清至民国时期西藏地震研究

根据已整理出版的西藏地震史料,在统计清至民国时期西藏震灾(M≥4.75)数量的基础上,与同时期水、雪灾害作了比较分析,认为震灾虽然数量较少,但其社会危害性不容忽视。并在此基础上考察了清至民国时期西藏震灾的地理分布特征及其地震的巨大损失和危害、政府的灾后赈济措施。     

La Nouvelle Vague: Epiphanies, Encounters, Events

A recent collection of essays,Feminist Perspectives on Law and Theory,is here taken as the starting point for an analysis of the political trajectory of feminist jurisprudence. The ‘new wave’ of feminism borrows much of its inspiration from continental theory – from Derrida, Deleuze and Irigaray – and has been subject to criticism for its attention to language and its turn towards culture and aesthetics. Reviewing the materialist bases of the new wave, and particularly its concern with the immediacies of the body and events, it is argued here that it represents a return to the radicalism of feminist legal theory. This revised version was published online in July 2006 with corrections to the Cover Date.     

为官一任 造福一方——试论清代名臣陈宏谋的政绩及为官之道

陈宏谋是满清“康乾盛世”的重臣，一生遵从“为官一任，造福一方”的为官之道，政绩累累。同时，也是一位典型儒官，推行“民本”仁政，成为清代出色的政治家和思想家。     

侵占罪疑难实务问题

本文对侵占罪的若干疑难实务问题进行了研析。文章认为 ,侵占罪之“拒不退还”或者“拒不交出”的要件 ,应当于侵占人第一次以某种方式明确向财物所有人、占有人或者他们所委托的人以及有关机关表示其拒不退还或者拒不交出侵占物的意思时即已成立 ;在任何情况下 ,对侵占罪都不能以公诉形式提起诉讼 ;侵占罪是即成犯而不是继续犯 ,其追诉时效期限应当从侵占人表明其拒不退还或者拒不交出侵占物的立场时起算 ;侵占案件中的被害人在法定的民事权利保护期限内未主张要求侵占人返还侵占物的 ,并不影响他提起刑事诉讼的权利 ,只是他不能再同时提起附带民事诉讼 ;检察机关不能对一审尚未生效的有关侵占案件的判决提起抗诉。     

浅论明代都察院与六科给事中制度

在明代,随着封建专制主义中央集权的政治体制日益向极端的君主制方向发展,监察制度也更为严密与完备,是我国古代监察制度高度发展时期。通过对明代都察院与六科给事中制度进行探讨,可以进一步了解明代监察制度的作用、优点、弊端。明代都察院与六科给事中制度对现今中国监察制度具有一定的借鉴意义。     

明前期吴中诗学的审美取向

与明前期闽派、浙派诗人以全面崇盛唐尊李、杜为主流的诗学观不同,吴中诗人对诗歌的审美取向有着自己鲜明特色,那就是偏重对浑朴自然艺境的崇尚和对韦应物、柳宗元诗歌风格的推尊.他们反对刻意为诗,尊重自由抒发,追求浑朴自然,致赏清雅闲淡的孤情高趣,寄寓不累世务的自由情怀,体味孑立特起的卓绝人格,展现自由创造的潇洒风度,既体现了吴中地区怡情悦性崇尚审美的诗性人文传统和崇尚隐逸向往自由的生活习性,也一定程度上反映出政治空间挤压下士人的无奈.     

时间在法律上的意义

时间不仅仅是自然科学意义上的范畴,也是社会科学上的范畴。世间一切时间的变化,都导致法律的变化。时间在法律中无所不在,尤其在规范普通生活的法律中,时间限度与时间因素发挥着重要作用,体现着法律的合理性。法律与时间的关系如此密切,如此不可分离,研究时间在法律上的意义,具有重要的法学研究价值。     

Had we but world enough,and time: integrating the dimensions of global justice

Requirements for a decent life are to be found in the dimensions both of human time and ecological space. While the latter has attracted attention from some global justice theorists, the former is a comparably neglected matter. This paper aims to integrate temporal and ecological perspectives in order to provide an enriched conceptual framework for grasping what global justice means today. We begin by showing that while contemporary political philosophy tends to assume a somewhat undifferentiated conception of time, treating temporal justice as a future-oriented concern distinct from issues of intra-generational justice, there are richer understandings to be found in some influential schools of critical social theory. Drawing then, particularly, on Alf Hornborg’s theory of ‘unequal exchange of time and space’, and supplementing this with insights from David Harvey, we analyse three ways in which disadvantage can be perpetrated in the dimension of time. We then show how those categories of temporal disadvantage broadly correspond with the three basic rights identified by Henry Shue. On this basis, we claim there is a strong argument for regarding temporality as an integral aspect of global justice here and now, for the generation already – although too often precariously – living.     

《唐律疏议》中性别法规范表述技术评析

以《唐律疏议》为传统中国调整两性法律关系的代表进行分析发现,其大量运用性别相关的法律术语、构词形式等技术来对律文进行表述,标志着性别法规范立法水平的提高和技术的完善。分析《唐律疏议》中性别法规范的表述技术,可明显看到体现礼教内涵和性别偏向的趋势,这主要是受了中国传统的性别差等立法观念的影响。     

Of clocks ticking: Heterotopic space,time and motion in William Kentridge’s The Refusal of Time (2012)

In William Kentridge’s The refusal of time (2012), comment on time as both a scientific and a human entity is produced. A complex mix of the visual and nominal vocabularies of early ‘rudimentary’ technological invention, scientific experimentation and contemporary digital language characterises the artwork. Conceptually, the structural, technological and visual components of the work predominantly articulate figure tropes of space, time and motion. The work is explored through the lens of heterotopia as articulated by French philosopher michel Foucault, with special attention to the artist’s articulation of space, time and motion. the construal proceeds through the investigation of the visual metaphors implied by the organisation of space; the depiction of movement; time ticking; the allusion to human beings’ fascination with invention; science and technology; and the products thereof, especially the creation of automatons. interpreting the work as representing heterotopic temporality in space, it is argued that such heterotopic entities defy clock time as stringent ‘regular’ time. an examination is conducted of the meta-narratives on science and technology alluded to in The refusal of time, including mention of the early development of automatons; modernistic French thought; advancements in physics around 1900; and postmodern takes on science and technology.