关于按照“三个代表”要求深化行政改革的几个问题

深化行政改革的首要问题是按照"三个代表"要求,加快行政观念变革,同时,还要紧紧抓住政府职能转变这个核心,以及把规范政府管理行为的根本举措--依法行政,真正落到实处.     

依法治监与以德育人

依法治国是我国的治国方略,依法治监是依法治国的组成部分。法制现代化要求监狱不仅要依法正确地执行刑罚,而且对罪犯的改造也赋予了时代的要求。因此,在依法治监的前提下,对罪犯的教育改造要贯彻以德育人的方针,使依法治监与以德育人达到有机的统一。     

于坚散文的诗性精神

于坚作为新生代诗歌的代表人物,其口语化写作已形成独特的个人风格。他在散文创作上对诗性精神的坚持和建立,为当代散文写作注入了新的活力。他对民间写作立场的坚持,对日常生活的关注,以及对传统和现代化之间矛盾冲突的焦虑,使他的散文充满了自由、浪漫而不飘浮的诗意,为当代散文拓展了表现空间,也使他在中国当代散文发展进程中有了不可忽视的价值和意义。     

Investigating the incidence of sexual assault in martial arts coaching using media reports

The rapidly expanding martial arts industry, which is presently unregulated within the United States, has seen multiple coaches convicted of sex offenses in recent years. However, there is currently no existing literature on sexual assault within the martial arts industry. We used major search platforms to collect media reports concerning martial arts coaches who were convicted of sex offenses within the United States. We analyzed the reports for information concerning the perpetrators, victims, and offenses as a first step toward filling the need for insight in this area. We found that a significant number of convicted sex offenders resumed martial arts coaching following initial law enforcement intervention.     

Value-Based Collaboration Between Leaders at Schools of Music and Performing Arts and Leaders at Compulsory Schools

In this study, we investigate collaboration efforts between leaders at schools of music and performing arts and leaders at compulsory schools, as well as the drivers behind the initiation and maintenance of such collaborative work. One driver is an existing concern about the lack of qualified music teachers at compulsory schools. We argue, however, that the real force behind such collaboration is a strong belief in the pure value of music and art among the collaborating leaders. Our findings indicate that value congruence and social exchanges across the organizations in question, provides the core basis for an effective collaboration.     

Profit rather than politics: the production of Lenin monuments in Soviet Latvia

The archived documents on outdoor sculpture commissions in Soviet Latvia reveal that the thesis of art having been colonized by the Communist party is too simplistic. Sculptors and architects had vested business interests in monument production. Until the mid-1950s, the cream of academically-educated Latvian sculptors was sidelined by Russians who mass-produced concrete replicas of statues portraying Lenin or Stalin. The majority of the works came through the mass production of works of visual propaganda in the Māksla art factory. Also, less-talented local sculptors were able to find a role satisfying the demand for cheap, decorative sculpture. Looking for ways to access this market, the local art elite invented aesthetic and semiotic arguments in support of the original, locally-made, Lenin sculptures that would be cast in permanent materials and could serve as the spatial organizers of new communist rituals in the urban environment for which they won municipal commissions resulting in the reconstruction of central squares in Latvian towns. What this means is that artists driven by their mercantile interests and not by ideology played an active part in elaborating the aesthetics of communist ideology, and therefore provided support for the dominant discourse of power relations.     

The Copyright Royalty Tribunal: New Arena for Communications Industry Confrontation

Drawing from in-depth qualitative research of poetry communities in New York City and Toronto, Canada, and grounded in theories of gift relations and Bourdieu's conception of fields of literary production (1996), this article argues that the sustainability of the arts must include visions of sustainability that extend beyond the economic if they are to be true to the internal experience and definitions of fields of artistic production. This article argues that relations among poets can be understood as exemplars of a gift economy and that these gift relations among poets contribute to the sustainability of this artistic field and career. A model of how gift relations are patterned among poetry communities is proposed to more clearly articulate the patterns of this process.     

Women Behind the Scenes in the Performing Arts

Within Ireland, interest in strategically supporting young people's participation in the arts has increased. Additionally, awareness of the Internet's potential for promoting engagement with the arts has grown. Addressing national directives and local needs assessments, South Dublin County Council's Arts Office initiated NOISE South Dublin (http://www.noisesouthdublin.com), an interactive Web site based on Australia Council's NOISE project (http://www.noise.net), to promote the creative development of young people in the county. This article presents the practical challenges and potential of youth arts Web-based programs for harnessing the creative engagement of youth. It concludes that the Internet is only useful if it expands online engagement offline.     

Gallery Districts of Barcelona: The Strategic Play of Art Dealers

This article focuses on Barcelona's art market to explore the underlying factors behind the clustering of art dealers in several of the city's districts. Drawing upon quantitative and qualitative data, the article analyzes how such clustering reveals a strategic action in the sense attributed to it by Crozier and Friedberg (1981 Crozier, Michel and Friedberg, Erhard. 1981. L’acteur et le système, Paris: Éditions du Seuil.  [Google Scholar]). Gallery districts are not a reflection of structural factors (economic, urban development-related, or social) but are the result of a combination of strategic choices—either individual or collective—which explain the permanence of leading gallery districts or the emergence of new ones.     

Arts and Culture Indicators in Community Building: Project Update

The author questions the arts support system in post-Communist Romania, examining whether the cultural policies during 1990-2006 have contributed to the development of the arts sector, the enhancement of artistic creativity, and the independence of artists. His analysis focuses on the institutional framework and the financing mechanisms that support artists. The author argues that the institutional configurations and the collective mentalities that dominate the cultural sector and public policy have strongly influenced cultural policy in Romania. Along with the economic difficulties, the weighty legacy of the centralized authoritarian state and the paternalistic attitude that dominated for so long in Romanian history have acted as constraints on the public support for the arts and artists. The post-Communist cultural policy remains dependent on historical patterns and, despite some attempts of reform in the late 1990s, it is only recently that a noninterventionist policy and a more effective arts support system emerged.