通过与作者签订合同获得电影作品的独占使用许可权。     

SKEPTICISM BORDERING ON DISTRUST: FAMILY LAW IN THE HOLLYWOOD CINEMA

This article critiques Hollywood films from the last last 20–30 years that relate to family law. More specifically, this article considers films involving marriage, divorce, child custody, and adoption and focuses on the portrayal of law in those films. While the films are not tightly connected to one another and surely do not share a unified theme, the films do share a surprising skepticism bordering on distrust regarding law, legal procedures, and legal institutions. Hollywood appears to have picked up a general sentiment that family should be a private, intimate sanctuary and is better off without state intrusion through law. The films incorporate this sentiment and also reinforce it by teaching viewers to be leery of law in family matters. Key Points for the Family Court Community:

• 1 Recent Hollywood films include not only abundant portrayals of family life but also numerous examples of family law.
• 2 As a result, these Hollywood films have the potential to educate viewers about family law and to prompt certain normative attitudes about family law.
• 3 In general, Hollywood films invite viewers to be skeptical and even disdainful of family law.

     

“Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation

ABSTRACT

Since its early beginnings in Italy in the sixteenth century, opera has always been a multimodal text, integrating verbal, musical, and stage resources. Verbal resources can be unpacked in lyric verse for vocal pieces in closed form, narrative verse or prose for recitative, and stage directions; musical resources include instrumental and vocal music, whereas stage resources incorporate stage design, singers’ and dancers’ kinesics, and set and costume arrangements. However, opera has been rarely studied in multimodal terms, as it has been mainly explored from musicological standpoints, hence prioritising music and barely taking into account the interplay of other resources. As a case study, epitomising the Golden Age of opera, La Cenerentola by Rossini has been selected, as it exemplifies how the theatrical and compositional conventions of the genre work concurrently with its metatextual components. Stage adaptations will be also analysed in two film operas, that is, Jean-Pierre Ponnelle’s La Cenerentola (Germany, 1981) and Carlo Verdone’s Cenerentola, Una favola in diretta (Italy, 2014). Opera will be interpreted as a prototype of multi-level resemiotisation, also in a critical light, as the libretto is resemiotised (1) as a musical composition; (2) as a mise-en-scène, and (3) as a film opera.     

Animal liberation,American anti-terrorist culture and Denis Hennelly’s Bold Native

Since its birth in the last quarter of the twentieth century, the animal liberation movement has attempted to expose the transnational, global character of speciecism and institutionalised forms of exploitation. Within the American panorama, however, the “war against terror” following 9/11 had such a profound effect on (radical) activism at a legal and legislative level that the movement found itself in the position of having to reassess their focus, leading to theoretical and aesthetic responses to anti-terrorist rhetoric. The aim of this article is (1) to examine the manner by which anti-terrorist rhetoric affected the movement and how the movement appropriated such rhetoric to reinvent their own discourse, and (2) analyse the audiovisual semiotics employed by Denis Hennelly in his 2010 film, Bold Native, so as to address how issues central to the movement’s current struggle and assimilation of concepts such as “terrorism” and “patriotism” translate at an aesthetic level.     

Catches to the right to be forgotten,looking from an administrative law perspective to data processing by public authorities

Public authorities process personal data. In most cases these data are processed because there is a legal obligation to do so, or because processing is necessary for the performance of a task carried out in the public interest. The right to be forgotten or to erasure will, in this situation, play a limited role in the protection of the rights of the individual. There is even a public interest in maintaining archives, thus in not forgetting. At the same time, the possibility exists that not forgetting might be more valuable for the protection of rights of data subjects then forgetting. In the case of data processing by public authorities, it is important that the processing is based on a law. A close watch should be held on the grounds that public authorities use to justify the processing. As the right to be forgotten will play a limited role in the protection of the rights of data subjects in the case of data processed by public authorities, it is important to emphasize the right of access and rectification of data. It is therefore essential that the controller is transparent to the public with regard to the processing of data.     

从整合的角度看高校人事档案目标管理工作

自20世纪90年代档案部门将目标管理这一科学管理的方法引入了档案管理中,人事档案在管理中也纳入了目标管理的内容。人事档案工作引入目标管理的管理方法后,大大提高了其管理的效率和成果。本文主要分析了人事档案目标管理中存在的定位问题及动态调整问题;人力资源整合不足、凝聚力弱、激励作用不够等问题;协作沟通问题,提出从整合的角度来发挥人事档案目标管理的导向效应,把握目标管理的凝聚效应与注重目标管理的协作效应等方面来解决问题。     

档案备份工作纳入档案法之设想

随着社会的高度发展,各个领域都产生了大量的纸质和数字档案,这些挡案由于各种各样的原因存在着相当大的潜在威胁,引起了档案界专家人士的高度重视.档案发展的同时法律也在发展,将档案备份工作纳入档案法,从根本的机制上解决档案安全问题,为档案安全提供一个安全屏障,以避免各种环节的差错可能导致的损失,让档案更好地为社会服务.