法律真实与新闻真实的矛盾冲突

在新闻侵权案件中,媒体往往因“失实”而败诉,关于新闻真实和法律真实的问题也引起了广泛关注。从新闻真实和法律真实的矛盾冲突以及新闻真实的特性探讨媒体应承担的法律责任,并对新闻真实的法律意义进行分析,具有重要意义。     

特定公权异化的内生性根由和现实性语义诠释

特定公权异化是在特定阶级国家中,特定公权利和特定公权力的相互异化。它具有内生性根由,在不同的社会历史发展阶段存在动态表现,主要体现为生产力水平的先决作用和生产关系的直接决定作用。特定公权异化的内在结构共分为合法异化、异化风险、隐性异化、异化入罪四个层次。从哲学范畴分析特定公权异化的成因主要有三个方面,即微环境外在性诱导、公共职能主体意识缺失、群众联系秩序链断裂,这是对特定公权异化的现实性语义诠释。     

中国道路：内涵、实质与目标

中国道路从广义上讲包括中国革命、建设和改革的道路,是中国共产党在社会主义革命、建设和改革过程中克服种种困难,经历种种挫折,逐渐开辟出来的一条适合中国国情的社会主义革命、建设和改革的道路.中国道路的精神实质在于一切从实际出发,实事求是.中国道路的最终目标就是实现中华民族的伟大复兴,实现中国梦.     

船舶压载水排放带来海洋生物入侵的法律监管——以船旗国监控为视角

船舶压载水排放的船旗国监控是防止压载水排放带来海洋外来生物入侵的第一道防线。在指出船舶压载水排放带来海洋生物入侵的现状和危害的基础上,分析了船舶压载水排放船旗国监控的内涵和法理依据,探讨了船舶压载水排放的船旗国监控与港口国监控的关系及协调,提出了中国建立压载水船旗国监控的立法紧迫性。     

The Monitoring Capacity of Civil Society Networks: A Social Network Analysis in the Case of Gender Equality Policy

The role of civil society organizations (CSOs) as a watchdog in the implementation process is widely acknowledged. However, little is known about what determines their capacity to monitor EU policy implementation and how it differs across member states. This article accounts for social capital as well as human and financial capital to determine the monitoring capacity of CSOs. To capture sources of social capital, a network analysis is applied in a comparative case article on the monitoring networks of national platforms of the European Women’s Lobby across eight EU member states. The analysis reveals that CSOs in western member states are rich in human, financial and social capital, while CSOs in CEE member states compensate for this lack of resources by linking up with the Commission.     

论闭路电视监控系统信息资料在侦查中的运用

近年来,随着我国经济的飞速发展以及人民群众防范意识的不断提高,闭路电视监控系统越来越普及,并得到了广泛运用。为了使闭路电视监控系统信息资料能够更好地运用到侦查破案中去,文章从闭路电视监控系统信息资料概述、信息资料在侦查破案中的运用、如何提高信息资料的使用效率以及使用中应注意的问题四个方面进行了论述,并提出了运用闭路电视监控系统信息资料的新理念、新方法。     

Gettin’ Down Home With the Neelys: gastro-porn and televisual performances of gender,race, and sexuality

This article illuminates how performances of gender, race, and sexuality are integrated with representations of food and food performance in contemporary American cooking television. Interrogating the intersections of food, gender, race, sexuality, and performance, this essay explores how the cable-television show, Down Home with the Neelys, depicts a nouveau gastro-porn anchored in the perceived pornographic level of blackness itself. The author reveals the ways that food and performances of food become a medium of gendering and racialization employed by American popular media. Through the lens of reality television, shows like Down Home (re)produce a certain type of black heterosexuality and gendered enactments of domesticity and space, while challenging dominant televisual reflections of black love and labor. The author argues that the Neelys self-consciously employ a vernacular aesthetic performative of “down home” (a uniquely classed, temporally–spatially situated, and sexualized blackness) to exploit the phenomenon of gastro-porn in a highly lucrative performance that signals the entangled artifice of gender, race, and sexuality. More than offering culinary expertise and education, such cooking instruction reveals the pedagogy of gender, race, and sexuality as visual lessons of a complex and contradictory authenticity. This essay reveals television cooking shows as critical sites for considering the domestic laboring of gendered and racialized sexualities. In particular, shows like Down Home evince the ways that race continues to be rendered in visual terms and the enduring edibility of blackness.     

Like a tree

The contemporary mediascape has been marked by a proliferation of popular TV genres in which the public appear as central protagonists. These genres are part of a broader shift in the relationship between media and audiences which challenges traditional conceptions of public service broadcasting and appear to represent a shift from media as public knowledge to media as constituting a space for diffuse popular engagement. A central feature of this shift has been the growing role of popular forms of expertise on television. This paper maps the main critical debates around participatory television and the role of the expert, from earlier work on talk shows to more recent discussions of reality and makeover TV. It notes a transition within the critical media and cultural studies literature from a focus on public sphere theory and questions of democratization to a growing concern with the role played by popular media culture in supporting new modes of governance based on the expert mediation of normative self-control. In this paper we analyze the role of experts on Oprah Winfrey's popular website Oprah.com, noting both the utility and limitations of a governmental perspective. Extending upon Foucault's notion of the productive nature of liberal subjecthood, the paper suggests the more positive role played by popular expertise in contributing to a media–civic culture articulated to a politics of recognition.