反恐刑法的基本理念及立法完善研究

刑法是防控恐怖主义犯罪的最后一道防线.而当下我国无论是对反恐刑法的基本认识,还是刑法的相关规定都存在着许多值得反思和商榷之处.为扭转被动局面,实现对恐怖主义犯罪的有效规制,有必要创新恐怖主义犯罪刑法管控的基本理念,充实、完善其制度内容.唯有如此,才能增进恐怖主义犯罪防控的科学性、针对性和有效性.     

Ideas in Politics in International Context

This article asks how we might rethink the study of ‘ideas in politics’ in modern Britain. It suggests that historians need to set the problem in its international contexts in a more structured way. Focussing on the nineteenth century, the article reflects on conceptual angles opened up by ‘global intellectual’ and ‘entangled’ approaches to political ideas and behaviour. While stressing that these methods have their pitfalls, the article argues that a reconsideration of the seams where international and intellectual contexts meet can help to reconnect modern British political history with wider historical debates.     

论刑法的谦抑精神--从刑法根据论角度分析

刑法的谦抑精神指以罪之谦抑与刑之谦抑为内涵的刑法理念.罪与罚本恶,刑法的根据使乏合法化井成为刑法正当之善,但同时也注定其张力之限度.不同学派对刑法根据的论证各有千秋,对刑法谦抑精神也有不同认识.中国古代法律制度的价值取向多与谦抑背离,但仍能从相关传统法理念中找到刑法谦抑精神.完善中国刑法的价值理念,破除对刑法的迷信,刑法的谦抑精神不可或缺.     

在促进发展的过程中保护和创新民族文化

多年来,在包括贵州在内的广大西部少数民族地区,经济发展与文化传承、传统生活方式与现代化、民族文化的保护与开发等等之间,一直存在着张力。地方政府与学者在这个问题上的见解也是不尽相同的。本文通过对贵州具有典型意义的一些民族村寨的考察、分析,提出必须以高度现实主义的态度对待这些问题,有所为有所不为;必须以实现贵州少数民族群众的脱贫致富奔小康为最大、最迫切的需求,在此基础上,把少数民族文化的保护和创新推上新的台阶。     

侦查与侦查学若干基本问题探讨

公安机关(横向)侦查机构的设置和案件管辖分工应遵循积极整合、抑制分化的原则,(纵向)侦查体制的确立和职能定位则应遵循明晰事权性质、分级负责的原则;刑事侦查的方针应修订为:依靠群众,依托基础,注重协作,依法办案;刑事司法改革的推进和证据立法的完善必将给侦查工作带来实质性的影响,侦查机关和侦查人员应积极应对挑战,确立与现代法制相适应的新的侦查观念;物证鉴定体制应实行相对意义上的侦鉴分离,而不是绝对意义上的侦鉴分离;侦查学以观念层面的本体基础理论、原理层面的本体基础理论以及相关学科的科学理论作为其科学基础,因此它作为一门独立学科的科学性不容置疑。     

统战特色应用研究——社会主义学院科研工作理念浅析

科研理念是科研技术人员在通过科研的实践或对科研的理解,逐步形成的对科研认识的价值取向.科学、正确的科研理念是指导科研的精神动力,是科研实践的前提,是形成正确科研方法的必要条件.社院科研理念就是指社院从事统一战线人才教育培训工作的教学科研人员进行科学研究的指导思想和价值取向.社院作为统一战线工作的一个部门,承担着"统一战...     

论杜亚泉理性的政治思维

杜亚泉是"五四"文化论争中的主要人物之一,他因为主张"文化调和论"而被视为新文化运动的对立面。学界对杜亚泉的关注和研究主要集中在他与陈独秀的文化论战或与五四新文化运动的关系上,即主要是他的文化观。对于他的政治思想,却少有论述。杜亚泉理性的政治思想,主要包括他的国家观、政治革命观、共和政体观和理性的政治思维。从杜亚泉对国家的分析,对政治革命和社会革命的区分,可以得出杜亚泉是一个理性的、现实的政治思想家,他的政治革命与共和政治思想以及理性的政治思维,对我们今天的政治理论和政治实践仍然有重要意义。     

Process Management as a Contagious Idea: A Contribution to Røvik's Virus-Inspired Theory

‘Travelling ideas’ denotes the fact that virtually identical management ideas crop up more or less simultaneously in similar organizations. Røvik, who recently launched his ‘virus-inspired theory’ approach, seeks to pinpoint the possibility that the encounter between idea and practice may be lasting, ideas may affect practice, and leaders in organisations may play a more active role than the one often depicted in management fashion theory. This article is a contribution to his virus-inspired theory. It focuses on processes in their pragmatic form, as value-creating flows in organisations. We have studied Process Management (PM) as an idea, and how it has penetrated and flourished in the Swedish Customs Service. We argue that the empirical test in this article supports Røvik's belief that a virus-inspired theory gives a richer picture than the fashion theory. Through our analysis we show that four of our six hypotheses, derived from the virus-inspired theory, are strengthened by the empirical story from the Customs Service.     

现时代藏传佛教与藏民族信教观念转换之思考

藏传佛教作为外来文化传入藏区已有1300年的历史.自公元七世纪中叶至今,藏族几乎全民信仰藏传佛教.当今在经济全球化、政治多极化、文化多元化的世界格局中,如何使藏族的宗教信仰与社会主义社会发展不相矛盾,如何使各领域发展相对滞后的藏族首先在思想观念上尽快完成现代转换的任务,这是我们当今理论工作者研究的一大课题.     

Cultural Policy and Values: Intrinsic versus Instrumental? The Case of Romania

This article addresses cultural policy in post-Communist Romania, focusing on the justifications for support of culture and the arts. The objectives are to clarify values legitimizing public support and to determine their effect on the meaning and impact of cultural policy. The author argues that justifications of public funding—instrumental or intrinsic—depend on how successive governments represent the roles conferred to culture and the arts, as well as on the particular ideas of culture and art they promote. Policy discourse after 1989 has been characterized by its nourishment of a persistent instrumental ideology that gradually connected to the international debate and has been dominated by a traditional, narrow conception of culture and art, which conflicts with a modern conception. Until recently, the fluctuations and conflicts between different values and ideas of culture and art have worked to constrain cultural policy, disrupting its implementation and altering its effects.