美术类在线考试系统的设计与展望

随着数字技术、多媒体技术、计算机网络技术以及人工智能的飞速发展与广泛应用,美术专业学习的方式和考核测评方式发生了革命性改变。数字美术正改变和丰富着传统的美术创作理念与规律,并顺应信息化数字时代的发展潮流,成为美术创作领域新的艺术形式。网络化考试利用计算机与网络技术开发考试系统,适应校园信息化建设和远程教育的现实需求,将成为新型的主流考试测评方式。     

Apartheid,Jim Crow,and Comparative Literature

This article examines John Greyson’s film, Proteus, for the way it figures queer masculinity and race in South Africa’s national historical narrative. The film offers an esthetic rendering of an eighteenth century interracial sodomy trial set on Robben Island. Drawing on contemporary queer theory and recent South African narratives of masculinity that privilege heternormativity and nationalism, this paper argues that the film carves out a space for queer identity within national history where it had previously been denied. The paper traces the way that the film interjects queer narratives into South Africa’s national identity, disrupts the heteronormalization of various sites of national iconography on South Africa’s historical terrain (such as Robben Island), and offers a queer masculinity that resists racial segregation. Moreover, this paper traces the ways that the film has implications for contemporary queer communities within South Africa.     

Post-9/11 counterterrorism in popular culture: the spectacle and reception of The Bourne Ultimatum and 24

This article examines the representation of counterterrorism in contemporary film and television and surveys its reception among active online audiences. Contemporary counterterrorism fiction like The Bourne Ultimatum (2007 The Bourne ultimatum. 2007. Film. Directed by Paul Greengrass. Produced by Doug Liman, Henry Morrison and Jeffrey M. Weiner. USA.  [Google Scholar]; Film. Directed by Paul Greengrass) and the TV series 24 (2001–2010; Television series. Created by Robert Cochran and Joel Surnow), present viewers with conventional hero-driven narratives wrapped in a spectacle of high-tech surveillance technologies. As counterterrorism is an inherently covert exercise, the widespread popularity of these Hollywood franchises raises questions about how the public understands the capabilities and ethics of counterterrorism. These questions are addressed through an analysis of the generic and aesthetic features of the texts along with a survey of audience responses on the Internet Movie Database (IMDb).     

艺术秩序与《秃头歌女》中的时间

艺术离不开秩序,这是艺术之为艺术的根本,即使是以混乱的碎片为主体的荒诞派戏剧也不例外。荒诞派戏剧是通过使混乱达到极至从而进入自否定状态,因此,它是作者精心选择的有意义的混乱。《秃头歌女》中的挂钟敲出的贯串全剧的错乱钟声,就使混乱的剧情有了一个秩序。     

Putting the medium back into mediation

Abstract

The dominant theoretical paradigm in contemporary South African media studies is one which encourages scholars to focus on questions of representation: on the content of media texts, on how accurately they portray the world, and on how individuals or groups react to those portrayals. While acknowledging the value of this orthodox approach, we argue that attention to the non-representational or material dimensions of mediated experience raises important new issues for the discipline, doing greater justice to the intimate material role the media play in the world and also serving as a first step towards reconceptualising human subjectivity in a way that goes beyond the traditional subject–object epistemology of modern humanism. We use an example from film melodrama to illustrate how the affective and phenomenological dimensions of the film-viewing experience can promote a positive pre-discursive engagement with (human) being – with what Deleuze characterises as ‘a life’. In this case we link affective engagement to the possibility of a regenerative politics that may begin to challenge and supplement the increasingly suspect modern political tropes of agency and identity.     

Co-Evolution of a University Department and a Dance Company: Creation of Value of Art in a Community

In Korea, arts and culture in the provinces are at a disadvantage in many aspects. We examine the difficulties of being a provincial dance organization. We analyze the strategies to overcome these difficulties and the resulting process of the co-evolution of a department of dance at a provincial university and its offshoot dance company. In their endeavor for survival, these dance organizations seek to be a part of the community with community dance programs that induce the participation of residents. The resulting values created in the community of the Western District of Daejeon City and the success factors of these organizations are also analyzed. Some implications of the co-evolutionary process to other provincial dance organizations are discussed.     

中美现有技术抗辩制度之比较

本文从中关专利无效宣告制度的差异入手,分析了现有技术抗辩制度在中关专利法中的不同地位及其不同功能。现有技术抗辩制度的适用规则由该制度在专利法中的地位和功能所决定。本文通过回顾中美适用现有技术抗辨制度的部分典型案例,分析了两国在现有技术抗辩制度适用规则上的差异,以及这些差异给我国带来的启示。     

Contradictions in Participatory Public Art: Placemaking as an Instrument of Urban Cultural Policy

This article addresses the current focus within urban cultural policy on using art as a tool in urban development. Based on theories of participation, democracy, and public art, the article sets out to investigate critically the concept of placemaking. The discussion is based on an analysis of the public art project Placemaking, which took place during 2015 in eight municipalities around Copenhagen in Denmark. I argue that, when used as a tool in urban development, participatory public art engenders contradictory encounters. These encounters challenge the cultural political effort to democratize art and culture.     

黔西南布依戏调查综述

本文通过实地调查,结合民族学、戏剧学及民族戏剧学的研究方法和有关理论着重介绍了布依戏的戏剧艺术形态,并对布依戏这一少数民族戏剧的源流进行了简要分析,同时对布依戏产生、发展、繁荣、衰微和新生做了历史的梳理,为进一步研究布依戏提供了详实的材料。