Aesthetics and politics in North Korean socialist realist painting: On approved ways of seeing

This paper inquires into aesthetics and politics in North Korean socialist realist painting by way of an examination of North Korean journalist Han Chol Ju's article series “Visit to Korean Art Gallery” and three paintings in Korea Today (2010–2011). The paper explains late North Korean leader Kim Jong Il's national-Stalinist conception of Juche socialist realism in On Fine Art (1991); considers one Korean painting (Chos?nhwa), two oil paintings (yuhwa), and one jewel painting (pos?khwa); and addresses approved ways of seeing in political-aesthetic experience and response in the North Korean situation.     

Aesthetic Negativity and Aisthetic Traits

Abstract

This article concerns the notion of aesthetic negativity, and related ideas regarding the autonomy of art. After giving some initial definitions and a brief historical sketch of these concepts, we will examine the definition proposed by arguably the greatest thinker of aesthetic negativity, Theodor Adorno, and its recent semiotic reconstruction in the work of Christoph Menke. This reconstruction configures aesthetic negativity and autonomy jointly as the capacity of artworks, and the experiences that they occasion; to processurally negate “automatic” modes of understanding. This account is then critiqued, and contrasted with views on aesthetic experience that stress its nonconceptual and asemiotic aspects, and the close affinity of this modality of experience with perceptual presence and affective intensity, with a clear reference to the phenomenological tradition. Some recent ideas about how semiotic and phenomenological theories regarding art can interact are then cited, and an undertheorized aspect of their connection introduced, which is the main original import of the article. This connection, which is furnished by the concept of aisthetic trait, is derived from psychoanalytic metapsychology, and is an example of how the meaning and presence effects of art can act not just in a competing synchronic fashion, but can morph into each other over time. A trait is a signifier-like perceptual remnant of a prior subjective experience of high intensity that provides a kind of ratification of the experience that endures within the life history of an individual. This is then shown to have relevance to the previous topics of aesthetic negativity and autonomy in terms of the way that the trait mechanism may bring to light important diachronic aspects of aesthetic experience that are currently absent in other accounts in the literature.     

美术类在线考试系统的设计与展望

随着数字技术、多媒体技术、计算机网络技术以及人工智能的飞速发展与广泛应用,美术专业学习的方式和考核测评方式发生了革命性改变。数字美术正改变和丰富着传统的美术创作理念与规律,并顺应信息化数字时代的发展潮流,成为美术创作领域新的艺术形式。网络化考试利用计算机与网络技术开发考试系统,适应校园信息化建设和远程教育的现实需求,将成为新型的主流考试测评方式。     

艺术秩序与《秃头歌女》中的时间

艺术离不开秩序,这是艺术之为艺术的根本,即使是以混乱的碎片为主体的荒诞派戏剧也不例外。荒诞派戏剧是通过使混乱达到极至从而进入自否定状态,因此,它是作者精心选择的有意义的混乱。《秃头歌女》中的挂钟敲出的贯串全剧的错乱钟声,就使混乱的剧情有了一个秩序。     

Co-Evolution of a University Department and a Dance Company: Creation of Value of Art in a Community

In Korea, arts and culture in the provinces are at a disadvantage in many aspects. We examine the difficulties of being a provincial dance organization. We analyze the strategies to overcome these difficulties and the resulting process of the co-evolution of a department of dance at a provincial university and its offshoot dance company. In their endeavor for survival, these dance organizations seek to be a part of the community with community dance programs that induce the participation of residents. The resulting values created in the community of the Western District of Daejeon City and the success factors of these organizations are also analyzed. Some implications of the co-evolutionary process to other provincial dance organizations are discussed.     

中美现有技术抗辩制度之比较

本文从中关专利无效宣告制度的差异入手,分析了现有技术抗辩制度在中关专利法中的不同地位及其不同功能。现有技术抗辩制度的适用规则由该制度在专利法中的地位和功能所决定。本文通过回顾中美适用现有技术抗辨制度的部分典型案例,分析了两国在现有技术抗辩制度适用规则上的差异,以及这些差异给我国带来的启示。     

Contradictions in Participatory Public Art: Placemaking as an Instrument of Urban Cultural Policy

This article addresses the current focus within urban cultural policy on using art as a tool in urban development. Based on theories of participation, democracy, and public art, the article sets out to investigate critically the concept of placemaking. The discussion is based on an analysis of the public art project Placemaking, which took place during 2015 in eight municipalities around Copenhagen in Denmark. I argue that, when used as a tool in urban development, participatory public art engenders contradictory encounters. These encounters challenge the cultural political effort to democratize art and culture.     

黔西南布依戏调查综述

本文通过实地调查,结合民族学、戏剧学及民族戏剧学的研究方法和有关理论着重介绍了布依戏的戏剧艺术形态,并对布依戏这一少数民族戏剧的源流进行了简要分析,同时对布依戏产生、发展、繁荣、衰微和新生做了历史的梳理,为进一步研究布依戏提供了详实的材料。     

浅议狄德罗美学、文艺理论的哲学思想

本文从新的角度,阐释了狄德罗在论证美的本质问题以及文艺创作理论中所体现出来的哲学思想,并揭示了这种思想在当时美学、文艺发展进程中的创造性意义.     

美术治疗中的儿童绘画评价——基于系统论的视野

在系统论的视角下,儿童绘画评价既是美术治疗中的一个重要因素,同时也是一个有机的系统.在美术治疗中,儿童绘画评价要立足于治疗过程中治疗师与儿童的互动关系,综合考量儿童所处的生活背景对儿童的"绘画动机"、"绘画过程"和"绘画作品"的影响,进而对儿童的行为表现等作出全面、系统的诊断和评价,最终制定和实施有针对性的治疗方案.