The Unity of Knowing and Doing: The Course of Social Work Action Research

By reviewing the history of social work, it shows a clear picture that both clinical social work and community work are "made out of" doing. This article, based on this essential attribute of social work, proposes that the cycle of action research as the course of combining theory and practice of social work by three reasons. First of all, the ethos of community practice is not only the starting point of social work practice and the action research, but also the drive for continue doing professional practice and action research. Secondly, sociological imagination is the ability produced in practice through rationality, including activities to change the reality. Thirdly, the unity knowledge of knowing and doing is not a single cycle from sense to sensibility, but an endless cycle of both. After more than 10 years of practicing in rural development and anti-poverty social work practices, the author argues that the concept of sociological imagination proposed by C. Wright Mills is not only a critical perspective about how personal life in relation to the society we live in, but also a possible solution for our daily life.     

试论艺术虚构对艺术美的重要性

艺术美是艺术家主体在感应外物,汲取丰厚文化素养的基础上加工、创造出来的,在艺术美的产生、形成和接受的全过程中,艺术虚构始终处于中心环节的重要地位。     

人类学追踪调查的虚与实——重访南景村的思考

以“异文化”为研究对象的人类学,通过远足他乡的方式获得与“本文化”不同的知识与体验。这种取向不仅是专业训练的路径,也是人类学的认识论基础。对南景村的回访,重新思考了人类学村落研究的传统,以农民和村落的终结为逻辑起点,分析解读追踪调查的真义。研究者与被研究者把村庄和对村庄的想像连在一起,构成了“虚”、“实”相间的田野工作。     

A Country Once Great? Asylum Seekers,Historical Imagination,and the Moral Privilege of Whiteness

ABSTRACT

The current public debate on asylum seekers arriving to Australia by boat is profoundly emotional and divisive. Its emotional nature must not only be considered in the present context but also understood from a historical perspective. This article argues that often the asylum seeker debate has been structured as an emotional dispute about the morality of the Australian nation; and that one of the main functions of such a dispute is to reinstate the moral privilege of whiteness. This has weakened the ability of human rights activists to advocate for the ending of current policies, and has instead reinforced an insular, exclusionary and rhetorical understanding of Australian history. On both sides of the debate, historical amnesia and the rhetorical celebration of the past have at times worked hand in hand with allegedly pragmatic approaches to the “boat people” crisis. Yet it is only in addressing the repressed and haunting memories of the past that Australians might find critical and creative antidotes to the merciless dictates of pragmatic politics.     

文化遭遇与异族想象：唐代文学中的天竺僧形象

与前代相比,唐人有幸生在中外文化大交融的时代,亲历印度佛教文化渗入汉唐文化的历史过程,并对异域观念进行当下性思考,产生一种审视异域的独特文化视野。反映在文本中,那便是唐人文学作品中存留许多关于印度佛教文化魅力及来华天竺僧形象的描写,诸如唐诗、小说等都是考察唐代中外文化交流的珍贵史料。     

现代性框架中的历史反思

现代性的想象机制是由技术想象和历史想象共同构成的。关于极权主义的经历加深了赫勒对宏大历史叙事崩塌的理解,也激发了对自由民主真实含义的理解。极权主义的出现被归结为历史想象和技术想象的“一种不神圣的婚姻”,是伦理力量缺失的结果。极权主义是非理性的,是对偶然性的否定。     

解读康德的图型

康德在论述他的图型时,完全超出了他本人的意图.虽然时间仍作为先验图型连接范畴和直观杂多,但是其间却发生了矛盾及丰富的涵义:异质的歧义性,图型涵义的广泛性,以及孕育出经验图型等.这些内容丰富了康德的哲学思想.     

Imagination and Tragic Democracy

Abstract

Cornelius Castoriadis is one of the very few social and political philosophers - modern and ancient - for whom a concept of imagination is truly central. In his work, however, the role of imagination is so overarching that it becomes difficult to grasp its workings and consequences in detail, in particular in its relation to democracy as the political form in which autonomy is the core imaginary signification. This article will proceed by first suggesting some clarifications about Castoriadis's employment of the concept. This preparatory exploration will allow us in a second step to discuss why the idea of democracy is closely linked to tragedy, and why this linkage in turn is dependent on the centrality of imagination for human action. In a third conceptual step, finally, we suggest that any concept of imagination will need to take into account the plurality and diversity of the outcomes of the power of imagination. Thus, the question of the nature of the novelty that imagination creates needs to be addressed as well as the one of the agon in the face of different imagined innovations in a given democratic political setting. As a consequence of this shift in emphasis, to be elaborated further, one will be able to say more about one question of which Castoriadis was well aware, which he never addressed himself in detail, though: the decline and end of polities and political forms, the question of political mortality.     

小说叙事空间的多重维度与刘易斯的文化空间想象

本文以列斐伏尔的“空间三一论”为切入点,借鉴了包括叙事学在内的当代西方文学理论的方法和视角,并在深入分析文本的基础上着重探讨了刘易斯主要小说的叙事特征及其作为虚拟空间的意识形态性、文本内涵和文化意蕴,进而挖掘出刘易斯小说的叙事空间特质、作家的文化情感结构和小说人物文化身份的认同危机.     

论非逻辑思维在侦查中的作用

非逻辑思维是人类思维的重要组成部分,人的思维是逻辑思维与非逻辑思维的对立统一。侦查工作的复杂性和创造性决定了非逻辑思维在侦查中的重要作用。侦查人员应把握各种具体非逻辑思维形式的不同特征,注重非逻辑思维在实际侦查工作中的作用。