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171.
Catherine Grant 《Women: A Cultural Review》2019,30(3):297-318
AbstractThis article examines what the published letter does as a form that is both intimate and public, and how it is particularly resonant when dealing with the silences and absences around queer and feminist artist of colour histories. Connections are made between three letters published in feminist and queer journals and books, written for readers who may include the writers’ loved ones, friends, contemporaries, and future readers. These three letters are contained within the following publications: Surviving Art School (2016) by the group Collective Creativity, a QTIPOC artist group who made the publication as part of a wider project examining the history of Black British Art (members are: Evan Ifekoya, Raisa Kabur, Rudy Lowe and Raju Rage); a special issue of FAN (Feminist Arts News) edited by Lubaina Himid and Maud Sulter in 1988, the precursor to the more well-known collection Passion, edited by Sulter in 1990; ending with Himid's recent reflections on her curation in the 1980s through a series of ‘Letters to Susan’ published in the 2011 catalogue for the exhibition Thin Black Line(s) at Tate Britain. Through close examination of these examples, this article explores the particularities of the letter form, asking if it allows feminist and queer artists of colour to present their experiences in a manner that encourages all their readers to take part in the conversation, whilst prioritizing calls for other people of colour to respond. The article proposes that the published letter form keeps feminist histories alive and creates a counterpublic that speaks to and for a community that is imagined as both geographically and temporally diffuse. 相似文献
172.
权力涛 《浙江省政法管理干部学院学报》2007,85(4):92-95
随着高等教育的进一步深化和发展,各高校的实验室建设也越来越受到重视。艺术类实验室由于其专业的特殊性,此类实验室的管理和维护显得更为复杂和重要。本文结合我院实验室的情况,并根据笔者多年来从事艺术类实验室的管理工作积累的经验,进行详细的分析和探讨。 相似文献
173.
谭笑珉 《中国青年政治学院学报》2003,22(4):123-125
新闻摄影是运用摄影科学的手段,选择正在发生或发现的典型事实进行有说明的图片报道。新闻摄影是一门瞬间的视觉艺术,它能够精确地把稍纵即逝的形象,迅速地固定下来。它从客观现实的事物中摄取影像,以生活里真实的、动态的典型瞬间摄影技巧来反映生活、记录生活,让读者感到真实可信、形象鲜活。 相似文献
174.
艺术类大学生思想道德素质状况解析——以江苏高校为例 总被引:1,自引:0,他引:1
在问卷调查的基础上,从思想政治、理想信念和道德素养三个方面对艺术类大学生思想道德素质状况进行了较为全面的调查与分析结果显示,艺术专业大学生思想道德素质的总体状况是健康向上和积极进取的,同时,值得重视的是,随着我国社会的经济成分、组织形式、就业状况、利益关系和分配方式日益多样化的态势也给一部分艺术专业大学生思想道德发展带来了不少负面影响,为此,我们应大力加强理想信念教育和爱国主义教育,进一步充实法制、诚信与合作意识教育的内容,积极建构和努力推进心理健康教育的新模式. 相似文献
175.
176.
司法的终极目的是维护社会利益,促进社会和谐发展.目前,我国社会正处于转型期,司法权能否正当行使,意义重大,司法的理想目标就是法律效果与社会效果的统一.有时候司法处理的问题不一定有很明确的是与非,司法所解决的不过是一种平衡术,要在有限的司法资源与扩展的司法需求和多元的司法评价尺度之间选择有效途径,平衡三者的关系. 相似文献
177.
刘薇 《西安外事学院学报》2006,(2)
从对艺术形态的界定中,可以得出艺术是在传播中张扬其生命力的结论。艺术形态的存在正在于散播、传达、表现。传播使欣赏者感受并可能感同到艺术的“放射波”。欣赏者在传播中被艺术召唤,从而追求艺术。艺术之动在于传播,传播使艺术得生得长,并富于魅力和感召力。在对传播概念的把握过程中,可以寻求关于艺术传播的物质内容。即,信息是传播的必然内容。作为传播形态的一种,艺术传播也不例外。借助传播学信息理论中的熵和冗余的概念,对艺术传播做逐一分析,我们发现:艺术作为有别于其他自然科学和社会科学的存在,以它独有的方式打破了科学规律,熵值决定传播程度的规律。对于非科学的艺术而言,不仅熵影响艺术的传播程度,冗余也在影响艺术传播程度。传播是艺术得以发生存在的环境和系统。熵与冗余的平衡使艺术在传播中得以存在和张扬。 相似文献
178.
Claire Mortimer 《社会征候学》2016,26(3):311-324
ABSTRACTComic narratives provide an arena wherein the marginalised are centre stage, in the tradition of the carnival. This article examines Margaret Rutherford's performance in the role of Miss Marple in the 1960s MGM films, exploring how Rutherford's persona articulates complex discourses concerning age, gender and national identity, in the tradition of the contradictory nature of the trickster. The trickster tradition, in its evocation of a mythological resonance, creates a liminal space in the narrative, bridging life and death, male and female, chaos and order. Her narrative function is to restore social stability, to “cure” and “heal”, through chaos and cunning. Rutherford ultimately defies socially inscribed definitions of ageing femininity, inhabiting Agatha Christie's Miss Marple as a comic entity, whose ability to dissemble, impersonate and subvert makes her a potent and yet perverse force for good. Her performance as Miss Marple can be read within the social context of reconfigured discourses regarding age and gender in the second half of the twentieth century; greater life expectancy, social mobility and evolution of family structures challenged the traditional role of the ageing woman. She is a nostalgic articulation of Englishness which draws on the figuration of the village spinster. 相似文献
179.
Jaak Kangilaski 《Journal of Baltic studies》2016,47(1):31-47
ABSTRACTThis article analyzes Estonian art scene in the Soviet era from the postcolonial perspective. The first objective is to consider whether it is appropriate to call the Soviet occupation of Estonia colonialism. Second, the article points to how postcolonial theory can elucidate the history of Estonian visual art during and after the Soviet occupation. The period of Soviet colonialism in Estonia was not uniform; in the fine arts, several different rhetorical regimes existed simultaneously: pro-authority, Western avant-garde orientated, and a national-conservative discourse. The article also investigates how the Soviet colonial situation shaped the institutional and economic environment of Estonian art. 相似文献
180.
王德文 《安徽警官职业学院学报》2008,7(4):79-80
随着社会商品经济的不断发展和完善,工艺美术设计的水平、设计理念也在不断提高和更新。工艺美术设计师要以满足广大消费者的需要为己任,要有强烈的社会责任心和高尚的职业道德,应注重自身素质的综合培养。 相似文献