知识管理在工会管理应用中的创新型研究

在知识经济时代，知识发挥着越来越重要的作用，实践证明，隐性知识更是一种重要的知识资源。如何将隐性知识转化为可以共享的显性知识，为工会管理工作服务，是当前工会管理工作的一个发展趋势。本文提出了基于知识管理的工会管理策略模型。实验证明，该策略模型可以加快工会管理隐性知识转换速度，大大提高工会管理工作的效率，具有较高的推广和应用价值。     

Communication of A. P. Chekhov‘s Novels in U.K.

The article throws light upon the emergent situation in England near the close of the 19th century, when the necessity to “import” Russian literature, particularly of the prose of A. Chekhov was gradually becoming a prominent factor in the cultural development in the whole Europe. Figured in this process of the reception of Russian literature, intermediaries from both Russian and French literary circles become the objects of special attention. The Russians, such as L. Tolstoy and O. Novikova, are given as examples of those who played key roles in direct literature contacts between Russia and England, meanwhile, the French authors, like Maupassant and Zola, are considered as the front runners for the interaction of the two literatures. The typological parallels between Russian and English literature are explained through A. Veselovsky’s theory of the “meeting of opposing currents”. The concept of a double, complex reception of Chekhov in England will be developed. On the one hand, Chekhov’s reception will be linked with his evolving reputation in Russian criticism (first, “Russian” Dickens, later “Russian” Maupassant) and, on the other hand, associated with the multiple, potentially conflicting needs of the English literary community (including writers, critics, and readers). These responses can be identified in part by those English participants attending to contemporary French influence in the Russian “flood” and others approaching uniquely English problems by directly seeking out Russian literary authorities.     

Letters of love and loss in a time of revolution

While significant attention has been paid to migrant letters, usually as part of a correspondence over time, the single letter has received little attention as it has been suggested that it cannot reveal a depth of psychological insight. However, at times of crisis such as the upheaval of revolution, a single letter may provide insight into the confluence of revolution and family life. Three letters written by different members of one family present firstly, the chaos of family where the whereabouts of family members remain unknown and use coded references to family and friends as the ending of the 1956 revolution created an exodus from Hungary. The letters, written by family remaining in Hungary to a refugee mother and her young daughter, address loneliness and loss across the generations and provide evidence of the irrevocable loss of family ties and friends at the time, as an amnesty for those who left only came into effect in 1963. The letters present linguistic issues in relation to translation, ethics and the position of researcher/recipient with reference to the analysis of the letters which presents personal knowledge of their writers in the form of biographical information.     

论《论语》核心词“仁”的英译研究

《论语》是中华民族传统文化的瑰宝,其中核心词精简却含义丰富,特别是"仁"作为孔子思想的核心,是《论语》的精髓。论语的主要英文翻译者利阿瑟·韦利、辜鸿铭等人,从各自的翻译角度,采用不同的翻译策略,对"仁"进行了不同风格的翻译。今天推动和发展《论语》核心词汇的精确翻译,旨在更精确地传播中华文化,使之走向世界。     

目的论视角下的泰国电影片名汉译

在当前泰国影视剧正在中国传播的背景下，用功能学派翻译理论的目的论来指导电影片名的翻译无疑是正确的方法与手段。在翻译目的论的指导下，泰国电影片名的汉译能把电影的四项基本价值即信息价值、文化价值、审美价值和商业价值充分地体现出来；同时能总结出影片名翻译的多种方法，如音译、直译、意译与换译以及这些方法的运用条件与缘由。     

地方法规英译的语言规范研究

任何学科的产生、存在和发展都离不开时代及其自身所特有的使命。翻译亦如此。真正的法律语言没有华丽的辞藻、复杂的句型、动人的表象，有的只是简单、率直、准确、内涵深厚。法律翻译标准的核心是“信”。     

论WTO法国内转化过程中凸显的行政立法新类型——涉外经济行政立法

WTO法是适应经济全球化的发展而产生的,规范成员方政府行为的多边贸易法律体系。在大多数成员方转化适用WTO法的条件下,行政立法必然分化出新类型的行政立法——涉外经济行政立法,即有权行政机关为了调整涉及其他国际法主体所肯定的,具有其法律意义因素的经济关系而进行的行政立法。此种新类型的行政立法是经济全球化的必然产物,具有显著的特征和重要的功能。     

多部译作互补 理解原作透彻

翻译是对原作的理解和阐释,一个人,一个时代对一部作品的理解和阐释是有限的,一部原作的各种译作具有互补性,阅读多部译作有助于全面透彻地理解原作。     

盗火者的心迹——鲁迅“直译”主张的原因探究

鲁迅提倡"直译"之法,表面看来是对"近世名人"即林纾等人的反驳,但其实背后隐藏着深刻的原因,本文即从语言、文体、"译经意识"以及时代转型等四个方面进行分别进行论述。     

影视艺术语言翻译中的“信、达、雅”问题——兼谈中文影片名的英译

“信、达、雅”的翻译标准是影视艺术语言翻译中的基本准则,要做到既适用于影视艺术语言翻译又有其特有的内涵。影视艺术语言翻译不能拘泥于原名的形式和内容,而应在紧扣影片主旨的基础上,妥善处理中西方语言和文化的差异,充分考虑译语的表达习惯和观众的反应,结合影片和原文的风格追求审美价值。