西部地区高校数字艺术教育战略探索

文章主要论述了西北地区发展数字艺术教育的潜力,在高校设置数字艺术专业的国际趋势,战略方针,并提出了框架性解决方案;同时引申出西北地区由此建成数字文化产业基地的可能,从而发扬光大中华传统文化之精神。     

“抒情的人道主义”与“和谐”的艺术样态——谈汪曾祺的创作

"抒情的人道主义"是汪曾祺文学创作思想的主脉,"和谐"是其艺术样态的本质特征.作家用充满温情而平等的眼光去看人,去接纳平凡人生,用素朴而诗意的心态去书写世俗生活,在人生的沉重和苦涩中发掘温馨的美感和健康的人性人情.其创作思想和艺术个性的形成,主要在于作家对儒家思想的独特理解以及沈从文的影响.     

纸张上薄膜拓印指纹检验研究

目的研究薄膜拓印指纹的特征和检验方法。方法利用塑料薄膜在纸张上进行了120次指纹拓印实验,然后比较拓印指纹和正常捺印指纹。结果成功转印出较清晰的拓印指纹41枚,发现了纸张上拓印指纹的常见特征。结论通过特征分析可以对薄膜拓印指纹进行检验。     

应用低离子强度溶液提高血痕MN血型测定的灵敏度

应用低离子强度溶液能提高凝集试验的灵敏度。本实验采用低离子强度溶液及蛋清薄膜固定解离法对保存1～6年的258份血痕进行MN血型盲测。结果总正确率94.57％。证明应用低离子强度溶液解离法的灵敏度明显优于盐水解离法。     

Beyond 90°: the angularities of black/queer/women/lean

This essay argues for detailed attention to the materiality of black queer women’s spatial coordinates, the literal points of contact with the surfaces we traverse, as sites where categories of race, gender, and sexuality are disciplined and negotiated. It does so through a brief history of how Man’s 90° relationship to the ground, a verticality and perpendicularity that valorizes a physical comportment that is also the structuring condition for one’s political capacities, is produced by enforcing black and indigenous subjects to the ground, invariably defining the categories of Otherness as 0° and 180°. Through a reading of Rashaad Newsome’s performance Shade Compositions, the author argues a reading of the angles that exceed 0°/90°/180° may provide paths for reorienting the possibilities of black queer presence in the field of the political. If 90° signals a delimited political field, then, one governed by notions of rational civility that are always exclusive of black and black queer bodies, might the angularities surrounding, say, 120° reveal sites of productive incivility that are inextricable from the lives, experiences, and certainly bodies of black queer women themselves?     

Exhibiting the Enlightenment: Joseph Banks’s Florilegium and Colonial Knowledge Production

ABSTRACT

The returned Australia-Japan Foundation Visiting Professor of Australian Studies at the University of Tokyo (2014–15), Anna Johnston, reflects on a 2014 exhibition held in Tokyo: The Bunkamura Museum of Art’s “Captain Cook’s Voyage and Banks’ Florilegium.” The Florilegium continues to have resonance as part of Australia’s complex colonial inheritance from the Enlightenment past. Its display and interpretation both overseas and within Australia provides an opportunity to better understand its origin in a pivotal historical period, globally, and its contribution to knowledge in arts and sciences. The Florilegium also reveals how Indigenous knowledge was central to European exploration and knowledge production. This article outlines contextual issues and seeks to provide a complex biography of this scientific and artistic artefact of Empire, in order to propose new ways of reading the Florilegium that pay attention to that enriched biography.     

Hegemony or diversity in film and television? The United States,Europe and Japan

Abstract

In October 2005 UNESCO produced its Universal Declaration on Cultural Diversity. This was largely a response to the worries of countries, especially in Europe and not least of which France, which feared the damaging effects to their cultures if trade in entertainment products remained too one-sided. Generally the argument of this paper is that while initial tensions between the United States and Europe were motivated by the usual commercial concerns, Europeans were increasingly worried about the cultural impact of this commerce. The Japanese, however, have not been nearly so concerned as the Europeans about becoming ‘Americanized’. This lack of tension between the United States and Japan in the area of film and television is due to several factors. First, there is a complementarity between American entertainment and the Japanese electronics industry. Second, the Japanese are major players in some aspects of the entertainment industry, most especially in the area of animation, and they are especially influential in Asia. Finally, issues of cultural conflict between the United States and Japan are simply less salient to Tokyo than those which characterize Japan's relations with its Asian neighbors.     

解读电影《魂断蓝桥》的片名翻译

《魂断蓝桥》被称为经典的爱情悲剧,而影片的原名为Waterloo Bridge,直译为"滑铁卢桥",本文首先分析直译的缺点,然后联系剧情结合中国文化分别从"魂断"、"蓝桥"、"魂断蓝桥"三方面进行赏析,仔细品味片名翻译中的文化韵味和感情色彩。     

影视艺术冲击下文学的困境及其生存策略

在影视艺术的强烈冲击下,当代的文学正面临严峻的生存危机,文学的传统门类--小说、诗歌和戏剧正在被电影和电视扬弃,散文无法独撑文学的天空.只有主动向影视突围,与影视合作,自觉符合形象化、视觉化潮流,自觉考虑社会受众的精神需求,文学才能走出目前的困境.由当代社会文学的困境及其突围,可以得出诸多美学启示.